WebProNews

Tag: Entertainment

  • Dish Network Buys Blockbuster

    Dish Network has agreed to acquire the assets of Blockbuster, after winning a bankruptcy court auction for them. The price tag – $320 million.

    After closing adjustments, Dish expects to pay about $228 million in cash. The closing is expected in the second quarter.

    “With its more than 1,700 store locations, a highly recognizable brand and multiple methods of delivery, Blockbuster will complement our existing video offerings while presenting cross-marketing and service extension opportunities for DISH Network,” said Tom Cullen, executive vice president of Sales, Marketing and Programming for DISH Network. “While Blockbuster’s business faces significant challenges, we look forward to working with its employees to re-establish Blockbuster’s brand as a leader in video entertainment.”

    Blockbuster has been struggling for quite some time, as players like Netflix and Redbox have eaten into customers’ DVD rental dollars. With more and more options for streaming/downloading movies online becoming available, things are not getting easier. That includes an emerging streaming-via-Facebook phenomenon that is likely to escalate.

    It’s unclear what Dish’s plans for Blockbuster are at this point. Will it be mostly about content licensing? It looks like content exclusivity is becoming the weapon of choice in the battle for customers.

    Netflix recently announced that it will offer the new David Fincher/Kevin Spacy project: House of Cards exclusively, followed by more exclusive programming. DISH recently put out an announcement touting itself as the only service to offer Reelz with The Kennedys in HD Nationwide.

    “DISH Network has chosen to support an independent during a very important time in our network’s history,” said REELZCHANNEL CEO Stan E. Hubbard.

    “DISH Network is always seeking ways to offer our customers unique and compelling viewing experiences,” said Dave Shull, senior vice president of Programming for DISH Network.

    One of the biggest things Blockbuster has had going for it is getting some movies earlier than its competitors. This may end up translating into good things for Dish customers.

  • Charlie Sheen: The Unedited Version, Sure To Go Viral

    Charlie Sheen has seemingly turned insanity into big business with the help of social media and the Internet. It wasn’t too long ago when he joined Twitter, and ever since, the world has watched him spiral further and further into marketable craziness.

    Not since John Travolta’s transformation from the star of “Look Who’s Talking Now” to the star of “Pulp Fiction” has there been such a reinvention of an actor’s career.

    The latest of Sheen’s escapades can be seen in this video posted to the Charlie Sheen YouTube channel (Warning: Some viewers may find this somewhat disturbing):

    RT @RDisher This @charliesheen video made me laugh harder than the whole 8th season of 2.5 men http://www.youtube.com/watch?v=2LtBSqGzi3o 1 day ago via Twittelator · powered by @socialditto

    Sheen is even using his YouTube channel, which currently has 6,512 subscribers (that will surely skyrocket as this video continues to go viral), to market Charlie Sheen merchandise, which is being sold at the Charlie Sheen Official Store. Here you will find various shirts, hats, shot glasses, key chains, etc.

    Charlie Sheen Store - Sheen Does e-commerce

    His Twitter account is currently up to 3,426,986 followers (and don’t forget, that doesn’t count people who just follow him via Twitter lists without actually “following” him). He’s only been on Twitter for about a month.

    Sheen may have lost his job at Two and Half Men, but he’s certainly keeping busy. He’s also on tour, both upsetting and pleasing fans.

  • Myspace to Vevo?

    Myspace to Vevo?

    There has been a lot of talk about the decline of Myspace and of possible Myspace sales and mergers. Now we have something a little more specific (though unconfirmed) to consider.

    People with knowledge of the situation say that News Corp. is in talks to give Vevo a majority stake in Myspace, according to a report from Bloomberg. “The talks are preliminary and an agreement may not be reached, said the people, who weren’t authorized to speak publicly,” reports Andy Fixmer. “Under the scenario being discussed, News Corp. would exchange the Myspace social network for a stake in a new venture, the people said. Vevo.com is one of several parties looking at Myspace, two of the people said.”

    Vevo is a joint venture among Sony, Universal, and Abu Dhabi Media. It has a partnership with Google/YouTube, in which the two share ad revenue.

    Vevo only launched in late 2009, and it is already one of the top web video properties. According to comScore‘s list of top U.S. online video properties last month, Vevo took the second spot, just behind Google Sites (in other words YouTube). While the difference in views was drastically different between those two (144,058 compared to 51,025), there’s a good chance that a significant amount of the YouTube views can actually be attributed to Vevo content, as Vevo videos appear all over the world’s largest video site. If you ever search for music videos on YouTube, there’s a good chance that you’ve watched some Vevo videos.

    With that, a Vevo-owned Myspace would seem to make a fair amount of sense. I think it’s safe to say that one of the biggest things Myspace has going for it at this point is its video content, much of which is music-oriented. A Vevo ownership would mean instantly more Myspace video views I would think. In fact, Myspace already has Vevo video content on it itself.

    For example, the band TV on the Radio premiered a new music video on MySpace, but now if you go to their MySpace page, it’s showing a Vevo-branded player for the video.

    Myspace has basically conceded to Facebook in terms of social network, choosing to become more of an entertainment hub, comparable to an MTV.com.

  • Facebook Movie Rental Expands, Thanks to Warner Bros.

    Earlier this month, Warner Bros. started testing movie rentals via Facebook, a move that could end up having a far-reaching impact on the movie rental industry as a whole, as well as for Facebook.

    The test began with the movie studio offering Facebook users the ability to watch the film, The Dark Knight from the Facebook Page for the title. Now, Warner Bros. has expanded the test to include five additional films: Inception, Harry Potter and the Sorcerer’s Stone, Harry Potter and the Chamber of Secrets, Life as We Know It, and Yogi Bear.

    “We’re pleased to expand our test with a variety of titles that will appeal to a broad audience,” said Thomas Gewecke, President of Warner Bros. Digital Distribution.  “These titles have substantial followings on Facebook.  The Fan Pages for ‘Harry Potter’ and ‘Inception’ alone are two of the most popular and active communities on the site.”

