WebProNews

Tag: Entertainment

  • ABC, NBC, CBS Block Content from Viewers Using Google TV

    Not only is Hulu being blocked on Google TV, but so is the content at network sites like ABC, NBC, and CBS. Essentially, the TV stations are just blocking people from watching their content on the web (via their own sites). I’m having a hard time figuring out why this makes sense for a variety of reasons. 

    First of all, Google TV is simply providing a web browser for users to access web content on their TVs. With regard to the content, it’s no different than if you were to hook up your computer to your TV and go to these stations’ sites. 

    How is making it harder for customers to access your content a good business model? Somebody please tell me

    Second, the networks are just going to drive Google TV users (and possibly others simply out of spite) to access their content from some other site that is streaming it without permission or to download pirated copies of shows. 

    What’s Google think about it? 

    "Google TV enables access to all the Web content you already get today on your phone and PC, but it is ultimately the content owners’ choice to restrict their fans from accessing their content on the platform," a Google spokeswoman said in a statement. as quoted by the Wall Street Journal. 

    Here’s another interesting sample from that WSJ article:

    Some TV executives said they were worried their shows would be lost in the larger Internet. Some, including Disney and NBC, were also concerned about Google’s stance on websites that offer pirated content, according to people familiar with their thinking.

    So just blocking the content from the real source must be the solution right? 

    Will the networks start blocking Chrome users too? Really, they already are to some extent, as Google TV  uses Chrome for its web browser (albeit a limited version). Maybe they’ll block Firefox users. What about IE? Microsoft also has Bing, which could drive people right to the network sites too…even on a TV!

    Seriously, why have content on the sites at all? 

    Who wins as a result of the networks doing this?

    Of course Google doesn’t win (which I’m guessing is the point), because they have a new product that is potentially game-changing and now they’re trying to sell it, but users can’t access the shows they want directly from these networks on the web, and that’s not going to help sales. I don’t see how the networks win, because they’re alienating viewers and driving them to alternative sources or alternative programming altogether. Obviously the consumers don’t win, because they’re simply inconvenienced into having to find said alternatives, after paying the money for Google TV, expecting the entire web at their finger tips, as advertised. 

    More Views for Online Video Providers

    Online video content providers could actually gain some viewers from this. If the major networks don’t want the viewers, there are a lot of people craving audiences out there, that will happily take them. A lot of them still have DVRs, so they can still record shows from the networks and watch them whenever they want, while fast forwarding through the ads (which they wouldn’t be able to do watching the shows online). 

    Instead of blocking access, perhaps the networks should be more worried about providing better content to compete with the rest of the web. They are already in the best position to do so, financially, and from a brand perspective. 

  • MTV: Online Video Will Not Napsterize Broadcast Media

    It’s become clear that the television industry is at the beginning of a revolution as connected TVs and devices that bring the web to TV are really starting to hit mainstream interest. There are plenty of reasons to speculate that the industry will go through a similar pattern as we’ve seen with print and music. With so many more options available, people will look more and more beyond what the major networks are offering, and what the cable/satellite providers are providing. 

    The topic of the closing keynote at BlogWorld today was "The Future of Web Videos". One audience member asked the question that was surely on most of the minds in the room: will broadcast media be disrupted like the music industry was disrupted by Napster? 

    Dermot McCormack"I don’t think the Napsterization will happen to television," said MTV’s Digital Head, Dermot McCormack. He said he doesn’t think it’s going to be disruptive, adding that "smart companies will adapt like they always do."

    "We’re smack in the middle of a transition period," he said. 

    It’s clear that the emerging technology is very much on the minds of professional video content creators though. McCormack is excited about mobile and tablets. The whole panel, which also consisted of Revision 3 CEO Jim Louderback and Funny or Die CEO Dick Glover seemed to agree that focusing on an app strategy across as many devices as possible should be a high priority. 

    Sony is apparently showing off their new Google TV model in the Expo hall. We’re going to have to swing by to give it a test drive.

  • Survivor Creator: What Kind of Idiot Changes a Successful Format?

    Mark Burnett, an executive television producer behind shows like Survivor, The Apprentice, The Shark Tank, Are You Smarter Than a 5th Grader, and many others (he was even behind the MTV Movie Awards where Bruno landed on Eminem), took the time today here at the BlogWorld & New Media Expo in Vegas to draw some parallels between his  experiences in television and searching for success in new media. 

    Frankly, he almost painted something of a doomy picture for those aspiring to find such success, discussing how truly hard it is to succeed. Success is unpredictable,  but "the unpredictable nature is the creative driver" he said. He says shows like Survivor or American Idol are so successful in part to their unpredictability. You  don’t know who’s going to get eliminated from week to week, compared to a show like CSI or House, where you generally know that the main characters will probably not die. 

