WebProNews

Tag: online video

  • Are You Ready for the New Mobile Gold Rush?

    Are You Ready for the New Mobile Gold Rush?

    “Are you ready for the new mobile gold rush? Of course you’re not,” said Jim O’Leary, Sr. Manager Mobile Solutions Marketing at Cisco. “Though truth be told, the pending growth in mobile video may be more like a video tornado and only a handful of mobile operators are prepared.”

    What Jim O’Leary is talking about is the rapidly changing landscape of content viewing. Multi-device viewing is now the norm and the dumping of the old cable content bundle is well under way. Over-The-Top content (OTT), where content is consumed without going through the traditional gatekeepers such as the cable or satellite provider, is bringing complete and utter disruption to the cable and broadcast companies.

    (Related: How Google Measures Cross-Device Ad Conversions)

    However, with disruption comes opportunity.

    Video now accounts for the majority of global mobile data traffic and is forecast to be the key driver of data traffic growth globally. To date, mobile video (and the ability to monetize the content) has been dominated by Internet players, such as YouTube, Netflix, with the operator role simply one of connectivity provider.

    However, a number of operators are developing their own content delivery platforms. Singtel, Verizon and PCCW are three prominent examples of this trend, with their HOOQ, Go90 and Viu video platforms respectively. While HooQ and Viu are variants of the subscription-based model, Go90 more closely resembles the Internet business model, with a reliance on advertising for revenues and a focus on millennials. – Jim O’Leary, Cisco

    “Mobile operators across the world face the same twin challenges of slowing growth and ongoing disruption of core services by new Internet & OTT players, even as the broader mobile ecosystem continues to see significant revenue growth,” O’Leary posted. “So if you are tired of being just an operator that carries mobile video and prefer to be able to monetize it, read on.”

    Mobile Video Watching is Booming!

    O’Leary sees a significant monetization opportunity for mobile operators with video for a very good reason, the exploding growth in using mobile devices to watch videos. An On Device Research study commissioned by the IAB in 2015 (Download PDF) confirmed the changing landscape for mobile globally, with 35% watching more video on their smartphone versus last year.

    In February 2016 Cisco released a study predicting that by 2020 there will be 5.5 billion global mobile users which is up from the 4.8 billion currently, and those millions of new mobile users will be watching video too!

    More astonishing, the study says that by 2020 there will be 11.6 mobile-connected devices! This is indicative of another emerging trend, connecting ALL devices to the internet via mobile operators where internet content and data can be consumed and sometimes produced on and by these devices.

    Gartner estimates that the Internet of Things (IoT) is currently connected to 6.4 billion devices and will connect to 20.8 billion “things” by 2020. Some of these “things” will be video enabled devices as well. For instance, watching a video of how to make vegan scrambled eggs on your refrigerator door!

    Mobile Operators Can Play “Central Role” in Content

    So mobile operators have massive connectivity with virtually everyone 12 years old and up having a smart phone and if they can play a central role in providing content they can benefit from the “emerging online video value chain.” It’s about using great content to boost usage of their mobile broadband service. O’Leary believes that Verizon, Sprint, AT&T and others should take advantage of this “content opportunity” in order to cash in and drive business growth.

    The biggest impediment for mobile phone companies entering the video content space is their tendency to charge high rates for large bandwidth consumption. Mobile broadband carriers should eventually come to the realization that their businesses are tied to consumers needing them and it is in their interest to provide inexpensive ways to consume high bandwidth mobile content or they will by bypassed by new mobile broadband competitors that get it.

    Mobile is the New Video Distribution Platform

    O’Leary predicts that OTT, where the internet is used to bypass traditional content middlemen like cable, is the driving motivation that should entice broadband providers to enter the content space more aggressively over the next few years. He advocates mobile operators creating a “cloud based platform” and then partnering with content producers in order to “scale their video infrastructure efforts and deliver high-quality, live video and on-demand content to consumers on any device — be it their smartphone, tablet or connected television.”

    Content producers will likely consist of a wide variety of players from traditional sources like ESPN and Disney to well funded content upstarts such as such as Amazon, Apple, YouTube and Netflix. Content alliances between mobile operators may also include more direct deals with talent such as successful independent internet based content stars on YouTube, Vine and even Snapchat. Mobile is already the primary platform used to consume video content so the next step is to cut out the middleman and partner directly with popular content providers.

    “In growing numbers, consumers are replacing their traditional cable and satellite TV packages with smaller, more customized, and often less expensive mixes of programming, cobbled together from an array of online and on-demand services,” said O’Leary. “As more consumers replace their big-bundle TV packages with à la carte online offerings, an opportunity is emerging for mobile operators and other service providers to combine mobile broadband (MBB) packages with compelling “over the top” content.”

    Mobile operators should realize that they are the distribution platform for millennials, they are the network and they are the new cable and satellite companies. With that in mind, they don’t need the networks or cable to drive viewership and usage of their platform, they simply need great content however they can get it, even if it means becoming content creators themselves.

  • Amazon Launches YouTube Competitor, Amazon Video Direct

    Amazon Launches YouTube Competitor, Amazon Video Direct

    Amazon today announced the launch of Amazon Video Direct (AVD), a head-to-head competitor with Google’s YouTube platform. Amazon touts it as a service that gives video providers a self-service way to reach Amazon’s huge customer base including the coveted Prime members. Individual creators and professional video story tellers can earn royalties based on hours streamed, videos rented or purchased and subscriptions.

    What’s interesting is that videos uploaded as part of AVD will be available to consumers via Amazon Video where there is also unique series content, movies, TV shows and Showtime and Starz programming. AVD is clearly a big part of Amazon’s strategy to be the epicenter of Internet TV where cable and satellite middlemen are replaced.

    Video providers, both professional and amateur, can have their videos included in Prime Video at no charge to Prime members, available as an add-on subscription, offered as a one-time rental or purchase or make them available to all Amazon customers with ads. If a video producer chooses the ad-supported option Amazon will give the provider 55% of the revenue which is the same as YouTube. For purchases, rentals and subscription AVD will split revenue 50-50 and for videos provided free to Prime members Amazon will pay $.15 per streaming hour topping out at $75K per year.

    “It’s an amazing time to be a content creator,” said Jim Freeman, Vice President of Amazon Video. “There are more options for distribution than ever before and with Amazon Video Direct, for the first time, there’s a self-service option for video providers to get their content into a premium streaming subscription service. We’re excited to make it even easier for content creators to find an audience, and for that audience to find great content.”