    Facebook users can rent a movie by clicking “watch now” from the Faecbook pages of these titles. They will use Facebook Credits to pay. That’s why this could be huge for Facebook.
    If movie rental via Facebook becomes adopted by more movie studios, and users actually go for it, that’s going to be a whole lot of Facebook Credits used, which could translate into consumers getting more accustomed to the payment method in general, as Facebook expands it into other areas, and more third-parties find interesting new ways to harness Facebook.

    It would also mean a great deal more time spent on Facebook by users. This will only serve to make Facebook even more attractive to advertisers.

    As connected TVs and related devices become more widely adopted, Facebook will become just as good a place as any to quickly watch a movie on demand. Users are already spending much of their online time on Facebook as it is. Finding a page for the movie is generally very easy to do, and then there is the added benefit of being able to discuss movies with friends from the same place.

    Some have already written Neflix’s epitaph, but Netflix is smart enough to expand its own offerings into exclusive content.

  • Daniel Tosh: Viral Video Infamy

    Before the debut of his breakthrough television show, Daniel Tosh had been carving a name for himself like most stand-up comics; working the club circuits hoping to catch a break. After building some momentum as an up and coming comedian, Tosh landed a performance on David Letterman’s Late Show in 2001. Subsequently he managed to appear on The Tonight Show, Jimmy Kimmel Live! and Comedy Central’s Premium Blend.  While solidifying himself as a notable stand-up comedian, Daniel Tosh’s fame, or infamy depending on your opinion of his brand of humor, came in June 2009 after Comedy Central unleashed Tosh.0. Tosh’s TV show is primarily based on funny, sometimes bizarre viral videos found in the many tubes of the interwebs.

    Tosh.0 Host Daniel Tosh

    If You Upload it, They Will Come… and Laugh at it

    The premise of Tosh.0 is quite simple.  Find a handful of humorous, strange and shocking internet videos and make fun of them in front of an audience. The brilliance of the show, now in its third season on Comedy Central, is that the majority of the core content is already out there for free. Tosh and his staff rely on the millions of internet users who continue to upload their own videos through channels such as YouTube for the rest of us to find and inevitably laugh at.

    Tosh then provides stand-up-like commentary on each of the videos selected for the show, but often times he goes a step further by either contacting a video’s creator for a real-time interview, usually via Skype, or by bringing them to Los Angeles where the show is taped in order to produce a more elaborate skit or bit for the show. While the subject matter and content of the videos featured on the show along with Tosh’s comedic style may raise a few eyebrows, the level of success his show has reached in a short time raises even more.

    Two-Way Television Through Social Networking

    Sporting just under 4.5 million Facebook fans and over 1.6 million Twitter followers, Daniel Tosh and his team have shown that they know how to put their social marketing tools to good use by actively engaging their audience.  Instead of simply using these social avenues as a means to post updates and news flashes, Tosh and his staff communicate directly to the audience as a whole as well as individually. This has created an interactive, two-way street that connects the viewers directly to the show, which has helped catapult Tosh.0 to the top of Comedy Central’s viewership garnering as high as 2.7 million viewers an episode.

    Benefiting from a massive fan base on Facebook, Daniel Tosh and the Tosh.0 crew interact with their viewers by posting multiple times a day, usually with posts referring to updates on the show’s official website and blog hosted by Comedy Central. These posts are anything from a heads up about an upcoming episode to time related content such as a Happy St. Patty’s Day video as well as plenty of content that never makes it to the televised show. The extra content not used in the show serves as a means to keep fans interested on a daily basis, giving them a look at material that keeps them entertained while proving a constant reminder of the shows airings and Tosh related announcements.  With each post generating thousands of likes and hundreds of comments, the engagement rates of the Facebook updates are quite high, helping to continue spreading Tosh.0’s popularity.

    Tosh’s Facebook page performs quite well, but it does tend to function mostly as a means to direct people to his blog while allowing fans to interact with each other. His Twitter account is where Daniel personally interacts with his followers, bringing them even closer to his humor and the show itself. During each live broadcast of Tosh.0 in the Eastern time zone, Daniel live chats with followers who post comments to his page.  By replying back, Tosh establishes a direct interaction that extends far beyond the show itself, making followers feel appreciated while also adding a personal touch to the experience of watching the show.

    Often times Tosh’s blog will also feature fan Tweets throughout the show, based on comments from certain blog posts, further strengthening his social connections while boosting the role of Tosh.0’s audience. There is also a section of Tosh.0’s blog called “What You’re Saying” that features follower Tweets directed at Daniel.  Almost every day a new follower Tweet is selected and pictured on the blog along with a response.  This is yet another great example of how Daniel and the team behind Tosh.0 are making the most out of their social connections with their audience as they reach out and make the viewers important contributors.

    Harnessing the Power of the Interwebs

    Comedy Central not only has a runaway hit show on its airwaves, they also have a group of social media friendly individuals who understand the importance of not just marketing to the audience but also getting them involved and allowing them to factor into the show itself. Tosh.0 is highly efficiently produced thanks to the basis of its content stemming from pre-existing viral videos and its effectiveness is bolstered by the types of social networking being fostered by Daniel and his staff of writers. The power of the internet has provided users with entertaining content for years and Daniel Tosh was able to harness that experience, taking it a few steps further by adding a heavy dose of his comic flavor and some well played social interactions with the millions of fans who can’t get enough of what the world wide web has to offer.

    Originally published on Ignite Social Media

  • Earth Hour Miranda Kerr Myspace Hijacking

    Earth Hour Miranda Kerr Myspace Hijacking

    It’s no secret that Myspace has lost the Internet status it once had, particularly as Facebook has risen to social network dominance. TechCrunch reported this week that Myspace’s decline is even accelerating with worldwide unique visitors decreasing by 14.4% from January to February (comScore).