    Interestingly enough, it’s that same unpredictability that helps shows like Survivor and American Idol thrive in the social media universe. People get excited about who will win and who will lose, and they frantically discuss every week, all week, before and after and during the show. 

    Mark Burnett Talks Social Media from BlogWorld

    Burnett says you can never be certain who you should marry, whether or not you should start a business, or whether or not you should change jobs, but most people that  find success start out not knowing if their ideas are going to work. Basically, you’ve got to be willing to jump in and take a risk. Of course not all of your social  media endeavors will be all that risky, but I think the main message here is that you shouldn’t be too afraid to take a chance. 

    That said, Burnett does not recommend making drastic changes to successful formulas. "You have to be careful," he says. "What kind of idiot changes a very successful format?" 

    Burnett is a self-confessed "mental midget" when it comes to social media, but he says, "I’ve become very aware of how important it is."

    "The social, electronic media world makes me feel stupid," he later added. "…I’m just trying to keep up."

    Now he’s working on a TLC show about Sarah Palin’s adventures in Alaska, which they let Steve Garfield announce via his YouTube and Twitter accounts to watch the power of social media. 

  • Here’s What a Google TV Remote Looks Like

    Here’s What a Google TV Remote Looks Like

    ABC Nightline ran a story last evening about Google’s plans to take over the living room with Google TV. As you may know, Sony is one of the launch partners and will launch HD TVs and Blu-ray players supporting the service. 

    During the story, which has been made available by Hulu, a new Sony commercial for a Google TV HD TV is displayed, along with a remote control for that TV, which comes with a keyboard and directional pads (hat tip to Engadget). 

    It’s important to remember that the remote is just for one Google TV device. Google TV will come to different devices, which will have their own controls. You will also be able to use your Android phone or iPhone as a remote control. 

    One feature of Google TV that has kind of been overlooked is that you can use voice search to control it through your phone. Much has been made about the fact that you can control it with your phone, but as Google TV product manager Rishi Chandra demonstrates in the video, you can simply speak to search for what you want to watch. Just in case we weren’t lazy enough, sitting on the couch watching TV, we can somehow get less exercise during that time. 

    The video claims that when Google unveiled Google TV earlier this year, they had little more to display than a cartoon-like experience, but that’s not exactly true. They did have a cartoony demo video, but the company demonstrated much of Google TV’s functionality live at Google I/O. It was quite impressive. 

    Read here for our thoughts on why Google TV has the opportunity to make a huge impact on the web, and why that means big things for your business. 

  • Hulu Should Be Better at What it Does

    Hulu Should Be Better at What it Does

    Late last week, a deal between FOX and DISH Network came to an end, leaving DISH Network subscribers without FX, FOX Sports, and the National Geographic Channel. FOX raised their rates and DISH didn’t want to pay. While the two companies continue negotiations, some of us wonder how we are going to watch the shows that we regularly enjoy. 

    There are at least 5 shows I regularly watch on FX, and I have DISH Network, so naturally, this presents a problem for me. 3 of these shows are currently in mid-season. Now, I get to figure out where to watch the next episodes. My first thought was Hulu. They have FOX and (FOX-owned) FX content. I remember watching full episodes of "It’s Always Sunny in Philadelphia" there some time ago. I remember that they even had episodes a week after they aired. I can deal with that if I have to. 

    Too bad they don’t do that anymore. 

    Looking at that show’s page now, there are no full episodes available, let alone the newest ones. Now the show’s page on Hulu says they’re able to post new episodes 30 days after they air, starting later this month. The same goes for "The League". The Same goes for the "Sons of Anarchy". Awesome. Thanks Hulu. Thanks FOX. 

    The League on Hulu

    AdAge has an interesting and timely article about a speech given by Hulu CEO Jason Kilar this week. According to the article, he basically told the "big media" to either serve consumers or lose them. AdAge’s Nate Ives reports:

    That’s particularly true because media consumption is basically an optional activity, he said. It’s habitual and important for most of us, he argued, but no one’s going to actually die if they don’t see the latest episode of "30 Rock." And within media, as the magazine publishers in the room were well aware, mushrooming options mean you’ve got to serve consumers or lose them. It’s no sure thing that a young person’s going to watch "The Amazing Race" instead of visiting Facebook. "Content is discretionary, so you better focus on convenience," he told the audience.