    In order to attract the best talent from YouTube and other video platforms Amazon is creating a $1 million monthly fund that will be used to distribute bonuses for producing the most watched videos above what video makers will already earn on the platform. Amazon is calling it the AVD Stars Program. This is designed to steal YouTube celebrities and will lead to bidding wars for today’s video stars.

    Launch partners include: Conde Nast Entertainment, HowStuffWorks, Samuel Goldwyn Films, The Guardian, Mashable, Mattel, StyleHaul, Kin Community, Jash, Business Insider, Machinima, TYT Network, Baby Einstein, CJ Entertainment America, Xive TV, Synergetic Distribution, Kino Nation, Journeyman Pictures, and Pro Guitar Lessons. Their content is now available on Amazon Video.

  • Infographic Looks At The Changing World of Video

    Infographic Looks At The Changing World of Video

    In 2006, a young YouTube was bought by Google for $1.65 billion dollars. Already a popular media platform, the video format of choice at the time was the MiniDV linear tape that held about an hour of video.

    Just four years later in 2010 YouTube relied over three billion views per day and video quality upgraded to the Flip UltraHD bringing 720p, 8GB of storage, and over 4 hours of video. This year, YouTube reaches the 18-49 year old age bracket better than any cable network in the US and the iPhone thrusts video into the future with 128GB of storage and over 60 hours of HD video.

    Every year the way we view video gets bigger and better. Streaming services like Twitch and Periscope have hundreds of millions of active users, streamers and viewers alike. Smartphones are at the forefront of the camera quality growth, putting mobile at the top of the list for how people are viewing digital content these days. Videos are expected to make up 60% of of all mobile data traffic by 2020 and 80% of all internet traffic by 2019. What are you looking forward to for the future of digital video?

    Will You Make the Switch? Infographic

    Via Switcher Studio

  • Facebook Verified Profiles Will Soon Get Mentions, ‘Live’ Streaming Video

    Just over a year ago, Facebook launched Mentions, one of its Creative Labs apps, for public figures. It’s basically a way for celebrities to better manage their Facebook presence and engage with fans.

    The official description is: “A better way for actors, athletes, musicians and other influencers to stay in touch with their fans and the people and things they care about.”

    Facebook recently announced an addition to the product, enabling users to broadcast live streaming video. “Tell your story as it happens with live video. Make an announcement, start a Q&A or just show your fans what’s happening in real time.”

    In the media, this has largely been seen as Facebook’s answer to popular new apps like Periscope and Meerkat. But again, it’s only available to celebrities.

    mentions-live

    That changes “soon,” however. TechCrunch’s Josh Constine reports:

    In replies to requests from Verified Pages about when they’d get access to the VIP-only Facebook app Mentions that houses Facebook Live, the company wrote “In the future, Mentions will be available to verified Profiles”. When I asked if that would include Facebook Live, it told me it plans to roll Mentions out to verified Profiles soon, which includes access to Live.

    Facebook verifies celebrities, public figures, global brands and businesses, and media. If your page or profile isn’t verified, and you think it should be, there’s a form here that you can fill out to apply for verification.

    So far, Mentions is still only available for iOS. It’s unclear if an Android version is on the way alongside expanded availability.

    Image via Facebook

  • Twitter Shares Findings On Video Engagement

    Twitter Shares Findings On Video Engagement

    Twitter released some new findings about video usage on its network based on commissioned surveys across fourteen countries and speaking to over a thousand people specifically selected to reflect the demographic profile of each country.

    This infographic represents U.S. insights.

    “The majority of Twitter users (82%) watch video content on Twitter and most watch on a hand-held screen,” says Matt Taylor from Twitter’s global marketing research team. “A staggering 90% of Twitter video views happen on a mobile device, according to our own internal data. But Twitter users don’t just lean back and watch video; they also lean in to create it. Twitter users are 1.9x more likely to have uploaded a video online (anywhere) than the average U.S. internet user.”

    64% who have seen video content in the breaking news category would like to see more on Twitter, the findings suggest. For clips from live sports shows it’s 54%. For clips from TV shows it’s 50%. 45% want to see more from celebrities, while 40% want to see more from other users, and 37% want to see more from brands.

    Interestingly, Twitter says its users are 25% more likely than the average consumer to discover video first among their friends.

    Another interesting takeaway from the research is that 70% of users say they only or mostly watch videos that they discover in their timelines, and only 11% say they use search on Twitter to find specific videos. That could change, however, if Twitter rolls out an improved search interface that highlights the functionality.

    Twitter says its native video drives more overall engagement than third party videos shared on Twitter, including 2.5X replies, 2.8X retweets, and 1.9x favorites.

    “Our advertisers are also seeing Promoted Video on Twitter drive strong engagement,” says Taylor. “@PaigeDenim used Promoted Video to take fashion lovers behind the scenes of its spring collection and drove more new visitor traffic to the Paige website from Twitter than any other digital platform. @truTV turned to Promoted Video to change perception among NCAA basketball fans during #MarchMadness, which contributed to a 545% increase in positive brand sentiment, according to data from Crimson Hexagon.”

    A recent study from Advertiser Perceptions and the Interactive Advertising Bureau (IAB) found that 68% of marketers and agency execs expect their digital video ad budgets to increase over the course of the next year.

    Further reading: Can Twitter Have Facebook-Like Success With Video?

    Images via Twitter

  • Digital Video Ad Budgets Increase, Facebook Best For Short-Term Reach

    Digital Video Ad Budgets Increase, Facebook Best For Short-Term Reach

    A new study from Advertiser Perceptions and the Interactive Advertising Bureau (IAB) found that 68% of marketers and agency execs expect their digital video ad budgets to increase over the course of the next year.

    The study was conducted based on a survey of 305 buy-side professionals, who largely expect that greater investment in digital video will come from overall rising ad budgets this year and as funds shift away from broadcast and cable TV. 67% said they anticipate their broadcast and cable TV ad spend to stay the same or decrease in the next year.

    67% also believe that original digital video will become as important as original TV programming within the next 3 to 5 years.

    Across the automotive, CPG, financial services, retail, and telecommunications categories, advertisers expect to spend more on digital video. 67% expect to move a portion of spend out of TV to do so. CPG, financial services, and telecommunications marketers expect the biggest impact to be on their cable TV budgets. 63% in the automotive category expect to get the funding from expanding budgets.