    Myspace has been trying to rebrand itself as an entertainment hub, and one of the ways it has been trying to fight off dropping traffic is with celebrity “hijacks,” announced in December.

    Myspace Hijacks allow celebrities to take over Myspace, and showcase the things that they like. Myspace started the concept with the Black Eyed Peas. Now, it is Victoria Secret supermodel (and actor Orlando Bloom’s wife) Miranda Kerr, who has hijacked Myspace with a focus on Earth Hour.

    Miranda Kerr MySpace Hijack

    “Myspace was the very first social network to come on board for Earth Hour back in 2007,” said Andy Ridley, Co-Founder and Executive Director of Earth Hour. “Fast forward to 2011 and social media has become critical to the success of our global event, so much so that the very crux of our Beyond the Hour platform has social media at its very core. I know that Miranda will be encouraging people around the world to go beyond the hour – and I’ve no doubt that we’ll see that challenge met by the passionate Myspace community.”

    “As the global ambassador for Earth Hour this year I’m excited to be in a position to reach out to the Myspace audience for such an important cause,” said Kerr. “It will be fun to share the things I love with such a huge global community as well as this year encouraging as many people as possible to go ‘beyond the hour’ and adopt even more sustainability practices in their everyday lives.”

    It is important to note that despite Myspace’s declining traffic, the site does still attract millions of users.

    “Simple things like unplugging appliances when not in use, turning lights off and using candles instead, buying products packaged in recyclable material are all ways in which we can reduce the impact on our planet.  Little things we do as a community or as individuals make a difference,” she added.


    Miranda Kerr is Hijacking Myspace!

    Miranda Kerr | Myspace Video

    Noble causes aside, Myspace will continue to focus on celebrities and entertainment to keep people interested in the site in the Facebook age. Music has long been one of Myspace’s strongest points, but the future is uncertain there. While they did release some tools for musicians in December, and Myspace Music did partner with Songtrust last month, news also came out that President Courtney Holt was stepping down. MySpace’s director of business development, Rita Garg, went to Twitter as well. In January, Myspace even said News Corp. was considering “a number of possibilities including a sale, a merger, and a spinout.”

    As far as Earth Hour, there is also an iPhone app for it too.

  • House of Cards, Facebook: Coming Soon to Netflix

    Earlier this year, Netflix announced that it was working on some new Facebook integration. In January, the company informed shareholders that it would connect with Facebook in order to develop personal Netflix accounts.

    “We’re working on an extensive Facebook integration, which will further the notion of a personal Netflix account,” a letter letter from the company said.

    According to a report from Investors.com, Netflix has been rolling out versions of the Facebook integration for a couple weeks to certain test segments, but the final implementation could be different in the end. The final product will reportedly be rolled out sometime this year.

    Movie studios are also starting to try out streaming movies on Facebook itself, leaving some wondering if Netflix should be worried about that. Investors seemed a little worried when that news came out.

    Netflix is also getting into exclusive programming, though. The rumored “House of Cards” show , which involves David Fincher and Kevin Spacey, was made official today by Netflix. Chief Content Officer Ted Sarandos wrote:

    We’re delighted to tell you that in late 2012 Netflix will be bringing to our members in the U.S. and Canada exclusively “House of Cards,” the much-anticipated television series and political thriller from Executive Producer David Fincher and starring Kevin Spacey. We’ve committed to at least 26 episodes of the serialized drama, which is based on a BBC mini-series from the 1990s that’s been a favorite of Netflix members. Originally written as a novel by former UK Conservative Party Chief of Staff Michael Dobbs, “House of Cards,” explores the ruthless underside of British politics at the end of the Thatcher era. Reset against the backdrop of modern-day U.S. electoral politics, this new one-hour drama follows Spacey as an ambitious politician with his eye on the top job. Fincher, the Oscar-nominated director of “The Social Network” and “The Curious Case of Benjamin Button,” will direct the pilot written by Beau Willimon (“Farragut North” and the upcoming George Clooney-directed “The Ides of March.” )

    The TV shows and movies that you are able to watch instantly are licensed from movie studios, TV networks, distributors and sometimes directly from the producers of the films and TV shows. “House of Cards” is unique, as it is the first exclusive TV series to originate on Netflix. Typically, we license TV shows the season after they run on a broadcast network or cable channel and occasionally, we have episodes from a current season, as is the case with “Saturday Night Live” from NBC, “Spartacus” from Starzplay and “Wizards of Waverly Place” from Disney Channel. In all of these cases, the shows are produced before we bring them to Netflix. “House of Cards” represents a slightly more risky approach; while we aren’t producing the show and don’t own it, we are agreeing to license it before it is successfully produced.

    He also says Netflix may bring more exclusive programming to its service in the future. Sounds like a smart idea to me, particularly if they are able to do so with content involving A-list talent like with this show.

    A report from the NPD Group this week found that between January and February, consumers watched 61% of their movies from Netflix. Number 2 was Comcast, with only 8%.

  • Robert Rodriguez Talks Sin City at SXSW

    Robert Rodriguez Talks Sin City at SXSW

    This is a little off the beaten online business path (the usual subject area of WebProNews), but this is SXSW. This also happens to be one of my favorite filmmakers and a great film.

    Robert Rodriguez took time to speak at SXSW here in his hometown of Austin, about adapting material for movies. In particular he talked about the cult classic Sin City.

    On differences in adapting films from different media, Rodriguez said, “It depends on how beloved the material is.”

    He reminisced about seeing the script for Sin City in the early 90s, and remembers saying, “Whoever does that is going to screw that up.” He said that he was always a big fan of the Sin City visual style, and that he always knew he would “follow the visual” if he made a Sin City movie.

    Later, Rodriguez found himself working with digital photography and 3D technology, with Spy Kids 3D in particular. “Spy kids 3D is why you all have to wear 3D glasses at the movies these days,” he laughed.

    He discussed meeting Sin City creator Frank Miller at a bar to show him some test shoots of actors using green screen and visual effects created with Photoshop. Miller was “blown away,” he said.