    Convenience. What a concept. It seems like FOX is going out of its way to make it as inconvenient as possible for me to see the shows I watch. Meanwhile, DISH claims to be keeping up the fight

    "We regret that FOX Networks, the owner of some Regional Sports Networks, FX and National Geographic Channel, removed their channels from the DISH Network line-up," the company says.  "FOX has demanded a rate increase of more than 50%. An increase this large would force DISH Network to pass these costs on to our customers, which we are unwilling to do during these tough economic times."

    "DISH Network will continue to work tirelessly for a fair agreement in order to bring these channels back at the earliest possible time."

    Maybe we’ll get lucky and they’ll bring the channels back in time to see episodes that haven’t even aired on Hulu yet, so we’ll either have to DVR them while we wait to be caught up. 

    By the way, none of these shows are even available on Hulu Plus for $9.99 a month.

  • Mark Zuckerberg Talks Success After Dropping Out of School (on The Simpsons)

    Facebook CEO Mark Zuckerberg has been in the press a lot over the last couple of weeks. Ok, he’s been in the press a lot all year, but particularly as The Social Network approached its theatrical release Friday. 

    Zuckerberg also announced a $100 million donation to public schools and the launch of a new foundation called Startup:Education. Some considered the move little more than a PR tactic to improve his image as The Social Network paints it as one who betrays, (at least to some – the beauty of the film is that this is very open to debate). Others simply praised the gesture. 

    Either way, Zuckerberg displayed a sense of humor about the topic of education in a voice-over he contributed to The Simpsons, which aired last night. 

    In the clip, Lisa Simpson asks Zuckerberg to talk about how education was instrumental to his success. To this, he reponsed, "Well, the truth is, I dropped out of Harvard."

    "Better earnin’ than learnin’," declared the character of Nelson. 

    "Hell yeah! I’ll get the best kind of degree…honorary baby!" exclaimed Zuckerberg. He then pointed to Bill Gates and Virgin Airlines’ Richard Branson as other dropouts. A janitor steps out and says he hasn’t done too well for himself, and proclaims that he graduated. 

    The Social Network topped the box office over the weekend. Read our review here

  • The Social Network Runs Away with Weekend Box Office

    The Social Network led the box office over the weekend. The film, which opened on Friday, took in $23 million, opening in 2,771 theaters, according to BoxOfficeMojo. 

    The film grossed more than doubled the number 2, 3, and 4 movies – Legends of the Guardians: The Owls of Ga’Hoole, Wall Street: Money Never Sleeps, and The Town. There were only two other major releases to open at the same time: Case 39 and Let Me In. These both brought in only just over $5 million a piece. 

    Catfish, the other Facebook-related movie that’s out, has so far grossed a total of $1,638,000. It has played in far less theaters, however, and has not received a wide, mainstream release.

    The Social Network

    It will be interesting to see how much The Social Network takes in when it’s all said and done. The movie has received a great deal more buzz than I think many of us expected when we first found out they were making a movie about Facebook. That’s with good reason though. It’s a solid film. 

    Read our review of The Social Network here. You can also watch director David Fincher, screenwriter Aaron Sorkin, and co-star Justin Timberlake share their thoughts about Facebook and the film. 

     

  • Microsoft Appoints New Division Leaders

    Microsoft Appoints New Division Leaders

    Microsoft announced some new leadership promotions today. The company promoted Kurt DelBene to president of the Microsoft Office Division, Andy Lees to president of the Mobile Communications Business, and Don Mattrick to president of the Interactive Entertainment Business.

    "Today’s promotions underscore the strength of Microsoft’s collective leadership team and set us up well to execute against a powerful lineup of products this fall," said CEO Steve Ballmer. "Not only is the team ready to capitalize on major momentum with our existing products like Office, SharePoint and Halo: Reach, but they are simultaneously bringing entirely new experiences to market with Windows Phone 7 and Kinect for Xbox 360."

    DelbeneDelBene has been with Microsoft for 18 years. Most recently, he led the engineering and development teams for the Microsoft Business Division, including the development of the recently launched Office 2010 products and services.

    The company is quick to point out that Office 2010 has already become the fastest selling consumer version of Office. As president, DelBene assumes responsibility for the Microsoft Office Division, including both the engineering and marketing functions for clients, servers and services for information workers, including Office, Exchange, SharePoint, Lync, Project, Visio and Microsoft’s speech technology investment.

    Lees has been with the company for 20 years. He has been at the center of the development of Windows Phone 7. He’ll continue to oversee the overall product development and marketing of the company’s mobility efforts. 

    Mattrick doesn’t have as much history with the company,having joined in just 2007, leading the Interactive Entertainment business for Microsoft. He’ll oversee Xbox 360, Xbox LIVE, Kinect, Zune Music and Video, and Mediaroom, as well as PC and mobile interactive entertainment.