    “This study demonstrates unequivocally that digital video is a fierce competitor for advertising dollars,” said Sherrill Mane, SVP, Research, Analytics, and Measurement at the IAB.

    A separate study from Visible Measures is out, which looks at video campaigns on Facebook and YouTube. It finds that “alternative video platforms” like Facebook have become more important to brands and that Facebook has not only grown “tremendously” for total viewing, but that it’s also now the most powerful tool for driving immediate growth in viewership for timely video content.

    That study found that for brands that post their campaigns on both Facebook and YouTube, Facebook dominates viewership immediately following a campaign’s release. For the campaigns it looked at in March, Facebook reached 85 percent of its viewership in the first week after launch, while YouTube only reached 63 percent of its viewership during that time. But don’t let that fool you. It also found that YouTube still dominates reach in the long run. It just takes longer.

    They credit both YouTube’s functionality and consumer behavior for making YouTube more effective in the long term. According to Visible Measures CEO Brian Shin, the decrease in Facebook’s share of viewership over the course of time highlights how differently Facebook and YouTube function for both consumers and brands.

    “If something is hot and of the moment, such as a newly released campaign, the Super Bowl, or even a cultural phenomenon like Fifty Shades of Grey, Facebook and similar social media sites are incredibly effective for driving the spread of timely content due to the trending nature of the News Feed,” he said. “But the strength of Facebook to promote trending content also highlights how powerful YouTube remains as a platform for continued viewership.”

    “Content discovery on Facebook is very much dependent on the Facebook News Feed, which is a function of what a user’s friends are sharing, as well as recommendations based on trends and a user’s interests. Because discovery is so dependent on sharing, viewership soon after content gets hot’ is strongest on Facebook,” says Visible Measures. “Conversely, YouTube acts as a depository for video and millions of users go there first, or arrive via Google search, to find video content. This user paradigm enables videos to have a much longer shelf-life on YouTube.”

    “While Facebook can be counted on for viral lift, if your video doesn’t ‘pop’ on Facebook it will vanish pretty quickly, whereas slow and steady evergreen content can pay dividends for a long time on YouTube,” marketing consultant Brian Honigman told us in January.

    According to Shin, Facebook will have to amp up its video discovery and search options if it wants to compete with YouTube for the long term.

    Facebook CEO Mark Zuckerberg spoke a little bit about Facebook’s search efforts during the company’s earnings conference call last week.

    “If you think about the overall web, there’s a lot of public content that’s out there that any web search engine can go index and provide,” he said. “But a lot of what we can get at are recommendations on products and travel and restaurants and things that your friends have shared, they haven’t shared publicly, and knowing different correlations, or interesting things about what your friends are interested in, and that’s the type of stuff, those are questions that we can answer that no one else can answer, and that’s probably going to be what we continue to focus on doing first. And I think what you’re seeing is that as we enable more use cases and as we just get a lot of the basics right around performance and bringing the mobile features into parity and beyond what we’ve been able to do on desktop, the volume is growing quickly.”

    Though he wasn’t talking specifically about video with regard to search, the huge increase in video sharing on Facebook will only add pressure on Facebook to handle video search better. Right now, Facebook’s search feature doesn’t even include a video option. That definitely needs to change, and I have no doubt that it will in time.

    Facebook has been testing some functionality, which could help in the discoverability department. It’s trying a feature that automatically plays another video once the one the user is currently watching ends. This is something YouTube started doing a while back.

    Earlier this year, Facebook announced that video on the social network had increased 75% over the past year. Socialbakers, at the time, found that for the first time, brands were sharing Facebook videos on the social network more than YouTube videos. And with good reason. Facebook is said to give more weight to native videos in News Feed ranking.

    Socialbakers also recently found that Facebook video tends to get better organic reach than regular status updates, links, or photos.

    “The real growth point today is in videos,” it said. “While they are relatively more promoted than photos – 27% of all videos are promoted, compared to 17% of photos – there are so many more photos than videos that the new format is still far more effective at reaching audiences.”

    Facebook expects video specifically to bring it more mobile ad dollars.

    “Looking ahead, we believe video will play a significant role in bringing more marketers to mobile,” said COO Sheryl Sandberg during the earnings call. “More than 75% of global video views on Facebook occur on mobile – and we believe mobile video will become more important to marketers over time.”

    Asked about video ad pricing, CFO David Wehner said, ”Video is effectively winning in the auction if it’s higher priced. So if somebody’s willing to pay more for a video, it’s going to get served before another type of format ad. But there’s not really a price differential you’re paying for a video, it’s just what are you willing to pay into the system. So there’s not differential pricing by product, it’s just what are you willing to bid for the format that you want to show to the people that you want to show it to and that’s how the system works.”

    Last week, Facebook announced the launch of Anthology, a new marketing program that gives brands access to a group of well-known video publishers to improve the quality of video ads.

    Images via Facebook, Socialbakers

  • You Thought Brands Were Into Facebook Video Now…

    As you know, Facebook video is booming, as is marketers’ interest in it. The company revealed earlier this year that the number of video posts per person increased 75% globally and 94% in the US over the course of one year. Globally, the amount of video from people and brands in News Feed grew 3.6x year-over-year. And that was as of three months ago. A much bigger deal has been made of Facebook video in that time.

    Mixpo conducted a survey among 125 agencies, brands, and publishers to get a feel for their existing video marketing habits and their plans for the future.

    “In August of last year, comScore found that for the first time Facebook had more video views than YouTube on desktop,” the report says. “Since that time, the two have been battling it out month by month for the top spot. Facebook’s meteoric rise is driven by their growth in video views per person, which have nearly doubled year-over-year from January 2014 compared to January 2015. With Facebook’s reported video views exceeding three billion per day in January of 2015, a figure that had tripled since September of 2014, that means comScore’s desktop numbers only represent one tenth of Facebook’s total video views.”

    Advertisers and agencies plan to run video campaigns more across the board, including on Facebook, YouTube, Twitter, Instagram, LinkedIn, Tumblr, Vine, Google+, Snapchat, and even Pinterest (in that order), according to the report. Last year, when Mixpo conducted a similar survey, more respondents (77.8%) said they planned to run YouTube videos compared to 63% for Facebook. This year, however, it’s 87% for Facebook compared to 81.5% for YouTube.