    “I made it very easy for him,” he says, noting that artists often don’t want to get involved in all of the Hollywood stuff.

    He just used the source material as the script. “No one got a screenplay credit on it,” he added.

    “I don’t consider that writing,” he said, referring to the way he edited the film, simply rearranging scenes, as opposed to writing a new screenplay.

    “I just took what I loved about it, and kept his voice and his style…I can’t tell you another book I would adapt that way.”

    In looking at the making of this film, it’s important to realize that nothing had ever been done in this style, but it wasn’t much of an issue getting the studio on board. Rodriguez said, “My philosophy with the studio is you don’t ask them for permission. You can ask them if they want to join or not.”

    “It’s a Jedi Mind trick,” he said.

    He said he didn’t think Sin City would do big business in the theater, but that it would get big later, particularly on DVD.

    Rodriguez said he does low budget stuff because if the movie bombs, it will still make its money back. “This had built-in low budget all over it,” he said.

    “If I ran out of money at any one point, I just needed to put black behind the actor, and say ‘look it’s still true to the source material.’”

  • Pee-Wee Herman Takes SXSW

    It’s hard to believe it has been so long, but in September of 2009, Pee-Wee Herman made his big comeback, and started actively using Twitter. Now, Paul Reubens (the actor who portrays Herman) has found his way to SXSW in Austin this weekend.

    He’s been in town promoting “The Pee-wee Herman Show on Broadway!” for HBO and hanging out with Jake Gyllenhaal (who hasn’t?) and Facebook.

    Paul Reubens Talks Pee-Wee Herman at SXSWJoBlo.com Editor-in-Chief Mike Sampson interviewed him on stage at the event. He spent some time talking about his beginnings with the comedy group The Groundlings and the Gong Show, as well as an old HBO special.

    “When I look back at the original HBO special, I’m always struck with how sweet Pee-Wee is. He was never that sweet again.” He says people always say their favorite Pee-Wee moments are from when he’s angry or pissed off, and that he tries hard to bring that to people, even though he’s not like that at all.

    He then talked about how to do this (the Pee-Wee character) and be old at the same time. “I think you’ll be seeing me in a turtleneck soon,” he says, joking about Pee-Wee’s increasing age. “It’s ironic to be here now, grappling with that,” he says.

    He said the reason he could pull it off with his comeback, was because he would be on stage, and nobody would be close enough to notice age…”but then we filmed it in Hi-def…”

    He says he’ll be grappling with it for a while.

    He said he’d give anything to tell the audience what the plot of the upcoming Judd Apatow movie will be, but he promised he wouldn’t. “You’d laugh your asses off,” he said.

    “The Internet is changing everything,” he says. “You can’t do anything in secret. That’s great in lots of ways, but not so great in other ways.”

    Pee-wee has also been keeping in the loop with SXSW Interactive news and festivities:

    Pee-wee HermanThere’s a marching band outside the convention center! You guys didn’t have to go to such trouble!

    Pee-wee HermanHow come I wasn’t invited?! From my Twitter pal Jeff: “Google to Launch Major New Social Network Circles, Possibly Today”

    “I’m as involved as I can be with the schedule that I have, and I love social media…I’ve got my iPhone and Foursquare…I love it all,” Reubens said.

  • Jake Gyllenhaal Talks Source Code Mission at SXSW

    Jake Gyllenhaal Talks Source Code Mission at SXSW

    Here at SXSW Interactive in Austin, Summit Entertainment and Microsoft Tag launched a cross-media campaign to promote the film Source Code, called “The Source Code Mission”. WebProNews spoke with the film’s star, Jake Gyllenhaal, as well as co-star Michelle Monaghan and director Duncan Jones about the film and the campaign.

    The campaign connects offline and online media elements with a social, mobile, interactive game that takes advantage of Micosoft’s Tag technology.

    In the movie, Captain Colter Stevens (played by Gyllenhaal) has 8 minutes to find the bomber of a train, and in the game (which utilizes Facebook Connect), the player helps him gather clues by completing various tasks.

    “What I think is cool about Source Code Mission is that the idea of the source code in the movie is that it’s a computer game, and you know, off that computer game, different tangents are created,” Gyllenhaal told WebProNews. “And you affect the world as a result of that game. And the computer game that’s actually in reality – this reality – that’s on the Internet – is that same sort of idea, and is a tangent off the movie – that you can actually create other realities, and based on where you are, and the potential for the game is…just beginning now, but I think the user will create whatever it’s supposed to be.”

    “To me, normally, you have a lot of games with movies [as] a way of marketing movies, and this feels like a way of creatively telling another story based on the story that was already told,” he added. “I just have all of these crazy, amazing ideas based on it, because what if we can get people on the Internet involved in the story after they’ve seen – or even before they’ve seen the movie, but particularly after they’ve seen the movie, there are so many possibilities…the possibilities are endless…”

    “We’ve got this amazing interactive game, where you can take something – you can take a bus, a poster, anything like that, and you can really get a jump start on being part of the film,” said Moneghan. “Before you see it, you can go online, and you can be [on] Facebook, and you’ll have your own sort of identity and you’ll go through the five steps – you can kind of go on the mission as Captain Colter Stevens.”

    Michelle Moneghan Talks Source Code at SXSW

    On premiering Source Code at SXSW, Jones told us, “I love this festival. I came here two years ago with my fist film Moon, and immediately fell in love with it.”

    Duncan Jones at SXSW on Source CodeVideo of our full interviews with Gyllenhaal, Jones, and Moneghan should be available shortly.

  • Facebook Movie Rental: The Future Norm?

    You may find yourself doing a lot more than just “liking” a movie on Facebook in the near future. There’s a chance that Facebook could become your go-to movie rental destination. Here’s who should be worried about this: Netflix, Blockbuster, Redbox, Hulu, Apple, Amazon, YouTube, and every other provider of movies online.

