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Tag: YouTube

  • Beasties Boys Go Viral

    Beasties Boys Go Viral

    We all know the Internet has fundamentally changed the way people are marketed to. Whether it’s a barrage of promotional tweets, online coupons, Facebook product pages, or the J.J. Abrams method of promoting a movie, without the Internet being such a strong conduit, these methods would have a hard time being feasible. Sure, the studio responsible for Cloverfield could set up mysterious billboards all over Los Angeles, but how effective would that marketing campaign be in Fresno? The Internet, of course, shrinks the world.

    In regards to viral marketing, while the concept has been around before the Internet became popular — see the first Star Wars movie and how word of mouth assisted in its uptake — the connectivity of the Internet, not to mention the speed with which messages travel, has completely changed how viral marketing is conducted nowadays. Naturally, online videos play a big role in this marketing approach, which brings us to the Beastie Boys and their upcoming new album, Hot Sauce Committee Part Two.

    Recently, to help promote their new release, the Beasties released a trailer that featured a list of cameos that served as a who’s who in the comedy section of Hollywood. Notable faces like Seth Rogen, Will Ferrell, Danny McBride, John C. Reilly, Will Arnett, and Jack Black appeared and once word about the video hit the blogs, it spread like wildfire. In two weeks, the video has amassed over 2 million views, and while that’s not Rebecca Black numbers — I guess the tweens aren’t too familiar with the Beastie Boys — it’s quite a bit for video that serves as a trailer for an upcoming song/new album.


    Like any good trailer does, the one released by the Beasties promises excitement and adventure, and, of course, a new song, which was released earlier this week.


    It’s hard not wonder if the video’s release date — April 20 — was related to the same thing that day’s Twitter trends were celebrating?

    Another area of surprise concerning this viral marketing effort comes from the Beastie Boys’ use of MTV’s video service instead of, say, YouTube. Granted, the “M” in MTV used to stand for music, but in today’s society, it might as well stand for “My God, What Happened To This Channel?”

    To put it mildly, MTV is to music what drunk drivers are to safe roads. Furthermore, and while this is only a hunch, it’s a safe bet that more people equate YouTube with music videos than they do MTV’s video service. I’d even hazard a guess that says YouTube has more music videos in its index than MTV does.

    Nevertheless, MTV was the initial conduit of choice for B-E-A-S-T-I-E (What up, Mike-D? Aw yeah, that’s me…); although, once the video hit the blogs, it didn’t matter what video service they used. Another item of note is the Beastie Boys’ official site is powered by Tumblr’s service. For some reason, I find that rather interesting because it means artists aren’t relying on the expensive design houses to construct their sites. Clearly, ease and usability is the goal instead of a pretty Flash-based site that limits visitor interaction.

    One last aside: The Internet also deserves credit for the rise of video trailers for upcoming music releases like the following offer from underground rapper, Murs:


    Without the proliferation of YouTube and other online video sites, would artists even attempt such creations? Would they even be feasible? Without the Internet, it’s doubtful.

  • 30% of All YouTube Videos Make Up 99% of Views

    YouTube announced today that it is transcoding all new videos into the WebM format, as well as other supported formats, which include MPEG4, 3GPP, MOV, AVI, MPEGPS, WMV, and FLV.

    In the announcement, they say they are working to transcode the rest of the YouTube catalog.

    “Given the massive size of our catalog – nearly 6 years of video is uploaded to YouTube every day – this is quite the undertaking,” says software engineer James Zern. “So far we’ve already transcoded videos that make up 99% of views on the site or nearly 30% of all videos into WebM. We’re focusing first on the most viewed videos on the site, and we’ve made great progress here through our cloud-based video processing infrastructure that maximizes the efficiency of processing and transcoding without stopping.”

    While clearly the transcoding videos is the real news here, I find that stat Zern dropped somewhat interesting. 30% of all videos account for 99% of views. Not all that surprising, but interesting still.

    I find that stat perhaps even more interesting, conisdering some points HubPages just brought up about YouTube, with regards to Google’s Panda update.

    “While we believe the democratization of publishing and earning potential is an important part of the progress of the Web, we want to avoid a situation where a portion of content negatively impacts the rankings of high quality content,” said HubPages CEO Paul Edmondson. “It appears HubPages has been impacted by this while YouTube has not, despite HubPages having a more strict content policy.”

    For context, HubPages was one of the top sites negatively impacted by the Panda update. Clearly, some people have indeed had negative experiences with HubPages content, but I believe there is some higher quality content in the mix – as there usually is with sites labeled “content farm”.