    This doesn’t come as much of a surprise. SocialBakers recently shared data showing that brands are already sharing native Facebook videos on Facebook more than YouTube videos, which was pretty much unheard of a year prior.

    Mixpo notes that there is also substantial interest in Twitter, Instagram, and LinkedIn.

    One interesting finding from the report is that even though Facebook is a social network/marketing platform, and video advertising plans are all over various social platforms, 83% of companies don’t consider their social team the primary strategy driver for ads run in social.

    “Several years ago, social campaigns were all about generating earned media through viral content,” says the report. “These campaigns were primarily managed by people with the word “social” in their title. Only recently have the paid media offerings of the social networks truly matured, which their advertising revenue growth reflects. In 2014, social advertising spending grew 40% to $8.5 billion3. Accordingly, 60% of social campaigns; which are now mostly paid; are falling under the purview of digital media teams rather than social teams. In fact, social teams only drove the primary planning for social campaigns for 17% of the respondents.”

    Also interesting are the metrics advertisers are placing the most value on. Views and completion rates are both absent from the top three.

    The free report also walks you through some case studies for Facebook video.

    Images via SocialBakers, Mixpo

  • Facebook Launches New Video App Riff

    Facebook Launches New Video App Riff

    Facebook launched a new app called Riff, which it describes as a “creative tool” for making videos with friends. And no, it doesn’t appear to be an April Fools’ Day joke. In fact, I’d go so far as to say it’s less of a joke than Slingshot.

    The app is actually available for both Android and iOS right out of the gate too.

    “Anyone can start by creating a video,” explains product manager Josh Miler. “All you have to do is give it a topic, like #AprilFools, then your friends can view it and choose to add their own clips on that topic. Once a friend adds a clip to your video, your friend’s friends will also be shown the video in Riff and will be able to add to it. The potential pool of creative collaborators can grow exponentially from there, so a short video can become an inventive project between circles of friends that you can share to Facebook, or anywhere on the internet, at any time.”

    “We regularly feature awesome videos to show to people on Riff,” he adds.

    He says you can get some ideas by looking at this featured video from the cast of An American in Paris on Broadway.

    The app description sums it up:

    Just start a video, say what it’s about and post it on Riff. Anyone can see your videos, but your friends can add to them, and then their friends can add to them, and then their friends… You get the picture!

    To use it, just log in with Facebook to see videos by friends on Riff or start a video you want people to add to. You can browse for videos you want to add your own clips to, and check out other featured videos. The idea is apparently to see how far your own videos spread.

    The app comes from Facebook Creative Labs, which is responsible for other apps like Slingshot, Paper, Mentions, Rooms, and Groups.

    Images via Facebook

  • Here’s What To Do And What Not To Do With Twitter’s Periscope App

    Here’s What To Do And What Not To Do With Twitter’s Periscope App

    Earlier this month, it was revealed that Twitter bought Periscope, a startup making a live streaming video app that had yet to launch. Now, Twitter has officially launched the app, which is a direct competitor to another new app that has quickly gained some traction – Meerkat.

    For now, Periscope is only available for iOS, and is currently available in the Apple App Store. Twitter does say an Android app is in the works, but doesn’t give a timetable on when we might see that. Given how much has been made of the competition between Periscope and Meerkat in the tech media, they’re probably going to want to get it out as soon as possible. Meerkat is also iOS-only at the moment.

    What’s it do?

    Twitter put up a brief post on its main company blog, saying, “Today, we’re excited to introduce Periscope, a new app that lets you share and experience live video from your mobile phone. We think it’s a perfect complement to Twitter, which is why we acquired the company in January.”

    The Periscope team itself wrote about the launch on Medium. There, it touts the app as “the best way to share and watch live video broadcasts from your mobile phone.”

    Live streaming video is obviously nothing new, but the following quote from Periscope kind of puts into perspective what they’re trying to do with the medium, and why it’s a perfect fit for Twitter:

    Just over a year ago, we became fascinated by the idea of discovering the world through someone else’s eyes. What if you could see through the eyes of a protester in Ukraine? Or watch the sunrise from a hot air balloon in Cappadocia? It may sound crazy, but we wanted to build the closest thing to teleportation. While there are many ways to discover events and places, we realized there is no better way to experience a place right now than through live video. A picture may be worth a thousand words, but live video can take you someplace and show you around.

    For broadcasters, Periscope lets you share an experience with others. Press a button, and instantly notify your followers that you’re live. Whether you’re witnessing your daughter’s first steps or a newsworthy event, Periscope offers an audience and the power of a shared experience. Most mobile broadcasting tools feel far from live. Broadcasters on Periscope are directly connected to their audience, able to feel their presence and interact. Going live on Periscope means more than a blinking red dot.

    It’s easy to imagine the app being used in conflicts and disasters, giving a better glimpse into what is really going on in real time. I can see this being of use in severe weather conditions or for seeing road conditions in real time in the winter, for example.

    “What excites us most about Periscope is the power of seeing something for yourself,” Periscope says in the Medium post. “We watched someone rise above the Sonoma valley in a hot air balloon; we witnessed ‘Hands Up Don’t Shoot’ directly from Ferguson, Missouri, a terrifying fire that erupted in San Francisco’s Mission district and a live performance from a pianist who played any song requested from the audience.”

    How to use it

    To broadcast from the app, once you’ve created an account, tap the camera icon, and enter a title for the broadcast. It will instantly notify your followers who can join, comment, and send you hearts in real time (sending hearts is how viewers “send their love”).

    The app keeps track of your hearts. There’s a “Most Loved” list, so the more hearts you get, the higher you’ll be on that. I guess iPhone users have a leg up in that department.

    When a broadcast is over, the broadcaster can make it available for replay so people can watch it later. They’ll be able to replay it with comments, hearts, and all. The replays last 24 hours, and they can be deleted at any time. You can do private broadcasts by pressing the lock icon before going live. You can then choose who you want to broadcast to. You can also manage your location settings before broadcasting.

    If you want to keep a broadcast longer than 24 hours, you can save it to your camera roll. There’s even a setting to automatically save all your broadcasts to your camera roll.

    Broadcasts can be shared on Twitter by tapping the bird icon before broadcasting. When it goes live, it will tweet a link so Twitter followers can watch on the web or in the app.