    Warner Bros. has become the first Hollywood studio to offer movies directly on Facebook. The studio announced that it will begin testing an offering of selected movies for purchase or rental through its Facebook Page. Users will be able to use Facebook Credits to purchase or rent films while they’re on Facebook.

    “Facebook has become a daily destination for hundreds of millions of people,” said Thomas Gewecke, President of Warner Bros. Digital Distribution. “Making our films available through Facebook is a natural extension of our digital distribution efforts. It gives consumers a simple, convenient way to access and enjoy our films through the world’s largest social network.”

    The studio has kicked it all off by offering The Dark Knight on the Facebook Page for the movie.

    Like to talk during the movies? There are already entire businesses based on the concept of talking about the video content you’re watching with your friends on social media. If you’re watching a movie on Facebook, this should be easier than ever.

    Of course, besides being incredibly disruptive for the online video and movie industries, this has the potential to be massive for Facebook for a variety of reasons. For one, Facebook credits – getting them more mainstream. Two: much more time spent on Facebook by users – an area where Facebook is hardly lacking as it is. This will only be more attractive to advertisers.

    As connected TVs and related devices find their way into more homes, this is likely to become more of an attractive concept for users. However, it will be interesting to see how the studios adapt to it.

    Imagine a world where studios have Facebook Pages set up for all of their movies, where they can easily be rented and viewed instantly right from Facebook. It remains to be seen whether WB will follow through on this concept, as this is just a test. It also remains to be seen whether other studios will follow suit. If so, the competition in the movie-rental industry is going to have to find some interesting ways to differentiate themselves.
    Right now, WB has the cost per rental at 30 Facebook Credits or $3. It’s currently only available in the U.S. Additional titles will be available over the coming months.

  • Watch: The Today Show Streams Live Web-Only Show

    The Today Show is simultaneously broadcasting its regular show and an online version, which includes web-only content created specifically for online viewers.

    While they say it airs exclusively at Today.com, they did make the embed code available, so here it is:

    Visit msnbc.com for breaking news, world news, and news about the economy

    “After two years of research and development, we’re very excited to unveil TODAY.com during this unique and social event,” said Jen Brown, director of TODAY.com. “The site is designed around the news consumption habits and lifestyle of our online audience, so it’s fitting to debut with a show tailored specifically for them.”

    They’re also encouaging viewers to post questions and feedback to their Facebook Page, and using the #TODAY hashtag on Twitter.

    They’ve experienced quite a few technical difficulties in the few minutes I’ve watched.

  • Charlie Sheen: Crazy, Savvy, or Both?

    Charlie Sheen: Crazy, Savvy, or Both?

    So the consensus from everyone, including people in Hollywood and regular folks, is Charlie Sheen has gone around the bend. However, the more I take in the Charlie Sheen social media experience, I’m beginning to think there’s some savvy to go along with the insanity.

    If anything can be a commodity, why not craziness? Also, what better way to market your shenanigans than posting it on Twitter?

    hey Guinness, might wanna start writing them in pencil.
    #checkit ; you’ve been warned.
    c 10 hours ago via Twittelator · powered by @socialditto

    WebProNews has already reported about Sheen being the fastest Twitter user in history to gain 1 million followers.

    To go along with this feat, “Sheen’s-Korner” (NSFW: language), a UStream channel has already garnered over 600,000 views. Episode 2, titled “Torpedoes of Truth” received 327k views on its own. He really opened up during this episode, showing a phone call with who appears to be his agent.

    If the UStream views aren’t enough to convince one of the success Sheen is having with social media, he’s already searching for an intern. Of course, in order to be Charlie Sheen’s intern, you must be filled with #tigerblood and full of #winning.

    I’m looking to hire a #winning INTERN with #TigerBlood. Apply here – http://bit.ly/hykQQF #TigerBloodIntern #internship #ad 1 hour ago via Ad.ly Network · powered by @socialditto

    It has been reported (during my typing of this article) that Sheen has been fired from Two and a Half Men. Which could truly prove the power of social media. With Sheen being fired from his moneymaking job, will Twitter and UStream be powerful enough to carry him to his next gig? Or has his life become the gig now?

  • Charlie Sheen on Twitter … and MySpace

    Charlie Sheen has moved into the social media universe. The man was apparently not getting enough media attention, so now he can communicate with people on a mass scale. 

    Getting most of the coverage is Sheen’s Twitter account, @charliesheen. Sheen’s bio simply says: "Unemployed Winner…."  He is currently following ten people including: Paul Scheer, Fred Durst, Floyd Mayweather Jr., Brian Wilson, Nich Swisher, P Diddy, Sheen’s assistant Rick Calamaro, Cat Schwartz, Wynner Mitchell, Piers Morgan, Howard Stern, Alyssa Milano, Chris Ovitz (Director of Business Development at Ad.ly), Bree Olson, Bob Maron, and Omid Ashtari. 

    Sheen’s his first tweet was:

     …which linked to the following picture:
    Charlie Sheen's first Twitpic

    Other notable tweets from Charlie so far…

    Just got invited to do the Nancy Grace show… I’d rather go on a long road trip with Chuck Lorre in a ’75 Pacer….less than a minute ago via web

    The only watch that keeps Warlock time – Class of 1927 ring "Bambino U" #winning http://twitpic.com/458bdrless than a minute ago via Twittelator

    Questions..? I’m here for my people..! Bring it!! #Tigerbloodless than a minute ago via web

    My man! RT @FloydMayweather Everyone needs to follow @charliesheen right now. #tigerbloodless than a minute ago via web

    @iamdiddy Get dressed my man… sending the driver..!less than a minute ago via web

    MySpace is happy that Sheen is also part of  its universe. MySpace CEO Michael Jones tweeted:

    likes Charlie Sheen’s photo on Myspace http://lnk.ms/LH067less than a minute ago via MySpace

     MySpace marketer Tony Adam says:

    It’s official, @CharlieSheen is my idol of the moment…today has set me over the edge… #winning #chooseyourviceless than a minute ago via Seesmic Desktop

    Sheen is currently building up towards half a million followers. That will likely double before too long.