  • Justin Timberlake, Aaron Sorkin Discuss “The Social Network”

    Comedy Central was all about The Social Netork last night. The Daily Show had Justin Timberlake, who portrays Sean Parker in the film, and The Colbert Report had Aaron Sorkin, the screenwriter. 

    Timberlake says he’s "ridiculously stupid with computers".  He calls Zuckerberg a "brilliant mind".  

    Colbert asks Sorkin fiction or fact? Sorkin responds, "Fiction…I’m sorry, fact…it’s absolute non-fiction." 

    He goes on to say he wants to "start fights in the parking lot" about which characters are right and wrong. He also says viewers will enjoy the movie whether they love or hate Facebook.  

    He also has a bit of interesting commentary about social networking in general. "I do think that socializing on the Internet is to socializing what reality TV is to reality."  

    Colbert’s response: "Well, we’re not going to get any deeper than that." 

    Here’s Timberlake on The Daily Show:

    The Daily Show With Jon Stewart Mon – Thurs 11p / 10c
    Justin Timberlake
    www.thedailyshow.com
    Daily Show Full Episodes Political Humor Rally to Restore Sanity

    Here’s Sorkin on Colbert:

    The Colbert Report Mon – Thurs 11:30pm / 10:30c
    Aaron Sorkin
    www.colbertnation.com
    Colbert Report Full Episodes 2010 Election March to Keep Fear Alive

    See what director David Fincher has to say about Facebook here. Our review of The Social Network is here

  • David Fincher Shares Real Thoughts on the Facebook Story

    David Fincher, the director of The Social Network shares some interesting thoughts about the story told in the movie – the founding of Facebook. 

    In a press conference following a screening of the film in New York, Fincher lets loose on his thoughts about how the situation among Mark Zuckerberg, Eduardo Saverin and Sean Parker went down. 

    Fincher says calling the Mark Zuckerberg character an "asshole" is a "reductive and overly-simplistic" way of putting it. 

    Screenwriter Aaron Sorkin, Fincher, and the actors portraying those characters talk about their Facebook experience (or lack thereof). Andrew Garfield, who plays Saverin, called his Facebook experience negative "like it is for most people".

    Justin Timberlake, who plays Parker, says he doesn’t have time to look at pictures of his friends.

  • Movie Review: The Social Network (The Facebook Movie)

    It’s not often I get the opportunity to write movie reviews for WebProNews, because it’s not often that major motion pictures are released about subjects within our general scope of coverage. I had the opportunity to attend a screening of The Social Network last night, so it seems appropriate that I offer my thoughts about the film here. 

    Do you plan to see The Social Network? Let us know.

    Interestingly, the theater had tighter security than some airports I’ve been to – no phones allowed. We’re talking metal detectors, searches, and multiple guards. 

    I’m not going to get into all the fiction vs. non-fiction stuff too much. Anybody who has read about the founding of Facebook has probably formed their own opinions, while few can really say with any certainty how it all went down. There are multiple books about it. There are countless articles about it, covering it from numerous angles. 

    Facebook has dismissed the movie as fiction. Aaron Greenspan, who settled with Facebook over a dispute last year (and wrote one of the books) calls it non-non-fiction. I’m going to try to look at this simply as a movie goer and someone who has read The Accidental Billionaires, the book on which the movie is based. Any references I make to people involved in the story will be based upon The Social Network’s portrayal of them – their "characters" if you will – not necessarily their real-life counterparts. How close they are to one another is up for anyone to form an opinion about. 

    Based on the real life Mark Zuckerberg’s public appearances, interviews, etc., I would say that Jesse Eisenberg was a good casting decision. Based on the book, I think he did a fine job portraying the Zuckerberg character, as did Justin Timberlake portraying Sean Parker. In fact, based on the book, I don’t think any character was miscast (real-life is harder to say, as an outsider). 

    The film did a pretty good job of capturing the various emotions of the story itself (as did the book). There are quite a few laughs throughout. You can feel the betrayal and the toll it takes on those betrayed (with perhaps the exception of one character, which was accompanied by more detail in the book – I won’t name names, to avoid spoilers for those unfamiliar with the story). For some the betrayal comes off as heartbreaking, while for others it comes off as humorous. 

    The Social Network

    Trent Reznor’s score was adequate. Those familiar with Nine Inch Nails’ catalog will recognize the majority of the score as his (save for things like a rendition of "In the Hall of the Mountain King"). The score does set an interesting tone for the story that the book is unable to accomplish, simply as a result of the medium. 