    He makes an interesting point about YouTube. The stat Zern drops, kind of backs up the point. Views aren’t necessarily equivalent to quality, but quality videos do tend to gain views. By nature, people want to share quality content with others. If only 30% of YouTube’s videos are making up almost all views, it would seem that there’s a lot of lesser quality content on there.

    It’s hard to say where this content places in any given search results page, but it’s something to think about.

    “Actually, HubPages is to articles what YouTube is to video,” Edmondson told WebProNews in a recent interview. “Like YouTube where enthusiasts post videos of their choice, our community write articles about whatever they wish and are passionate about. This covers a wide range of content from poetry to recipes, and pretty much everything in between. Writers choose what they write about, and they own their content. In return, they stand behind the content, build readership and interact within the HubPages community.”

    With the recent international roll-out of Panda, YouTube was among the top gainers (as were other competing video sites).

    More of our Panda coverage here.

  • Royal Wedding to Be Broadcast Live on YouTube

    The royal wedding of Prince William and Kate Middleton will be streamed live on YouTube. Of course.

    Obviously Google is excited about it. The comapny is in the midst of turning YouTube into not only the biggest web video destination, but a destination for live events. Earlier this month, they announced YouTube Live – said destination and a platform for streaming live video that will be available for select partners (at least at first).

    Of course, the more interesting things people have to watch on YouTube, the better it makes Google TV look too. This past weekend, Coachella, the giant music festival, was streamed live on YouTube.

    “Google search trends show that in addition to the UK and the US, the top ten countries searching for ‘royal wedding’ include places like Singapore and the Philippines,” says Google’s Rachel Ball. “In response, we’ve been working to make as much of the big day as possible accessible to everyone. We previously announced the expansion of our Google Earth 3D imagery to offer a ‘Royals’-eye’ view of the entire wedding procession, complete with 3D images of iconic landmarks and five species of digital trees that can be seen along the route.”

    Last month, it was revealed that Google App Engine would power the official site of the wedding.

    The live stream of the wedding will begin at 9:00am GMT/5:00a ET on Friday, April 29 on the Royal Channel.

    I’d expect plenty of photos on Flickr as well. The Royal Family launched its Flickr account last summer.

  • Latest Google Doodle Celebrates Charlie Chaplin

    Google’s latest celebration doodle is rolling out to countries that are a day ahead of the United States — in this case, Google’s latest celebratory logo/mash-up appears on Saturday, April 16th. The focus of Google’s doodle-based acknowledgment is silent film legend, Charlie Chaplin.

    Instead of simply offering a reworked logo featuring Chaplin’s iconic derby hat and cane, this particular doodle took a page from the Pac-Man celebration logo, but instead of an embedded video game applet, the Chaplin theme features a YouTube video celebrating the actor’s style. The video is made in the same spirit as a fan film instead of using Chaplin’s likeness, apparently. Featured within the black and white video is a shot of the Chaplin lookalike walking past the Google logo.

    As indicated, the countries seeing the Charlie Chaplin themed Google homepage are countries that are already celebrating April 16th, meaning it won’t be officially seen in the United States for another 14-plus hours (as of this writing). Unofficially, here is a screenshot and the video in question:

    Charlie Chaplin Google


    Once again, Chaplin’s birthday falls on the 16th of April, but for those of you who just can’t wait to see (and interact) with Google’s latest doodle, you can check the UK’s version, or Australia’s, or, well, any country that’s already transitioned from the 15th to the 16th, and has a Google homepage. See more here.

    For those Google doodle fans out there, do you have a particular favorite, or is there one you’d like to see in the future? Let us know in the comments section.

  • Coachella 2011 Streaming Live on YouTube

    Coachella 2011 Streaming Live on YouTube

    Coachella 2011 starts on Friday, and there are a lot of good musical acts there, but luckily for those of us who don’t get to attend, we can still watch it online.

    The popular music and arts festival is streaming live on the Coachella YouTube channel from April 15 – 17.

    Here’s the artist line-up:

    Coachella 2011 Artist line-up - streaming online via YouTube

    The actual schedule can be found here (hat tip to Clicker).

    YouTube is actually placing a great deal more focus on live content these days. Last week, the company announced the launch of YouTube Live, a new destination for live content on YouTube, as well as platform for streaming live video.

    Unfortunately, the platform wil not be immediately available to all users – only trusted partners – but clearly, users still benefit by having more video of live events, just like Coachella.

  • YouTube Launches School For Copyright Violators

    YouTube has introduced a new campaign aimed at educating users about copyright violations.

    If the company receives a copyright notification concerning a video a user uploaded, they will be required to attend “YouTube Copyright School,” which includes watching a copyright tutorial and passing a short quiz proving they understand the content.