  • Oscars: The Social Network Wins 3 Academy Awards

    The Academy Awards show was last night, and The Social Network won 3 Oscars, after being nominated for 8

    The Social Network was up for: Best Picture, Best Direction, Actor in a Leading Role, Adapted Screenplay, Cinematography, Film Editing, Sound Mixing, and Music (Original Score). It won Best Adapted Screenplay, Film editing, and Music (Aaron Sorkin, Angus Wall/Kirk Baxter and Trent Reznor/Atticus Ross respectively).   

    Last month, The Social Network won 4 Golden Globes for Best Director, Screenplay, Best Score, and Best Picture, Drama. It  had been nominated for 6.  Jesse Eisenberg, the actor who portrayed Facebook CEO Mark Zuckerberg in The Social Network, was nominated for the Best Actor, Drama award, but lost out to Colin Firth for his performance in the film, The King’s Speech. Andrew Garfield, who played Facebook co-founder Eduardo Saverin, was nominated for Best Supporting Actor, but lost to Christian Bale for his performance in The Fighter. 

    Awards The Social Network Has Been Nominated For and Won

    The film missed out on any wins at the Screen Actors Guild (SAG) Awards, though Eisenberg was nominated for Outstanding Performance By A Male Actor In A Leading Role. 

    At the Oscars, The King’s Speech won Best Picture, Tom Hooper won Best Director for that film, Colin Firth won Best actor for it, Wally Pfister won Best Cinematography for Inception, and Lora Hirschberg, Gary A. Rizzo and Ed Novick also won Sound Mixing for Inception. 

    Read our review of The Social Network here.

  • BrightCove Partners with LG on Content for Smart TVs

    Brightcove and LG Electronics have announced a partnership to expand online video content on LG’s Smart TVs. "The deal enables Brighcove’s 2,700+ customers – brands including New York Times, Fox, A&E – to extend their reach into the living room via LG’s Smart TVs, while LG is able to increase the high-quality online video content available through apps on these TVs," a spokesperson for Brightcove tells WebProNews.

    "Connected TVs are continuing to grow in popularity, with some analysts estimating over 100 million units will be shipped by 2012," she adds. "Additionally, because of LG’s extensive distribution, this is a huge opportunity for growth not only in the US market, but around the world."

    BrightCove Brings Content to LG"The partnership between LG and Brightcove opens up a new, global distribution channel to the living room for professional media," said Eric Elia, Brightcove’s VP of TV solutions. "Brightcove customers of all sizes can take advantage of this growing opportunity and expand the reach of some of the world’s most highly sought after online video content to millions of LG devices."

    "This partnership brings together two market-leading innovators and is the next natural step in providing consumers with instant access to the online content they crave," said Young-jae Seo, Vp of LG Electronics’ LCD TV Smart TV Team. "We expect to expand our online video distribution capabilities and offer more compelling options to consumers worldwide with Brightcove’s unmatched scale and impressive global customer base. The partnership will definitely make LG Smart TVs the go-to devices for video programming."

    Later this year, Brighcove says it will introduce a series of tools and resources for organizations to take advantage of LG’s Smart TC platform, with a "functionally complete reference application" to use as a starting point.

  • Netflix and CBS Strike Content Streaming Deal

    Netflix announced a new deal with CBS that will allow it to stream CBS content for two years (non-exclusively). The deals enables Netflix to stream select TV shows like Medium, Flashpoint, Frasier, and Cheers.

    Other shows included in the deal are: Family Ties, the original Hawaii Five-O, Star Trek, Twin Peaks, The Twilight Zone, and The Andy Griffith Show. 

    "This deal recognizes the increasing value of our content in today’s marketplace," said Scott Koondel, President of Distribution, CBS Television Distribution.  "More and more, people want to be able to access our programming on a wide variety of platforms.  We are very pleased that the titles offered through this deal will now also be made available to a whole new community through the terrific and convenient service that Netflix offers.  We will continue to pursue additional non-exclusive distribution partners that are additive to our overall business."

    NetflixNew Content Alert! Starting in April, Medium, Twin Peaks, Cheers, Frasier, Family Ties and The Andy Griffith Show will be available instantly from Netflix. We’ll also have Star Trek, Hawaii Five-O and The Twilight Zone. Click the Like button if you’ve watched any of these shows. http://bit.ly/NTFLXCBS

    "We are thrilled to be bringing CBS shows to Netflix and are looking forward to growing our relationship over time," said Ted Sarandos, Chief Content Officer for Netflix. "Netflix is now the only online premium subscription service with shows featured on all four broadcast networks and dozens of cable TV’s biggest brands."

    While financial terms of the deal were not disclosed, CBS retains an option to extend the agreement for up to two additional years. 

    Netflix will begin offering CBS content in April.

  • Amazon Launches New Netflix Competitor

    Amazon has announced the launch of an unlimited, commercial-free instant streaming movie and TV show service for Amazon Prime members. The service will give subscribers access to 5,000 movies and shows. 

    Prime members will not be charged any extra. The price will remain $79 per year for the membership. The service also provides members with "all-you-can-eat" free 2-day shipping, which the company says has already attracted millions.

    "Millions of Amazon Prime members already enjoy the convenience of free Two-Day Shipping," said Amazon Prime VP Robbie Schwietzer. "Adding unlimited instant access to thousands of movies and TV shows at no additional cost is a great way to give members even more value for their $79 annual Amazon Prime membership."

    Amazon Video Streaming Service for Prime Members

    "In addition to now offering unlimited, commercial-free, instant streaming of 5,000 movies and TV shows to Amazon Prime members, we continue to offer all customers more than 90,000 movies and TV shows through Amazon Instant Video," noted Cameron Janes, director of Amazon Instant Video. "With Amazon Instant Video customers can rent or purchase hit movies, such as ‘The Social Network’ as well as purchase the latest TV shows available the day-after they broadcast."