    The film is not director David Fincher’s finest work (I’m still partial to Se7en, Fight Club, and The Game), but it’s certainly on par with, if not above titles like Panic Room, Zodiac, and The Curious case of Benjamin Button, strictly in terms of entertainment value (we’ll leave Alien 3 out of this). 

    Screenwriter Aaron Sorkin did a pretty good job of bringing the book to the screen, though there are some things left out. This is pretty standard for any book-to-film project though, so I can’t take too many points away for that. Trimming kept the film at a good  two-hour runtime (approximately).  

    A lot of the talk about this movie has been about its portrayal of Mark Zuckerberg, and how it will affect people’s opinions of him and the company. While clearly, the company isn’t thrilled about it, I don’t think perception will be as bad as they might think. Much of the audience seemed to laugh along with Zuckerberg through the majority of the film, and while some may have found numerous actions he took coldblooded, I think for the most part, much of the audience empathized with him, at least to some extent. That’s in the storytelling. The characters. Real life? You tell me. 

    Have you seen The Social Network? Do you plan to? Tell us what you think about it.

  • Kinect to Launch with Campaigns from Chevy, Sprint & T-Mobile

    It turns out Microsoft’s Kinect, the Xbox add-on that lets users play games without controllers, is not just entertainment for users, but an interesting advertising platform for businesses. Microsoft revealed some campaigns from Chevorlet, Sprint and T-Mobile, which will launch with Kinect on November 4. 

    "With Kinect for Xbox 360, we are removing the last barrier to interactive television — the controller," said Mark Kroese, general manager of the Interactive Entertainment Advertising Business Group at Microsoft. "We have seen tremendous momentum from the advertising community, including big campaigns from Chevrolet, Sprint and T-Mobile. These visionary marketers are leading the entertainment revolution with ground-breaking campaigns that are highly engaging."

    For Chevy’s campaign, Kinect users will be able to test-drive the Chevrolet Volt in the game Kinect Joy Ride. In addition to this, after viewing a video ad on Xbox LIVE or on the Web, users will be able to unlock and download  Chevrolet Cruze, Camaro and Corvette cars to drive in the game. Chevy will follow that up with a New Year campaign in the Kinect Hub showcasing the same vehicles.

    Kinect for Xbox

    Sprint will sponsor the launch of "Kinect Adventures" with a co-branded retail experience on Xbox LIVE and a sponsored contest in which players of the game have the chance to get their pictures featured on Xbox LIVE. 

    T-Mobile will have fixed product placement throughout Kinect Sports, including volleyball net signage, custom bowling balls and foam fingers held by the arena audience. T-Mobile is also sponsoring a  Kinect Sports contest.

  • URFilez Takes Music Service “Where iTunes & Pandora Fear to Tread”

    New York-based URFilez has developed an MP3 service, launching today in Bahrain, saying this is "where iTunes & Pandora fear to tread". The company says it has content from all four major record labels (Sony, Warner, Universal and EMI). The company has also announced a partnership with Bahrain telco giant, Betelco to offer MP3, on-demand streaming and perssonalized radio mobile apps for BlackBerry, iPhone and Android users. 
    "Digital music services like iTunes, Pandora and Amazon MP3 may be popular in the US, but for those living in the Middle East, piracy and illegal downloads are the only options for consumers wanting to listen to their favorite artists," a representative for URFilez tells WebProNews. "That’s because legitimate services like iTunes, are simply not available in the region."

    "Who knows if iTunes, Pandora, Amazon MP3, or any of the other digital music sites will respond with similar services in the region, but it will certainly be interesting to watch," she says. 

    URFilez launches in Middle East

     

    URFilez is run by former Zing Technology (sold to RealNetworks for $75 million) CEO Hassan Miah, who was also formerly the managing director and leader of the entertainment and media investment activity at Intel Capital.  

     

    "URFilez plans to expand into Saudi Arabia next, followed by the broader Gulf region by the beginning of 2011, and Asia by the end of 2011 – another area that is rife with music piracy and underserviced by the popular digital download sites," the rep says.
  • What’s Going on With That Twitter Documentary?

    Last year, we interviewed Siok Siok Tan, who was getting a documentary about Twitter off the ground. Now, Twittermentary is nearing the end of the production cycle.

    "We are gearing up for a sneak preview in NYC on Oct 7th 6-9pm at Roger Smith Hotel," Tan tells WebProNews, giving us an update about what’s going on with the film. 

    "We just launched a crowd funding initiative on IndieGogo to raise 10,000 USD as the finishing funds for the film," she says.