    YouTube has also introduced new rules about how it handles users how have violated its copyright policies. Previously YouTube had a policy to suspend users who had received three legitimate copyright notification.

    The YouTube Blog explains. “Consider, for example, a long-time YouTube user who received two copyright notifications four years ago but who’s uploaded thousands of legitimate videos since then without a further copyright notification. Until now, the four-year-old notifications would have stayed with the user forever despite a solid track record of good behavior, creating the risk that one new notification — possibly even a fraudulent notification — would result in the suspension of the account. We don’t think that’s reasonable.”

    “So, today we’ll begin removing copyright strikes from user’s accounts in certain limited circumstances, contingent upon the successful completion of YouTube Copyright School, as well as a solid demonstrated record of good behavior over time.”

    YouTube added that the removal of strikes is not guaranteed and it may terminate an account at any time for violations of its Terms of Service.

    In addition, YouTube has also launched a redesigned copyright help center aimed at further educating users about its policies.

  • TV on the Radio Debuts Album-Length Film via YouTube

    Starting today you can view an album-length film featuring every track from TV on the Radio’s fourth studio album, Nine Types of Light. The film was directed by Tunde Adebimpe, the groups lead vocalist. Adebimpe intertwines the songs along with interviews from various New Yorkers on various topics. You can watch the film above, or here.

    What did you think of Nine Types of Light? Tell us your thoughts.

    The new @TvOnTheRadio album #NineTypesOfLight is Out Now. Watch the full movie for the album here: http://youtu.be/8B5GP0AiQMc 3 hours ago via Power Twitter · powered by @socialditto

    According to the bands site, “Nine Types of Light is as much an album as it is a movie by TV on the Radio. The movie is meant to be a visual re-imagining of the record, and includes a music video for every song on the album.

    The band personally asked their friends and the filmmakers they admired to help direct the music videos. Tunde Adebimpe, the director for the full Nine Types of Light movie, storybooked the music videos together with interviews from local New Yorkers on various topics, including dreams, love, fame and the future. Tunde also directed the music video for Forgotten.

    TV on the Radio fans have been eagerly awaiting the latest offering, ever since Dear Science was released in 2008. Well, the wait is over… Nine Types of Light is available today.

  • Mitt Romney’s 2012 Presidential Campaign Launches Via Social Media

    Mitt Romney’s 2012 Presidential Campaign Launches Via Social Media

    Mitt Romney has announced the formation of an exploratory committee for a 2012 presidential bid via YouTube, and Twitter.

    In the 2:30 video, the former governor of Massachesetts, talks about unemployment, foreclosures, and even gives Obama a ribbing over his policies. Romney also states, “He and the people around him have never worked in the real economy. They just don’t know how jobs are created in the private sector.

    How much social media play a role in the race to the White House? Let us know what you think.

    I am announcing my Exploratory Committee for President of the United States. Join us at http://www.mittromney.com #Mitt2012 17 hours ago via web · powered by @socialditto

    Romney’s video went live on Monday, just a week after we saw President Obama launch his 2012 reelection bid.

    Even in its infancy, you can tell that the 2012 presidential race will be much more social media centric. During the 2008 campaign we saw Barack Obama essentially pioneer using Facebook and Twitter to reach the masses, while his competitor, John McCain, ran a more traditional campaign.

    Do you think we’ve seen the last of the traditional political campaign? Leave your thoughts.

  • The LeBrons Becomes A Regular YouTube Series

    The LeBrons Becomes A Regular YouTube Series

    NBA star LeBron James has a new cartoon called The LeBrons, which has made its debut on YouTube, and is sponsored by HP and Intel, as Google points out. I also saw a Bing commercial in there.

    “Born from a Nike campaign that was very popular on YouTube, The LeBrons features four versions of James: Kid, Athlete, Business and Wise,” explains YouTube sports manager Andrew Bangs. “The show is intended for young audiences but has references and scenes for basketball and music fans, too.”

    You can see the first episode above. Here’s the second:

    To be honest, I don’t find it nearly as entertaining as the 1991 Saturday morning cartoon Pro Stars, which featured sports legends Michael Jordan, Bo Jackson, and Wayne Gretzky:

    Admittedly, I had a little trouble remembering what that cartoon was called, so I searched YouTube for “michael jordan bo jackson cartoon,” and in the results “The LeBrons” appeared at the top as a promoted video.

    The show will have new episodes released weekly, via The LeBrons channel.

    YouTube is said to be spending about $100 million to commission the creation of original content for new premium YouTube channels, as the site gets revamped into a more traditional TV-style format, in terms of channels. This will include a redesign of the YouTube homepage, which should make the site more connected TV-friendly.