    Periscope suggests people for users to follow based on their Twitter network, and gives them control over who they want to be notified about broadcasts for.

    If you tap the TV icon in the app, you’ll get the Watch Tab, where you can see live broadcasts of public video streams. It will show you recently featured broadcasts and those from people you follow. There’s also a “View All Recent Broadcasts” option, where you can see all public broadcasts from the past 24 hours. Who knows what you’ll find there? It does only surface those that were saved for replay. You can share broadcasts you find with other people as well.

    How not to use it

    There are some content guidelines that restrict porn or “overtly sexual content” as well as “explicitly graphic content or media intended to incite violent, illegal or dangerous activities.”

    Other Do Nots include: abuse, harass, post others’ private info, impersonate to mislead or deceive, and spam. Things that qualify as spam include: malware/phishing, serial accounts, selling accounts, invitation spam, and broadcast spam. These are the ways they define broadcast spam:

    • Broadcasting for the sole purpose of directing users to an external site or service
    • Posting deliberately misleading broadcast titles, especially with the intent to redirect the viewer to an external site or service
    • Purchasing ‘hearts’ or paying to have a broadcast ‘shared’ to increase the popularity of the content
    • Using serial accounts to auto ‘share’ broadcasts to increase popularity
    • Posting large numbers of unsolicited comments, especially in an attempt to advertise a service or link
    • Using or promoting third-party sites or services that claim to get you more followers

    “Have fun, and be decent to one another,” the guidelines say. “Periscope reserves the right to allow sensitive content when it is artistic, educational, scientific or newsworthy. Please remember that Periscope is not to be used for any unlawful purposes or in furtherance of illegal activities.”

    Periscope does indicate that parody is fine as long as it’s clearly labeled, which pretty much reflect’s Twitter’s own policy.

    As far as privacy goes, the service is covered by the existing Twitter Privacy Policy. It does have its own Terms of Service.

    The only way to sign up for Periscope is with a Twitter account, though the company says it is working on other ways to log in.

    Clearly, 2015 is the year of video for Twitter. In addition to this new service, which provides another option in addition to native Twitter video and Vine, Twitter is testing autoplay videos, and is likely looking to grab a piece of that video marketing pie Facebook has been gobbling up over the past year.

    Images via Periscope, App Store

  • YouTube Gives You New Ways To Get Conversions With Cards

    YouTube Gives You New Ways To Get Conversions With Cards

    Google announced the launch of cards for YouTube, which it describes as an “evolution of annotations”. Video creators can use them to tell viewers about other videos, merchandise, playlists, websites, etc. They can be displayed anytime throughout the video, and they work on mobile.

    “As a creator, you’ve probably been using annotations to engage with your viewers for years,” writes product manager Muli Salem in a blog post. “But one of the things you’ve told us is that you need more flexibility with the info you share through annotations, and—most importantly—you need it to work across screens and especially on mobile.”

    When a video has a card, it shows a “teaser,” at the designated time for a few seconds. The card pops out when it’s clicked.

    Throughout the rest of the video, viewers will see the icon appear when they hover over the player on desktop or when player controls are showing on mobile. It can be clicked at anytime to display the card.

    There are six types of cards that creators can utilize. The first one is for Merchandise, and you can see that in effect in this video:

    Luckily, the cards aren’t incredibly intrusive, so they shouldn’t be too annoying to users, and if you click on the one in the above video, you can easily see how this can help you get some sales. If you click through, the landing page opens in a new tab, and the video pauses, so that’s nice too, in case you want to go back and finish it.

    To use merchandise cards, you’ll need to accept YouTube’s terms and conditions, which it will show you at set-up.

    The second card type is for fundraising:

    To use this card, your fundraising campaign will have to come from a whitelisted fundraising site.

    The third is for other videos:

    The fourth is for playlists:

    If you use the video card, and link to an individual video within a playlist, it will default to the playlist.

    The fifth card is for websites:

    This card also requires accepting terms and conditions. To set up an associated website, you’ll have to make sure your account is verified, and you’ll need to add your site as an associate website in Webmaster Tools. This confirms that you own the site before you link it to your YouTube account. More instructions on getting this set up are available here.

    The sixth card is for fan funding:

    You’ll need to actually enable fan funding for your YouTube channel before using this card. Instructions for that are here. To be eligible, your account has to be in good standing, you have to meet the general criteria for YouTube partnership, you have to verify your account, and your network has to be enabled for fan funding, if you’re in one. You also have to have an approved AdSense account linked to your YouTube account. Only Australia, Japan, Mexico, and the United States are supported by the fan funding feature.

    There will be additional types of cards in the future from the sound of it.

    To take advantage of the cards, find the new “cards” tab in the video editor. You can create them, and edit them any time. You can provide a destination URL from a list of eligible sites. It will display a top-level URL. Cards will let you customize images, titles, and call-to-action text.

    “Because cards work across mobile and desktop and give you more flexibility to share what you want, our goal is to have these eventually replace annotations,” Salem tells creators. “But this will happen only once they can do everything annotations can do today, and more. Until then, we’re looking forward to your feedback on cards, including what you want them to do for you in the future.”

    “Cards are designed to be contextual to the video and should help creators reach their goals, while providing an enriched viewer experience,” Google says. “As the system evolves, we plan to optimize it to surface the most relevant teasers and cards based on performance, viewer behavior and the device they are using.”

    The company advises against pointing to a card in your actual video, because they won’t always be displayed the same way, depending on the device the viewer is using. Your account will need to be in good standing to be able to take advantage of them. They do work on live streams.

    It’s also worth noting that if a video has a featured video or playlist, it will be hidden on videos that use cards. Branding watermarks are now displayed in the bottom right corner to make room for the cards. Videos that display cards will not show call-to-action overlays. Google also advises against using cards too close to one another.

    YouTube Analytics provides performance reporting for cards, so that will be helpful if your’e trying to sell something. You might have some testing and optimizing to do.

    Images via YouTube

  • Check Out YouTube’s Cool New 360-Degree Videos

    Check Out YouTube’s Cool New 360-Degree Videos

    There’s been talk of 360-degree videos coming to YouTube for a while now, but on Friday, the company began to offer them to the world, and I have to say, it’s pretty awesome.