    The following teaser has been released for the film:

    "The making of the film has been turned into university level case study on innovation and new media," Tan says. "The case study was recently test taught at the Singapore Management University and will soon be available for distribution world wide."

    Twittermentary may not get the attention that The Social Network has received, but it should be interesting for social media enthusiasts, as it tells stories about how Twitter has affected the lives of real people.

  • mSpot Android App Gets 500,000 Downloads in Two Months

    mSpot announced today that the Android app for its streaming music service has been downloaded 500,000 times.This is fairly impressive as the app has only been out for two months.

    If you’re unfamiliar with mSpot, it lets you upload your music files to store in the cloud, and stream them from your computer or mobile device. 

    "We speculated a year ago that the demand for cloud based entertainment would be on the rise due to the growing number of media capable devices coming to market such as smartphones, set-top boxes, tablets and PCs," says mSpot CEO Daren Tsui. "What we didn’t expect is how quickly the demand skyrocketed, as exhibited by our early organic growth just on Android."

    mSpot is now offering new features including storage options that allow users to keep up to 40 GB of music in the cloud as well as voice-activated features via Google Voice. Other new features include prioritized uploading by Artist, Album and Playlists, an option to stream music (not save on phone) to conserve SD card space, and loading songs quickly on the phone via USB sideloading.

     

    The company cites a recent survey by Pew Research, saying cloud and mobile computing will overtake PCs by 2020. "mSpot user data shows that mobile is gaining traction among users as an entertainment and cloud platform," the company says. "According to internal company usage data, those customers who have the option to listen via both Web and Mobile spent the majority of the time (83% in August) listening on mobile."

    The updated app is available in the Android Market, and to all PC and Mac users at www.mspot.com. mSpot also has a streaming movies service for Android, iPhone, iPad, Blackberry, Palm and over 50 other handsets.

  • Netflix Launches in Canada Without DVDs, Smaller Streaming Catalog

    Netflix Launches in Canada Without DVDs, Smaller Streaming Catalog

    In July, Netflix said it would expand into Canada this fall, and the company made good on that promise as it made the announcement today. This marks the first international expansion of the company. 

    Canadians might not be too excited, however, as the launch does not include Netflix’s DVD rental service, but only its online streaming service. In the U.S., customers pay for the DVD service and get the online streaming service for free as an added bonus. Canadians get to pay $7.99 (Canadian) for the streaming service only. 

    Update: WebProNews asked Netflix VP, Corporate Communications Steve Swasey if the company has plans to offer DVD service in Canada in the future. He simply replied, "Pure streaming in Canada."  He also notes that the Canadian catalog features different titles and is based on different licenses. 

    "Netflix members in Canada can instantly watch movies and popular shows – such as ‘Superbad,’ ‘A Beautiful Mind’ and ‘Mad Men’ – right on their TVs via Nintendo’s Wii, Sony’s PS3 game console, and coming later this fall, Microsoft’s Xbox 360, as well as models from Sharp, VIZIO, Haier and Best Buy’s Insignia brand. Plus, they can instantly watch via Apple’s iPhone or iPad and on PCs and Macs," says Netflix’s Jessie Becker. 

    Netflix Streaming Comes to Canada

    There is no question that Netflix has made a lot of moves and will continue to do so to bolster its streaming catalog. However, as a standalone service (without the DVDs), it might be harder to find anywhere close to the substantial customer base it has acquired over the years in the U.S. 

    The streaming catalog is better, but it’s still not great. However, in the U.S. we are used to having Netflix with DVDs. As Canada has not had this from the company at all, perhaps they won’t miss it as much.  Update: It’s worth noting that the Canadian catalog is different than the U.S. catalog. Update 2: Swasey says the catalog in Canada is "slightly smaller".

    Would you pay for Netflix’s online streaming service only? Let us know

  • The Missing Credit of “The Social Network”

    The Missing Credit of “The Social Network”

    Last year, Facebook settled a trademark dispute with Aaron Greenspan, CEO of Think Computer Corporation and Harvard classmate of Mark Zuckerberg, who built houseSYSTEM, a section of which was called "The Universal Facebook". Now, Greenspan has written a lengthy piece for the Huffington Post, essentially complaining about the upcoming film, The Social Network, and how it completely ignores his alleged role in the founding of Facebook. 