    YouTube also announced its new live streaming channels and platform last week, which should also be an important part of YouTube’s evolution into the mainstream living room experience.

  • Rebecca Black: Viral Elite, Here to Stay

    Rebecca Black: Viral Elite, Here to Stay

    In case you guys didn’t know, IT’S FRIDAY, FRIDAY, FRIDAY, it’s the end of the week.  And that gives us a little latitude to delve into the silly, possibly inane parts of the interwebs.

    Over on the official YouTube trends blog, a case is made for the staying power of Rebecca Black.  She just doesn’t seem to show any signs of slowing down her reign as viral queen.  At the writing of this article, Miss Black’s official video for “Friday” is about 200K shy of 90 million views.  And this doesn’t even do the phenomenon justice, as thousands of parody videos as well as analytical breakdowns (of which seat she should choose) have drawn millions of additional views.

    The reason why Rebecca Black went so epically viral is not too hard to figure out.  The “Friday” video has what it takes to make a viral impact: it was irresistibly shareable with friends through social media.  But why has she stayed in the national consciousness for so long? YouTube has a couple nifty charts to show us the extent of how popular she remains, as compared to Ted Williams, the “homeless man with the golden voice.”

    Both searches and views of the “Friday” video unsurprisingly receive a boost on Friday.  The video corresponds to a certain day of the week, and has become an ironic way to announce that end of the work week all over the world.  It is the dream of any viral video.  In the same vein, YouTube trends mentions that the Bone-Thugs-N-Harmony song “1st of tha month” gets a huge spike in views…you guessed it…the first of every month.  Score one for the Black viral team, as we all know that the quickest way to keep something relevant is to associate it with something timeless and popular (see Gary Glitter and Sports).

    Why else has this become so popular?  Why has it stayed more popular than the adorable “baby laughs and mom ripping paper” or the above graphed “homeless man with radio voice?”  YouTube trends posits that it is directly attributable to its musical nature.

    It’s a song.  And songs have the ability to become stuck in your head – even songs as unbearably horrible as “Friday.”  Think about it.  “Double Rainbow all-the way” was awesome, but it really took off when it got its own song (23 million views).  Antoine Dodson was popular, but it didn’t achieve infamy until it was made into the “bed intruder song” (78 million views).

    So this Friday, let us celebrate our ability as a society to propel even the most asinine, vacuous drivel to worldwide popularity.  Because honestly, it’s a wonder we can all have such a far-reaching, shared experience, no matter how much you regret it afterwards.

    (Just in case you forgot what we’re talking about)

  • YouTube Live Launched for Live Streaming

    YouTube Live Launched for Live Streaming

    Things at YouTube are getting very interesting. Their plans for a more channel-based homepage experience, geared toward making the site more television-friendly were unveiled earlier this week.

    Now YouTube has announced the launch of YouTube Live, which consists of a new live-streaming platform and a home page for live content on the site. YouTube is now in uStream territory.

    YouTube Live will certainly give television watchers much more content to choose from. This has the potential to make TV incredibly social, based on the simple fact that this is YouTube – the mother of all online video.

    Imagine going on vacation, streaming live to YouTube from your phone, and letting your friends and family watch it from their TVs. Now imagine being subscribed to all of your friends’ channels and being able to have a similar experience.

    I say potential though.This is isn’t possible with YouTube yet, but it would only make sense to become so in the future – at least with private profiles. The public ones may be tough to police. YouTube doesn’t want to fall victim to the pitfalls of Chatroulette. You know what I’m talking about.

    “Today, we’ll also start gradually rolling out our live streaming beta platform, which will allow certain YouTube partners with accounts in good standing to stream live content on YouTube,” the company says. “The goal is to provide thousands of partners with the capability to live stream from their channels in the months ahead. In order to ensure a great live stream viewing experience, we’ll roll this offering out incrementally over time.”

    The YouTube Live homepage is already up, however. You can go there now and see live video.

    “With over 2 billion views a day, it’s easy to think about YouTube as a place to watch videos recorded in the past,” the company says. “But you’ve told us you want more – and that includes events taking place right now.”

    As previously reported, Salar Kamangar has been appointed SVP of YouTube and video at Google as part of new CEO Larry Page’s restructuring of management at the company.

  • Crying YouTube Star Has His Wish Granted To Be Governor [VIDEO]

    Crying YouTube Star Has His Wish Granted To Be Governor [VIDEO]

    Go ahead and file this story in the “feel good news” category. Jesse Koczon, who came into fame when crying about being too young to be governor, has had his wish fulfilled. Governor Christie, signed a proclamation on Wednesday which made Koczon honorary governor of New Jersey for the day.