    Obviously the service will go head to head with Netflix, with each providing different benefits to users. Amazon has the additional services described above, and Netflix charges by the month, and offers various plans that include DVD mailings for titles that aren’t included in the streaming service.

  • Latest Chan-wook Park Film Paranmanjang (aka: Night Fishing) Shot Entirely on iPhone 4

    Chan-wook Park is one of my favorite directors working today thanks to his films like Joint Security Area, Oldboy, Sympathy for Mr. Vengeance, and Lady Vengeance. 

    His films, while often brutally violent, tend to be shot beautifully well, which makes news that his latest, a 30-minute short called Paranmanjang, was shot entirely with an iPhone 4, all the more interesting. 

    Is this the direction film is headed? Google also just showed off a movie studio video editing app for Android Honeycomb this week at Mobile World Congress in Barcelona. 

    Here’s the teaser for Paranmanjang or "NIght Fishing":

    It doesn’t look as visually appealing as most of Chan-wook Park’s films, but the fact that everything was done from the iPhone is pretty impressive. "We went through all the same film-making processes except that the camera was small," the Wall Street Journal quotes him as saying.

    Combined with the rise of online video, we can no doubt expect to see a great deal more of this style of filmmaking.  

  • Who Will Survive In The New Networked Media Oceans?

    Media companies used to exist in their own separate waters.  The newspaper industry was the newspaper industry.  TV was TV and so on and so forth.  Each of these unconnected territories had a few super-predators that were top of their respective food chains, untroubled by the small fry.

    This was also true of technology and telecoms. However, in recent years, the tectonic plates have shifted to reveal a single networked media ocean into which all media, technology and telecomms companies are gradually being drawn.  The result is a gory realignment of the food chain as these corporate animals, so used to roaming their own backwaters as unchallenged predators, thrash around to establish who will survive.  Some will maintain their status.  Others will be usurped by sleek new species and left to wonder where it all went wrong. The tectonic shift was, of course, driven by rise of the Internet and the Web, and more recently the Moore’s Law-powered growth of online computing power aka the cloud.  

    The reason the undertow is so powerful is because, increasingly, this new networked media ocean is the sea to which consumers themselves are heading.  But why didn’t every big media and technology beast notice the plates were shifting to create this vast new habitat? Simply because they had…

    …become so used to the world as it was; a natural world order they assumed would never change.  When the currents around them began to swirl they didn’t pay attention. The significance of similar events occurring in different industries simultaneously was missed and the media players remained in their fishbowls, continuing to operate as if nothing had happened or was going to happen.  They were at the top of their respective food chains and that was that.  

    For example, when Google came along and opened up its online global newsagent, the press barons didn’t really pay much attention.  Their websites were tiny operations run by the geeks for the geeks. Little did they know these simple HTML pages were actually small leaks to the broader networked media ocean. Eventually, they would result in the power of the moguls ebbing away, as Google slowly sucked their precious content into unchartered waters.  

    By the time the press barons realised what was happening it was too late.  Murdoch battled with Google for a while, branding Messrs Brin and Page ‘parasites’ and ‘tech tapeworms’, before throwing up his paywalls to try and re-establish the barriers to entry that a rising tide of networked media had gradually washed away.

    Likewise, the music industry initially viewed peer-to-peer sites, such as Napster, as geeky irritants best dealt with by lawyers.  In reality, P2P was another portal through which an industry’s content would flow into the world’s single networked media ocean. But Big Music’s super predators also didn’t notice until the damage was done. They were left feeling very alone in waters ruled by pirates who paid no attention to their legal eagles.  Eventually they sought refuge in the arms of an apparent saviour, Steve Jobs, who promised a Brighter, Whiter, Lighter haven away from the bands of pirates.  It all sounded great until the music moguls came to realise that the price Jobs was charging for his protection was control of their industry.  Now the former killers of the music business are labouring away below deck powering the good ship iTunes across the networked media oceans.

    In the telecoms backwater, it was the vast networks and carriers that sat on top of the food chain. Initially, Skype, using the P2P principal that had worked so well in music, tried to open up the industry to the wider waters, by letting people talk to each other using clever VOIP products.  Once again, the telecoms whales basked in their alpha status and largely ignored the small fry.  However, Skype entrepreneurs Niklas Zennstrom and Janus Friis were just the vanguard.  Spotting that rich pickings were being sucked into the world’s networked media seas, Apple realised that if it added some real computing power to weedy mobile phones, it could take on the telecoms’ carnivores.  And indeed it did, launching the iPhone and eating the lunch of several former super-predators, before they realised that their habitat had changed for good.  

    For some telecoms alpha-beasts, including networks and carriers, the key to survival was to recognise the power of the new predators by giving up some territory and agreeing partnerships with Apple and Android. While others, such as Nokia, who refused to come out from under their rock, became greatly weakened and are looking like prey for technology-driven hunters.  

    In recent years, TV has also been drawn into the new networked seas.  For a good while online TV was a rather sad, lonely experience. However, once the power of the broadband network grew and the cloud began to take shape, major players like the BBC were able to dip their toe into the waters and show what was possible through projects like iPlayer.  Even this service initially seemed like a product only for geeky early adopters.  However, with the benefit of hindsight such innovations, along with early IPTV projects like Joost and P2P services Bittorrent and Limewire, were similar forces to those taking grip in newspapers and music.  They marked the beginning of TV’s content flowing into the networked media waters.  And while last to be drawn in, the introduction of TV looks set to make the greatest waves and create the biggest battles for the most prized feeding grounds.

    For a period, Hulu, the online TV service, looked destined to be one of the big new breed of predators, not least because it was owned by a syndicate of Hollywood studios.  However, today Netflix is currently making all the waves sucking up content and the billing relationships that are the main source of status in this murky new world.  In fact, such is the Darwinian nature of the realignment occuring that the studios appear prepared to dump Hulu, their own offspring, in favour of Netflix and its growing user base.  