    First, let’s just get right to the good stuff. YouTube has this playlist of six videos, which take advantage of the technology. For now, you’ll only really be able to experience how cool it is if you’re using an Android device, but if you’re using Chrome, you can still kind of get the effect by using your mouse to drag the point of view around. On Android, just move your phone around to alter the perspective. I recommend sitting in a chair that swivels.

    Support will come to iPhone, iPad, and other devices soon, according to Google.

    “You share incredible videos with your fans every second of the day, but what if you could share even more in that video? Like, sharing the entire moment that you’re filming?” Google says on the YouTube Creator blog. “You could let viewers see the stage and the crowd of your concert, the sky and the ground as you wingsuit glide, or you could even have a choose-your-own-adventure video where people see a different story depending on where they look. Only you know what’s possible.”

    “Remember when the vantage point of the fisheye lens blew your mind? Now let’s see what you can do with every possible angle at your recording fingertips,” it says.

    Cameras that either support 360-degree video, which are either available now or are coming soon, include: Bublcam, Giroptic’s 360cam, IC Real Tech’s Allie, Kodak’s SP360 and RICOH THETA.

    Documentation for spherical video is available here. The python script for running on the video file to insert the correct metadata can be found here. Google says it is working to make this automatic, but until then, the script ensures the video will be uploaded to YouTube as a 360-degree video.

    It’s going to be very interesting to see what people do with this. There’s no question that brands are already salivating over the opportunities.

    YouTube is hosting a technology showcase from now through April at YouTube Space L.A., where creators can stop in and try the new cameras and get some hands-on training from YouTube staff.

  • Can Twitter Have Facebook-Like Success With Video?

    Can Twitter Have Facebook-Like Success With Video?

    Video has become huge for Facebook, and Twitter is hoping it can follow a similar path. Autoplay has certainly lent itself well to Facebook’s success, and it sounds like Twitter is about to follow suit.

    While Twitter video is still new to users, the company introduced Promoted Video for advertisers back in August after months of testing a Twitter video card with one-tap viewing. At the time, Twitter said tests showed that tweets containing native Twitter video generate better engagement and more video views than before.

    That engagement is about to become even stronger if a new report from AdWeek is any indication. It says that the company is meeting with top ad execs at SXSW to talk up its video capabilities, and that these talks will “possibly” include an autoplay option. The report, which cites “several marketers scheduled to powwow with Twitter reps,” says:

    Autoplay video is at the top of advertisers’ wish lists for Twitter, according to an agency executive headed to SXSW. Twitter is still working on video that automatically starts in a user’s stream as he or she scrolls down, according to multiple sources.

    Twitter has already launched its native video product. Ad insiders said it still plans to introduce an autoplay option that will enable six-second clips—including preroll ads—to automatically play before the user clicks for the rest of the video, two sources said.

    In December, we heard that Twitter was torn on whether or not to offer up autoplay videos. Since then, however, we’ve learned just how much success Facebook has seen.

    Facebook adopted autopplay videos back in the fall of 2013. In January, the company revealed that the number of video posts per person had increased 75% globally and 94% in the US over the past year, while the amount of video from people and brands in News Feed increased 3.6x year-over-year.

    While you certainly can’t attribute Facebook’s video growth to autoplay alone, you’d have to imagine that it has played a role. When the images are moving, the videos get your attention as you’re scrolling. That’s probably why brands are now posting more Facebook videos than YouTube videos on Facebook. Look at how drastically that has changed over the past year.

    That data is from SocialBakers, which according to the new AdWeek report, also says that while 82% of brands posting videos on Twitter share YouTube clips compared to 16% who share videos from Twitter or Twitter-owned Vine, Twitter and Vine videos account for about 70% of retweets and favorites generated by all video on Twitter. That’s huge for Twitter’s video platforms, and autoplay Twitter videos should only fuel that fire.

    Last month, AdWeek reported that JCPenney’s 4 cent (per view) video ads on Twitter “could threaten YouTube’s longtime dominance”. It shared a comment from the company:

    “Natively placing the video on Twitter offered a seamless way for consumers to view and share the content. That ease of use helped make Twitter the top platform for views,” Sean Ryan, director of social media at JCPenney, wrote in a report about the campaign. “While we could have promoted a link to the video on YouTube, the native placement was much more effective in cost per view.”

    Of course we’re not just talking about promtoed videos here.

    In January, Twitter unleashed its native video offering, enabling iOS users to capture, edit, and share videos from the Twitter app. It has since rolled the feature out on Android.

    “We designed our camera to be simple to use so you can capture and share life’s most interesting moments as they happen,” said product director Jinen Kamdar. “In just a few taps you can add a video to unfolding conversations, share your perspective of a live event, and show your everyday moments instantly, without ever having to leave the app. Viewing and playing videos is just as simple: videos are previewed with a thumbnail and you can play them with just one tap.”

    Twitter has always been about mobile first, but the company should really consider adding the video feature to the desktop web experience as well. It certainly can’t hurt to give users as many ways to use it as possible. Users may wish to record themselves with their web cams or capture video from their screens to share with followers.

    The potential viewability for Twitter video is only going to increase. Last week, Twitter launched video embeds, which will allow Twitter videos to be posted all over the web just like YouTube videos. You could already embed tweets, including tweets with videos in them, but now, Twitter video can be used as a standalone piece of content.

    But that’s only one of the ways viewability is likely to increase. As you may have heard, Twitter and Google have gotten back into bed with each other, and soon, Google will have full access to indexing tweets in real time. Now we’re talking the potential for relevant videos from Twitter to appear highly in Google’s search results almost as soon as they’re posted. This could be particularly effective for breaking news. This by the way, should instantly make Google itself better, provided it executes the deal well.

    A recent study found that even before the deal is implemented, Google appears to be more heavily indexing tweets wit images in them. It stands to reason that it will place some emphasis on video as well.

    Twitter has a well documented issue with user growth, and more search visibility means more people landing on Twitter (which means happier investors). If Twitter video becomes a significant part of this (as it should if Google doesn’t discriminate against it in favor of its own YouTube content – which does seem like a possibility) it should make Twitter’s video views skyrocket.

    Twitter’s improvements to search should also factor heavily into Twitter’s video views making for a more evegreen experience to complement the real-time nature of sharing and consuming on Twitter. In November, Twitter gave users access to every public tweet from the past 8 years with its search feature. Search is of major importance for online video. I’m sure you’ve heard YouTube touted as the second biggest search engine in the world a time or two.