    The story begins during the election in 2009. Jesse’s parents took both him and his brother to the polls, to give them a look at what happens during elections. Jesse wanted to vote, but was told he was too young. Like most children when they’re told they aren’t able to do something, Jesse began to cry. This continued to the car, when Jesse’s mom began filming her son’s tantrum on being too young to become governor.

    The video became an instant hit, and eventually led to the family receiving $10,000 from America’s Funniest Home Videos. The good fortune didn’t end there however, as Governor Christie caught wind of the video. He tweeted this in response:

    Don’t worry Jesse, people gave plenty of reasons why I couldn’t be Governor, though being too small wasn’t one of them http://bit.ly/hBdpC4 6 days ago via TweetDeck · powered by @socialditto

    Christie’s involvement went beyond tweeting, as he ended up inviting Jesse and his family to tour his office and check out the governor’s job. The proclamation declaring Jesse as honorary governor was a surprise, which led to a press conference announcing Jesse’s new position. Like the video listed above, hilarity and insanity ensues. If only all political press conferences could be this entertaining.

    When asked what his first act as governor would be, he answered “going home”. He promises to not raise property taxes though. Sounds like the kid already has an idea of what it takes to be a successful politician.

  • YouTube Homepage Changes Rumored To Make Site More TV-Like

    Rumor has it that YouTube is going to get a big makeover, as a more traditional channel-oriented site. That’s not to say it will lose its current function as a user-generated video hub or the second largest search engine, but it may be getting a little more Television-friendly.

    A report from the Wall Street Journal brings this news, based on what they were told by “people familiar with the matter”. The report says:

    The company is planning changes to the homepage that would highlight sets of channels around topics such as arts and sports. YouTube is looking to introduce 20 or so “premium channels” that would feature five to 10 hours of professionally-produced original programming a week, one of these people said. Additional channels would be assembled from content already on the site.

    The report also says that Google will spend spend as much as $100 million to commission the creation of original content for the premium channels. This is certainly in line with the apparent trend in video entertainment distribution companies.

    This would all make a great amount of sense for YouTube and Google, given the rising popularity of connected televisions and related devices. While YouTube is certainly in no danger of losing its place as a frequent destination for online video viewers, it will pay in the long run to make it easier for people to browse the kind of content they are looking for – the average channel surfer – this will help make the YouTube experience more like the familiar TV experience.

    It should also foster longer time spent on site by users, which means Google will have more time to show more ads and drive more revenue. It could also help Google TV look more appealing to consumers.

    In other YouTube news, the site now has a new related searches and advanced search option format, as Alex Chitu at Google Operating System discovered.

    “We have expanded the functionality of this feature and reorganized it to allow users to have the above tools, but also a range of options to explore new YouTube Topics on search. This updated feature is called ‘Filter & Explore,” says YouTube on a help page.

    Better search is always helpful for discovering content too.

  • YouTube – Viacom Brief Filed

    YouTube – Viacom Brief Filed

    In case anyone was wondering, YouTube hasn’t decided to wave a white flag with respect to the legal battle that Viacom started in early 2007.  Indeed, lawyers representing the site have filed a new 94-page document defending YouTube’s approach to handling copyright infringement.

    One quick reminder: YouTube already won this case once, with a court deciding last year that the site’s protected by the safe harbor of the Digital Millennium Copyright Act.  Fresh papers are circulating only because Viacom decided to appeal the decision.

    Otherwise, we’d just like to let everyone know that we’re not going to quote too extensively from the long, long “brief.”  Both YouTube and Viacom seem to be past introducing much in the way of new evidence and/or new arguments at this point.

    So here’s the simple conclusion at the end of the document: “YouTube, which has pioneered efforts to protect copyright while maintaining an open environment for creative, political, and personal expression, is exactly the kind of service that Section 512(c) was enacted to protect.  The district court’s judgment should be affirmed.”

    Viacom-v-YouTube-Google-2d-Cir-brief-

    Viacom responded by telling Eriq Gardner (who was the first person to publish Google’s legal brief), “Under the DMCA, content owners and systems operators share responsibility for the protection of copyrighted content online.  It was never intended to absolve companies like YouTube from liability for building a business by deliberately infringing others’ creative works.  We look forward to the review of this case by the court of appeals, and are confident that it will vindicate the rights of content creators.”

  • Racist YouTube Video Results In Another Social Media Casualty

    YouTube is a pretty amazing service when you stop and think about it. It’s becoming so ever-present in our lives, its almost becoming invisible, to borrow an idea from Kevin Kelly. Although the site is only six years old — its popularity exploded after the Google purchase — it’s hard to imagine an Internet without YouTube, even though this particular writer was on the web a number of years before it launched.