    Greenspan’s story has been well documented. He has written a book about it, which is available for free online, and hasn’t had had a Hollywood movie made about it. Here’s a snippet from Wikipedia about his story:

    On January 11, 2004, a few days after meeting Greenspan and concurrent with using the Universal Face Book on houseSYSTEM, Zuckerberg registered the domain name "thefacebook.com" independently. On February 4, 2004, when thefacebook.com launched, Greenspan recognized aspects of his own work in the site, and later came to believe that Zuckerberg was copying his work one feature at a time—a claim that Zuckerberg denied. Many of the features Greenspan created for houseSYSTEM, such as the digital event posters, electronic RSVPs, organizational pages, photo album, and marketplace, did eventually appear on thefacebook.com under similar names. Zuckerberg was aware of these features, eventually telling Greenspan at one point, "your facenet thing is hot." Social networking functionality was added to houseSYSTEM in March, 2004, and the name "FaceNet" replaced the "Universal Face Book." Regarding Greenspan’s allegations, Zuckerberg was described in The New York Times as "saying through a spokeswoman that he was not sure how to respond.

    The Accidental Billionaires, the book on which The Social Network is based upon does mention Greenspan, though incorrectly as "Aaron Grossman", after Greenspan declined to cooperate with author Ben Mezrich on the book.  Mezrich did cite Greenspan’s book as a source.

    In his Huffington Post article, Greenspan writes:

    Aaron Greenspan says how he feels about The Social NetworkIn a few weeks, Mark will take his place in that pantheon of American culture, The Internet Movie Database, when he, or rather, his character, appears in The Social Network, the movie that pretends to capture his story. At that point, his legend will be complete. Yet none of what you have just read here will be featured in the film, or even mentioned, because I refused to co-operate with another Harvard graduate who long ago sold his soul (and more recently, his manuscript to Sony Pictures), Ben Mezrich. Mr. Mezrich’s book, The Accidental Billionaires, is possibly best described as non-non-fiction, for though it cites my non-fiction book as a source, a staggering amount of his writing is simply invented out of thin air. (Much like ignoring friendship, ignoring fact can also be quite profitable.) Mr. Mezrich did manage to obtain the co-operation of Eduardo Saverin, Cameron and Tyler Winklevoss, and Divya Narendra, though the last three have been rather silent about that fact. Out of the five Harvard classmates who ultimately filed legal action against Mark in one form or another, I am the only programmer, and apparently the only one who did not sign away the right to discuss what happened, which in the spirit of openness is especially important to me.

    In other words, despite not appearing anywhere in The Social Network, and despite not being called a co-founder of Facebook, Inc., the facts are what they are (and are publicly available for all to see). With the exception of social networking features that I intentionally left out to avoid a second privacy firestorm, and hoping to create a far more productive tool than what eventually emerged, I created The Facebook. Mark’s version is an adaptation, and an immensely popular one that certainly defies any precedent I know of, but it is hardly the original, and hardly the best version for us all as a society. It is simply the best one for him.

    Later in the piece, he writes, "There is such a thing as bad press, but being forced to pretend that you don’t even exist, which is what The Social Network has forced me to do, is even worse."

    As news of the legal settlement between Greenspan and Facebook came out last year, Zuckerberg was quoted as saying, "Aaron and I studied together at Harvard and I’ve always admired his entrepreneurial spirit and love of building things.  I appreciate his hard work and innovation that led to building houseSYSTEM, including the Universal Face Book feature…  We are pleased that we’ve been able to amicably resolve our differences."

    That’s an interesting way of putting it. I think it’s safe to say Greenspan, who calls Zuckerberg’s Facebook "a national security issue", sees things a bit differently.
  • Facebook Should Now Be Less Annoying to Those Who Don’t Play Games

    Facebook has launched some new features related to controlling game updates seen in the news feed. Before, Facebook users could hide an application story or block it completely, but now game stories will only post to the news feed if you’re actually playing the game. 

    "This means people who play games can post stories to their Wall without worrying about overwhelming their friends who aren’t playing, and people who don’t play games won’t see irrelevant stories in their feed for which they have no context," says Facebook Games Product Manager Jared Morgenstern.

    As a general non-player, this sounds like good news to me. I think we’ve all see numerous complaints in our news feeds about people who don’t care about your "farm" or you "mafia wars" and these types of things. For those who do play, new features include:

    Facebook Game Requests in Dashboard– Full stories in News Feed so players won’t miss when a friend shares an action or needs help in a game. The more active a person is in a game, the more prominent the stories will be.

    – Smarter bookmarks on the home page that will automatically appear and reorder based on the games being played. Users will no longer need to individually bookmark apps, and it will be easier to get to favorite apps.

    – A clearer, highlighted number for pending requests or tasks alongside bookmarks.

    – Requests in the Games Dashboard, where users can manage all their game activity and discover new games.