    Still, Twitter will continue to be thought of as a place for real-time information first and foremost, and that will continue to be extended to video. The company just bought a video streaming startup called Pericope, which hasn’t launched yet, but is said to be similar to another streaming app for Twitter that’s gaining popularity – Meerkat.

    The Verge called Meerkat the “little app that’s turning live video into a big deal again.”

    TechCrunch called it “the livestreaming app Twitter should have built.”

    The app lets you start a livestream, tweet the link out and alert your followers of it. The video disappears when it’s over, unless you save it yourself. Between Meerkat, which is suddenly getting a lot of attention, and Twitter’s new acquisition, it’s likely that we’re going to be seeing a lot of livestreaming from tweets.

    Again, it will be interesting to see how this factors into the Google deal.

    If nothing else, video could go a long way toward improving engagement on Twitter, which for many users, has been significantly lackluster.

    Images via Twitter

  • Twitter Gives Websites Video Embeds

    Twitter Gives Websites Video Embeds

    Twitter announced the launch of a new embedded video widget, which enables people to embed Twitter-hosted videos on their websites, utilizing the same JavaScript used by tweet buttons and embedded tweets.

    The widget works with videos captured and uploaded via Twitter’s iOS and Android apps as well as its Twitter Amplify partners, which include Viacom, BBC Global News, Fox TV, CBS, McDonald’s, Verizon, and the NFL.

    Twitter launched its native video experience in January after first teasing it a couple months prior. It enables Twitter users to capture,edit, and share videos from its mobile apps. You can capture and share videos up to 30 seconds.

    You’ve already been able to embed tweets with videos in them:

    Now, if you click the … on a Tweet like you would if you were going to embed the tweet itself, you’ll see an “Embed Video” option:

    From there it gives you the embed code just for the video without the rest of the tweet:

    You can choose whether or not you want to include the tweet when the logo is clicked:

    Unfortunately, Twitter doesn’t give you a way to easily customize the dimensions of the video like YouTube does, but perhaps that will be added in the future.

    “Developers may programmatically generate embedded video markup by passing widget_type=video to our existing oEmbed-compatible API endpoint,” notes Twitter developer advocate Niall Kennedy. “Individual widgets may also be inserted using a JavaScript factory function supported by widgets-js.”

    Twitter video is still in its infancy, so it will be interesting to see how widely adopted it becomes, particularly among marketers. Facebook video has blown up over the past year, and Twitter is no doubt looking for a similar trend, even if not on such a grand scale.

    Twitter has long been a great place to find embeddable content for blog posts. Embeddable tweets have been around for much longer than embeddable Facebook posts. With videos now part of that mix, it’s a nice expansion of the options available to bloggers and journalists.

    The offering can only help Twitter expand its usage and exposure away from its own website and apps. This off-Twitter usage is already a major part of Twitter’s overall usage, which the company seems to keep having to remind people (and investors) about.

    Last week, Twitter gave bloggers another helpful tool with the launch of an official WordPress plugin. This includes Twitter Cards, Analytics, Embedded tweets and video, the tweet button, the follow button, Twitter advertising, and a base library. The company says the plugin will help sites grow their Twitter audiences.

    Images via Twitter

  • CEO Of StumbleUpon’s 5by Talks Business Accounts, Coming Features & More

    Video discovery app 5by, acquired by StumbleUpon in 2013, has seen “tremendous growth” thanks to Google’s Chromecast streaming device, and has businesses on its mind as it continues to grow. It’s also about to get an update with some new features.

    Is video part of your marketing strategy? Are you eager to see 5by offer business accounts? Let us know in the comments.

    We spoke with CEO Greg Isenberg, who told us a bit about 5by’s system for finding and curating great videos from around the Internet as well as some things that are in store for its future.

    “We built a technology that looks at trusted sources we’ve identified (e.g. Bloomberg News, Reddit, etc.) to detect early signs of virality like engagement and social signals,” Isenberg tells WebProNews. “Our speciality is seeking out the hidden gems with just a few hundred views and that’s why people come to 5by – for videos they haven’t yet seen.”

    “From there, they’re aggregated into a dashboard which our editorial team weeds through,” he explains. “Our secret sauce is the human curation element because it takes a real person to determine what should make the cut and our team’s developed a knack for it.”

    5by currently employs just one person to curate content full-time, but also has a handful of part timers doing it, whom he says are “passionate” about certain channels and interests.

    “First they watch the video and if it passes the quality test, they categorize and tag it, putting it in the 5by database (which also lets you search for videos across YouTube, Vimeo and other sources),” he explains. “The hand-selected, human-watched videos get a 5by ‘approval stamp’ which is our guarantee that it’s top quality.”

    StumbleUpon CEO Mark Bartels recently told us, that long-term, as 5by scales, we’ll see it leverage StumbleUpon’s ingestion engine, which includes user-submitted content. In other words, one day, you’ll be able to submit your video content to 5by rather than relying on them to find it on their own. Obviously, they’ll still determine whether or not it’s worth showing to users. For now, you can submit videos by email by simply sending them to theo@5by.com.

    I can personally credit the Chromecast with getting me to watch more 5by content, and I’m definitely not surprised to hear about the service’s growth as a direct result of Google’s $35 device.

    “We were actually one of the first video apps to be Chromecast-compatible and have seen tremendous growth as a result of the integration,” Isenberg tells us. “With 5by, you don’t have to worry about whether you’re going to get good content so a typical use case is that it’ll be a Friday or Saturday night, and someone will beam 5by onto the TV to entertain a room full of people – Covers is a personal favorite channel for that. Ultimately it becomes an endless video playlist and as a result, we see a longer session time (sometimes several hours) because of the larger screen.”

    In an FAQ section on its website, 5by says it plans to roll out business accounts in the future. Asked about what these might entail, Isenberg says, “There are a lot of ways we can approach business accounts but we’ll likely start by looking at who’s already doing well on 5by like Go Pro, Red Bull, Gary Vaynerchuk, among others. We want to be selective about who we work with to preserve quality but these are the partners that understand how to create high quality videos. Brands and media companies have also reached out to us because they see we’re contributing significant video views.”

    “Think of 5by as the lighter fuel,” he adds. “If you’ve got the content (good content that is), 5by can distribute it. There have been multiple times when we’ve made videos go ‘viral’ by giving it a push.”