    Needless to say, a site that is so popular and crucial to the explosion of social media and viral marketing is an incredibly powerful tool. Something so big, especially on the Internet, almost has to be. Unfortunately, however, every so often, somebody receives a lesson in just how powerful YouTube can be. Many times, these lessons are unwanted and can be somewhat vicious.

    Just ask former UCLA student, Alexandra Wallace.

    In case you haven’t heard, Wallace was recently attending UCLA, and she decided she wanted to study in the library. Problem was, at least to Wallace, there were “too many Asians” in the library for her to effectively study, and so she made a now-infamous video called “Asians in the Library,” where Wallace proceeded to share her feelings about the apparent explosion of studious Asian students at UCLA. She even went as far to mention the catastrophic events in Japan in a rant that quickly turned into an uneducated, racist diatribe.

    You can see for yourself, if you’d like:

     


    Needless to say, the aftermath of Wallace’s video has been felt far and wide.

     

    After the video went viral, which was after Wallace attempted to take it down, she was greeted with the kind of responses you’d expect from an Internet crowd: death threats and other promises of physical violence; so much so, in fact, Wallace removed herself from school, but not after she wrote a letter to The Daily Bruin, UCLA’s student paper, as an attempt to explain herself.

    The letter reads:

    In an attempt to produce a humorous YouTube video, I have offended the UCLA community and the entire Asian culture. I am truly sorry for the hurtful words I said and the pain it caused to anyone who watched the video. Especially in the wake of the ongoing disaster in Japan, I would do anything to take back my insensitive words. I could write apology letters all day and night, but I know they wouldn’t erase the video from your memory, nor would they act to reverse my inappropriate action.

    I made a mistake. My mistake, however, has lead to the harassment of my family, the publishing of my personal information, death threats, and being ostracized from an entire community. Accordingly, for personal safety reasons, I have chosen to no longer attend classes at UCLA.

    Alexandra Wallace

    Which sounds an awful lot like:

    I’m sorry I got outed for the video. I’m sorry I got caught. Had I been more thoughtful and not recorded my feelings about Asians using UCLA’s library and posted them on the Internet, nothing about my enrollment would be changed. That being said, I cannot stand the idea of being labeled as a racist for something you guys just didn’t get, and so, I’m going to use the safety of my parents as an excuse to run away from all this drama I caused.

    Go ____ yourself,

    Alexandra

    Needless to say, there have been a number of video responses and mash-ups concerning Wallace’s “love one another” video, and there about what you’d expect:

     

     

    And then there’s this piece of animated genius, which captures the details quite well:

     

    Finally we have the inevitable remix:

     


    There’s much, much more where this came from.

     

    With that, welcome to Internet infamy, Miss Wallace. Enjoy your stay… And your new college, wherever that will be. Maybe you’ll be lucky enough to be forgotten by the time enrollment for the fall semester comes.

  • Google Accounts for All YouTube Users Starting Very Soon

    In May of 2009, Google started giving people signing up for YouTube accounts, Google accounts too. A little over a year later, the company announced that it would start requiring all YouTube users to have Google accounts.

    This occurred during a time when the tech world was really waiting for Google to unveil a new social offering to help the company compete with Facebook for users’ social graph and online identity. Back then, this was still being referred to throughout the Blogosphere as “Google Me,” which would later come to be known as other things like “Google+1,” “Emerald City,” or the one I prefer – a “social layer,” which is how Google has described it, and makes it seem like more of an integration of existing products, rather than a whole new product, which I think is more what we’re looking at (even if new products do come into play).

    YouTube - Create an account - A Google Account

    The bottom line is that YouTube is Google’s most used social media product, and that tying it to the Google account is smart in terms of getting people on the web to be a part of Google’s “social layer” and use Google for their “identity”. It’s not making people turn away from Facebook, but it helps give Google a good slice of that.

    Google announced today, that over the “coming weeks,” it will actually start enforcing this “Google account required” concept for YouTube for all YouTube accounts created before May 2009. In a post on the official YouTube blog, YouTube web developer Michael Ortali writes:

    You’re probably asking yourself “Why am I being required to connect my YouTube Account with a Google Account?” Well, let’s use an analogy. Imagine instead of that sleek new mobile phone you bought last year, you were instead carrying around one of those big brick phones from the 90’s. It might still make calls, but it would be slow and bulky and unable to do 90% of what current smart phones do. Your old YouTube account is a lot like that cell phone. It still works, but it’s not as fast, secure and efficient as the Google Account we’re asking you to link to.