    But these rich waters are attracting almost every predator with real teeth.  Last Summer, Google launched its own TV service, a ship it invited others aboard. However, the waters have proved choppy as the Content Kings of Hollywood torpedoed the vessel on its maiden voyage, highlighting the uncertain nature of these new territories.  As Sony’s Biggest of Big Fish, Sir Howard Stringer, indicated when joining the Google ship: ‘Running a corporation in today’s world of co-opitition is like jumping into a Viking boat where you might be handed an oar or you might be handed an axe.’  

    Finally, the other alien aspect of this unchartered networked media ocean is that much of it is already controlled by a new powerful type of predator.  Giant schools of consumers and individuals roam the networked media ocean in the shape of blogs, social networks, video-sharing sites, forums and online communities.  And the top-predators, so used to scooping up consumers like whales feeding on plankton, find they can’t get their jaws around these new entities quite as easily as they used to.  

    Maybe, just maybe, it will be these new consumer beasts that top the food chain in the new networked media oceans.  After all, there’s little doubt that they are evolving faster than the other super-predators around them, finding ways to navigate and survive in this vast, unpredictable new world. And although not as vicious as some, without their support even apparent new monsters, such as MySpace, can quickly sink without a trace.

    Originally published on collaboratemarketing.com

  • How IntoNow Plans to Monetize Your Conversations About the Shows You’re Watching

    A new startup called IntoNow has been generating some buzz with a social TV app for the iPhone/iPad. Founder and CEO Adam Cahan told WebProNews about how it works, and why users will find it useful for entertainment content discovery based on what you have in common with your friends’ viewing habits. 

    "About 60% of people watching television are also connected to the Internet, so they’re doing something online while they’re watching TV," said Cahan. "If you dive a little bit deeper, what you find out is that the vast majority of those people are communicating with their friends or doing something related to the actual content that they’re engaged in. So what we tried to do was create a really easy way for people to connect with their friends around the shows that they love."

    "One of the biggest technical achievements was the fact that we could do it against live TV," he said. "We do it across 130 channels of live television, and so what we basically designed was a way for you to press a button, and simply say ‘this is what I’m watching, and this is literally what I’m doing right now,’ and be able to connect with friends."

    It’s important to note that the app doesn’t work only with live TV, but also with online content. 

    As far as what makes IntoNow useful, he drew upon some comparisons to location-based services like Foursquare, Gowalla, etc. "The television or entertainment industry right now is a little bit like where those location-based services were before GPS existed," he said. "Basically what you have is people typing into a box, ‘Hey, I’m watching House,’ or ‘I’m watching the VMAs.’ That’s not really a terrific user experience, nor is it frankly an easy way to connect. You can be saying something like, ‘I’m watching the music awards,’ and I’m saying ‘#vmas’, we’re having two disjointed conversations. What we found with location-based services is those services never took off when people had to type in, ‘hey, this is the restaurant I’m at.’ That was kind of the fire that got us going."

    He called the service a mashup of TiVo and Facebook, and explained what makes it such a useful tool for entertainment discovery in the above video.  

    So why use this over simply sharing directly through Facebook/Twitter?

    "We’re not actually saying, ‘hey, we need to own that conversation," explained Cahan. "If you notice in the app, the first thing that we suggest you do is share. Share it on Facebook. Share it on Twitter. Share it anywhere you want. Frankly, we already know based on the links that we generate, that a lot of the conversation is actually happening on a place like a Facebook or Twitter. So, all we’re trying to do is seamlessly establish those connections. So really, it’s about getting recommendations, and about getting a sense of your tastes, your friends’ tastes, and then starting to come back to you with ideas around things that we think you should like."

    Cahan talked a little bit about privacy, as the subject is bound to be on users’ minds from time to time. He said that People often ask if they’re shipping audio from the device, and that the answer is no. "We can’t hear anything that’s going on in the room or anything like that," he assured us. 

    Users can always delete what they’ve done, but everyone sees the public stream. Things that happen between friends are locked down. You can only comment on friends’ material, and you can get notifications when you’re both watching the same show. 

    IntoNow Conversations

    Eventually, the conversation turned to monetization. Many startups simply build their audiences and worry about how to monteze them later. IntoNow already has a few things in mind for the future. 

    "If you’re watching a commercial on TV, press that button – that green button, and see the response that you get back," said Cahan. "So right now, the response that you get back is, ‘hey, you’re watching a commercial.’ What we’re doing going forward is enabling those commercials, meaning, I’m watching a Pepsi commercial…Press that green button. Here’s an offer from Pepsi. I’m watching a car commercial. I’m actually really into this car…Press that green button. Here’s more information about the Audi A4. Here’s more information about where you can find it…all of that kind of stuff. So we very much want to activate it and enable a lot of those commercials to add value back."

    "The other thing is, when you think about the landscape of different players here, there’s also content owners," he continued. "We know in a validated way, ‘hey, this is what you’re watching. You are watching Jersey Shore Episode 3, and by the way, are you watching it live or not. Is it actually on air…’ So you think about the content industry, what they’re really focused on is loyal viewing and also live viewing. We have the ability to validate that that’s what you’re actually doing, so we’re talking with a lot of content owners around, ‘hey, let’s create a program for your audience – that is if you ID live, every single episode while it’s on air, and do that throughout the season, here’s some…who knows what that is. Snooki’s going to give you the fist bump…who knows?"

    "The other area is in terms of general advertising, clearly we have a good understanding of ‘psychographic’ segments," he added. "Here’s all the people who like crime. Here’s the people who like comedy…"

    IntoNow is the number four free social networking iPhone app after Facebook, Skype, and Twitter. While it’s only available for iOS right now, Cahan says you can expect Android and web versions soon, and they’re looking to get their app pre-installed on TVs.