    Facebook users who don’t play games will still see stories when a particular game is added by a group of friends. This way, you can at least see if several of your friends are playing something, and you can choose to join them if you want, but you won’t be bombarded with updates about it if you don’t join. Sounds like an improvement to me.

  • Amazon Reportedly Makes Offer to Buy “Netflix of Europe”

    If a report from Reuters is accurate, Amazon has made an offer to buy European video rental service Lovefilm  for about  £200 million ($312 million). Neither company has confirmed the offer. 

    Lovefilm offers both DVD and game rental, as well as online video rental. It also has content like movie news and film reviews. 
     
    Amazon already owns a stake in Lovefilm, and an acquisition would give the company another asset in competing with other video rental services like Netflix. 

    According to Ryan Lawler at NewTeeVee, Lovefilm is already known as the "Netflix of Europe". He writes, "While Amazon is unlikely to begin a DVD-by-mail service in the U.S., acquiring Lovefilm could give it the domain expertise necessary to do so, and it already has the warehouse and shipping infrastructure needed if it chose to launch an assault against Netflix here."

    Amazon looking to buy LoveFilm?

    You can expect YouTube to start making a bigger mark in this area too, at least in the online video realm. YouTube just got a new Global Head of Content and a new Global Head of TV and Film Entertainment (the latter actually coming from Netflix). 

    Meanwhile, Netflix is doing all it can to stay ahead of the curve. It recently released a new iPhone app (with Android on the way). It recently announced a new deal to stream first-run theatrical releases, as well as plans to go international (starting in Canada). 

    Amazon is reportedly working on a subscription service for TV shows and movies.

  • Facebook Throws Rotten Tomatoes at Movie Fans

    Facebook has formed a new partnership with Rotten Tomatoes, which will make Rotten Tomatoes personalized for the user, if they are logged into Facebook. 

    "Through instant personalization, you’ll see your friends’ reviews prominently, as well as the movies they’ve recently liked or want to see, and recommendations based on the movies you’ve liked or reviewed from across the web," explains Facebook Platform Product Manager Austen Haugen. "Next time you’re trying to decide on a movie to watch, you’ll be able to see what the professional critics and your friends say all in one place. ?"

    "People have always found movies through recommendations from friends," said Carl Sjogreen, who leads Facebook Platform products. "With Rotten Tomatoes, we’re bringing this experience online and giving people the best of both worlds – friends and critics."

    "Our new social features are ‘word-of-mouth’ on steroids," said Joe Greenstein, CEO and co-founder of Flixster, which owns Rotten Tomatoes. 

    Rotten Tomatoes Facebook integration

    "Our users tell us that critics’ reviews are important – but they’re just one tool they use when considering a movie," he said. "Flixster users have contributed more than 2.5 billion movie ratings across all of our applications, and through our partnership with Facebook we’ll help users sift through all of those ratings and instantly find the ones from people who matter the most to them."

    Rotten Tomatoes joins Docs.com, Pandora, and Yelp as partner sites. There’s a video about the new integration here.

  • Disney/ABC and Nielsen Partner on Innovative TV Show iPad App

    Disney/ABC and Nielsen Partner on Innovative TV Show iPad App

    Disney/ABC and Nielsen have announced a new iPad app. The app is the first to be built on Nielsen’s new Media-Sync Platform, and uses audio watermarks to sync mobile devices to TV Programming. 

    The app is for the show "My Generation", and provides synced, interactive content, as well as social media functionality on the iPad. Users of the app will be able to automatically synce to any episode (live or time-shifted) of the series and access exclusive interactive content produced by ABC as a companion to that specific point in the episode. 

    Companion content will include things like polls, trivia, behind-the-scenes insights, production details and social networking features. The app will also allow consumers to interact with companion messages from sponsors.

    Clearly there is a lot of potential for this kind of thing moving forward, outside of this one app. 

    My Generation App

    "In the ever-evolving television landscape, we are constantly looking to create immersive viewing experiences around our shows," says Albert Cheng, executive vice president, digital media, Disney/ABC Television Group. "Together with Nielsen, we’ve created a sync-to-broadcast app that appeals to both fans and advertisers, and holds an array of possibilities for deeper engagement with our content and our advertisers’ brands."

    "The Media-Sync Platform was born out of Nielsen’s continuous investment in leading-edge audience measurement technologies and we believe it paves the way to fundamentally change the way consumers interact with TV programs and TV advertisements," says Sid Gorham, Nielsen’s EVP, Strategy and Business Development. "We are thrilled to collaborate with the innovative team at Disney/ABC to develop the first Media-Sync app and look forward to a broader industry wide launch in early 2011."

    The show itself starts Thursday, September 23, and the App is available in the App Store.