    While we understand that change isn’t always welcome, we’re confident that this transition will result in a better experience for you on YouTube. Not only does connecting your YouTube account to a Google Account improve your account security, it will also give you better video recommendations and quick access to the very latest updates and features which our engineers are releasing on the site every week.

    As an added bonus, you now have access to numerous Google services like Gmail, Google Docs, and other key components of Google’s overall strategy.

    It’s interesting that we’ve been talking about this alleged social layer of Google’s for so long, and yet we’ve still yet to really see it all come together in any new, significant way. Granted, there have been subtle things like Google’s updated social search results, and the Profile pages updates, though it hardly feels like that was a huge change that has shifted interest in the profile.

    The redesign of the top navigation bar across some of Google’s products may provide a hint at the strategy Google is still constructing as well. There have been rumors of a toolbar-related element to the “social layer”. Then there was the “Google Circles” rumor that popped up during SXSW.

    Perhaps we’ll see some wheels start moving faster once Google gets all of its YouTube users on as Google account holders.

    Thoughts?

  • Lady Gaga Does Google

    Lady Gaga Does Google

    The current queen of pop — no, not Rebecca Black either; although, she’s clearly a princess — went to Google the other day to complete the Q&A session that began with a YouTube invitation from Lady Gaga herself.

    The follow-up portion of the Gaga’s user-generated-content-based interview was conducted by Marissa Mayer, who presented Gaga with the questions submitted by her legion of fans. According to a statement from Google (via PC Mag), there were over 54,000 video submissions for the Gaga Q & A. Of course, Google and its employees were clearly more than willing to bask in glow of Gaga’s popularity, understandably treating the event more like a concert than an interview.

    Google even created a logo for the event, which was shared on Twitpic; and naturally, there was a Twitter hashtag for the event — #googlegoesgaga — solidifying the just how much social media and user-generated content contributed to the Gaga interview (everything).

    The event was preserved by YouTube, and the entire interview is available for Gaga fans and search engine news followers alike:


    During the interview, Gaga even stuck up for the latest Internet star, the aforementioned Rebecca Black. Instead of adding to burning-hot fire of criticism, which has since turned into a trend others can’t help but follow, Gaga perhaps predictably defended Black by calling her a genius. Considering the backlash against the original backlash, it wouldn’t be the least bit surprising if the young Rebecca Black evolved from a Internet sensation into a “legitimate” recording artist who appears as an opening act on Gaga’s next tour.

    As for her visit to the Google campus, Gaga was as impressed with them as they were with her, and her Twitter account reflects that very well.

  • YouTube Introduces Powerful Image Stabilization, 3D Tools

    In 1999, The Blair Witch Project caused some moviegoers to run out of theaters. Ten years later, Avatar had pretty much the opposite effect. And now YouTube seems to have learned from both developments, introducing an image stabilizer and a 3D tool this afternoon.

    Let’s start with the image stabilizer. It aims to smooth the sort of jittery, jerky movements that (in addition to argumentative and whiny characters) made The Blair Witch Project less than mediocre. This is achieved through a “unified optimization technique,” according to a post on the YouTube Blog, and in case you were wondering, a YouTube representative added via email that it’s unrelated to the acquisition of Green Parrot Pictures.

    The stabilizer’s effectiveness is impressive. You can see it at work in the second of the two videos below.

    As for the 3D tool, YouTube’s official blog post stated, “If you’ve used a pair of cameras to capture stereographic video, but need the two streams to be synchronized and laid out in a way compatible with YouTube’s 3D feature, this new tool will do the work for you.”

    Together, the two features are sure to earn the attention of plenty of content creators, from amateurs with camcorders to almost-pros trying to conduct groundbreaking experiments.

    The new features will of course benefit YouTube’s more passive users, too, allowing them to suffer fewer headaches and enjoy cutting-edge effects.

    Both the image stabilizer and the 3D tool are live right now and free for everyone to test and employ.

  • YouTube Person Finder Introduced

    YouTube Person Finder Introduced

    Since the devastating earthquake and following tsunami in northern Japan, technology has played a huge role in helping people connect with family and friends involved in the disaster.  On the heels of Google Person Finder, the search tool that also allows users to update current information on those affected, comes YouTube Person Finder, its video cousin.

    Announced via Official YouTube Blog, they report that the Tokyo Broadcasting System (TBS), a major Japanese TV station, has been shooting video messages at shelters around the affected areas.  As of Sunday the blog reported that around 80 videos had been uploaded, and a recent count shows around 90.  YouTube also says they are in the process of expanding the scope of the site:

    “We’ll try to increase the number of videos by adding more more content from other TV stations and news network in the coming days.  We’re also trying to include videos shot by the individuals impacted themselves, but we have to wait until the infrastructure situation there recovers.”

    The search tool allows you to search by name, home location or by specific shelter.  Three character formats are supported: Kanji, Katakana and Hiragana.  English characters are not supported.  There is no doubt that when user-submitted content is integrated into the search, this will become an incredibly important tool for victims and their families.

  • YouTube and ESPN Want Your Original Sports Highlights

    Parents of kids who play sports, their coaches and the players alike, pay attention: ESPN and YouTube have put a call out for your user-generated content. If you have any original sports highlights you’d like to share on YouTube, be sure to submit them to ESPN as well.

    While it’s not necessarily called a contest — YouTube’s blog entry simply calls it the “second version” — the YouTube/ESPN-sponsored “Your Highlight” will pick a number of favorite entries, and from them, a winner will be picked based on the number of votes it receives from the YouTube collective. Winners will be flown to Bristol, Connecticut, and they will be given the red carpet treatment by the Worldwide Leader.

    A special segment will be filmed and during this portion of SportsCenter, the winning highlight will be shown. Naturally, there’s a video explaining the contest even further:


    While the contest seems to be aimed at the soccer families in the US — that is, parents who very active and supportive of their offspring’s amateur sports career — the rules indicate the contest is open to anyone who was 13 or older on September 8, 2010. That means that youth players themselves can submit their own content without parental oversight if so choose.

    Of course, mom and dad would probably want to know about any upcoming trips to Connecticut. ESPN’s rule page has more details about the submissions:

    (a) Include an original sports video; It must be an original, unpublished work that does not contain, incorporate or otherwise use any content, material or element that is owned by a third party or entity.

    (b) Must be in one of the following formats: .avi, .mov, .mpg, .mp4, mpeg or .wmv.

    (c) Should be no more than two (2) minute(s) in length and 200 megabytes in size. Entries longer than two minutes may not be reviewed by the judges or considered for the prize, at ESPN’s sole discretion.

    (d) It must not be derogatory, offensive, threatening, defamatory, disparaging, libelous or contain any content that is in appropriate, indecent, sexual, profane, indecent, tortuous, slanderous, discriminatory in any way, or that promotes hatred or harm against any group or person, or otherwise does not comply with the theme and spirit of the Contest.

    (e) It must not contain content, material or any element that is unlawful, or otherwise in violation of or contrary to all applicable federal, state, or local laws and regulations the laws or regulations in any state where video is created. Specifically, it must not contain: any music other than Entrant’s original works OR any footage of any professional sporting event.

    (f) It must not contain any content, material or element that displays any third party advertising, slogan, logo, trademark or otherwise indicates a sponsorship or endorsement by a third party or commercial entity or that is not within the spirit of the Contest, as determined by ESPN in its sole discretion.

    (g) It cannot contain any content, element, or material that violates a third party’s publicity, privacy or intellectual property rights.

    (h) Entrant has not engaged anyone appearing in or associated with the Video Submission under any union or guild agreement that would result in any ongoing obligations resulting from the exploitation of the Video Submission.

    As you can see, the desire is for original content, not something that’s been run through the “flashy production” machine. Submissions are accepted at ESPN’s YouTube page and must be received by May 4, 2011.

    Lead image courtesy of this thread.

  • YouTube Gets Fans Closer To Lady Gaga

    As the desire for user-generated content continues to climb, we are going to see more and more of this kind of thing: Celebrities using social media services like Facebook, Twitter and YouTube, allowing their fans to get closer to them, at least in a technological sense. Unfortunately, there are still legal issues if you want to get physically closer to the object of your idolatry.

    In this case, we have Lady Gaga, and in order to allow her fans increased access, she’s teamed up with YouTube, allowing members to ask Gaga questions via her official YouTube page. There is, of course, an introductory video with Gaga inviting her fans to participate:


    As indicated, questions are submitted on Gaga’s page, or, users can submit a video if they so choose. Fans can also vote on which question they’d like to see answered, which helps further the idea of the importance of user-generated content, especially when it comes to marketing in this technological era.

    MTV has some more details about Gaga’s interview process, saying, “In addition to the video network, fans can tweet their questions using the hashtag #GoogleGoesGaga. Fans have until the end of the day Friday to submit their entries.”

    The only thing missing from Gaga’s current fan engagement is the use of Facebook for the interview process. Maybe next time. Head on over to Gaga’s YouTube page, or hop on Twitter with the appropriate hash tag if you’d like to further the journey into Gaga’s mind. The first person to get a successful answer to the “Are you simply a product of marketing or are you a legitimate artist?” question, preferably with an in-depth, revealing response, wins.