    So far, 5by has content partnerships in place with VICE, The Tribeca Film Festival, Defy Media, Mashable and Gary Vaynerchuk, but Isenberg tells us they’ll have some major partner announcements in the coming months.

    In addition to its content partnerships, 5by primarily uses YouTube and Vimeo as its video sources, but Isenberg tell us that’s “changing very soon”. Look for additional sources to be added into the mix.

    5by can, of course, only display public videos. However, public video on Facebook is growing like a weed, so don’t be surprised to see some of that creeping in.

    “In general, people are not just posting videos to YouTube anymore,” Isenberg says. ” They’re uploading to Instagram, Facebook, Twitter and Vine. In the future, 5by will be a layer on top of those platforms to become a one-stop-shop for all things video.”

    Isenberg tells us the newest iteration of 5by should be available by next week. This will include Highlighted Channels on the home screen, a “more intuitive Daily 5” feature (with “the must-see videos to discuss around the water cooler”), an improved Chromecast experience, and an overall quicker load time. It will also include the ability to send videos while you’re watching them.

    One drawback to 5by for parents is that there isn’t any kind of kid mode, and let’s face it – not all of the Internet’s best videos are kid-friendly.

    Isenberg tells us, “We have been approached by quite a few people who make kids content. It’s likely something we’ll explore in the long term.”

    When we interviewed him about a year ago, Isenberg mentioned “more personalization” and “expanding to new platforms” as areas to focus on. These are still areas where 5by has plenty of room to grow.

    Do you use 5by? Are you interested in gaining it as a potential marketing channel? Share your thoughts in the comments.

    Images via Twitter, Google Play

  • Facebook Just Said A Lot Of Things About Its Video Growth

    Facebook Just Said A Lot Of Things About Its Video Growth

    Facebook has been touting its major growth in video this month, and that continued on Wednesday afternoon as the company reported its earnings for the fourth quarter and full year 2014. On the company’s earnings call, CEO Mark Zuckerberg revealed that Facebook is, on average, seeing more than 3 billion video views per day. Zuck also shared this nice little graphic on Facebook:

    COO Sheryl Sandberg said on the call (via SeekingAlpha’s transcript):

    Today, over 50% of people in the U.S. who come to Facebook daily watching at least one video per day and globally over 65% of Facebook video views occur on mobile. Marketers have followed this trend and are using video to help people discover and learn about their brands. In Q4, we expanded autoplay video ads internationally. During the holiday season, we saw many clients telling their stories creatively through video.

    CFO Dave Wehner noted that Facebook will be investing more in infrastructure, including data centers, network, and servers to help support video and the company’s Internet.org initiative.

    During the Q&A session, Sandberg was asked about the degree she thinks premium video content is or isn’t necessary to opt into when budgets might have otherwise gone to TV. She responded:

    So on video ads what really matters is that consumers are using video on Facebook, because that gives us an opportunity, one, to provide a great consumer experience, but two, to have ads in ad-tech consumer experience. If the other consumer video on Facebook, video ads and new feed will be very joined, as a percentages of the video you’re seeing, video ads gets nicely into that experience. I think it matters as much what the video content is and so well we are certainly exploring some premium content as he said, we have an Annabelle Verizon test out there in the public ad. We’re already seeing pretty exclusive growth without that kind of premium content in the system in large numbers and so we’ll continue to figure out. We’re certainly open to increasing video content either way. But we haven’t quite figured out what the mix needs to be and right now the growth is very strong.

    Because it provides the kind of sharing people want, people come to Facebook to share with their friends and family but they also come to Facebook to connect with everyone from politicians to journalist to celebrities they want to connect with and get news and we definitely seeing public content grow as a percentage of what people get. We also had some nice wins with the Golden Globe this year other things we are doing to get people doing some partnership we did [indiscernible] with CNBC to show how we can help content creators increased their distribution and reach people directly on Facebook.

    One analyst asked about Facebook’s native videos versus those shared from other third-party players (such as YouTube). Wehner responded:

    This thought that we shared of 3 billion a day is all made on Facebook. So there are probably other shares from other video services as well. But the way that there was looking our services or as if there is links to other sites, and the reason why I think made a video is so valuable for people using our service is that when someone uploads a video to Facebook directly we can optimize how it delivers right. So we can make it autoplay. We can find the right quality and bit rate to send down to the person based on their connection overtime. And optimize all kinds of different things. So what I think people are finding from public figures to everyday videos that people are uploading is that the best experience that you can get is by uploading content native to Facebook, which is, I think the big part of the growth that we seeing there.

    This is all pretty significant to marketers and worth considering in their video strategies. Brands on Facebook are already making more Facebook video posts than YouTube posts now, and these optimization additions Facebook offers will likely contribute to further growth in that trend, which is bad news for YouTube.

    “Since YouTube relies heavily on the traffic Facebook sends to it, Facebook is now keeping that traffic on its own site,” says a spokesperson for SocialBakers, which recently released a report on this subject.

    CNBC shared an interview with Sandberg, in which she talked about video even more. The relevant quotes are as follows:

    Consumer use of video is exploding. From the advertising side, that gives us an opportunity to do more monetization because our ad products always follow our consumer products. When consumers do more video, we have the ability to show more video ads. Video ads are really exciting for marketers because it is a format they are used to and they are very emotionally resonant. So we are seeing pretty broad adoption of video. We are still going to move slowly going forward, but we think there is a lot more we can do to bring video ads to people all over the world…

    We are excited about what video does in terms of its conversion. Conversion for marketers. We also think the format itself really works. You know, if you think back even a year ago on Facebook, most people didn’t see videos on Facebook. And now, video is an increasingly accepted and I think fun part of News Feed. And the same thing is happening with video ads. And I think we are seeing marketers bring real creativity and story telling to the Facebook experience with video ads.

    Read this for some thoughts from a marketing consultant on how Facebook’s video growth should affect your own video strategy.

    Images via Facebook, SocialBakers

  • YouTube Deprecates Flash Embeds, Flash API

    YouTube Deprecates Flash Embeds, Flash API

    Google announced that it is now defaulting to the HTML5 player on the web for YouTube embeds, moving to iframes. Along with this, they’re deprecating the “old style” of Flash <object> embeds and their Flash API.

    The company is encouraging all embeddes to use the iframe API, which as it notes, can inelligently use whichever technology the client supports. Google says in a blog post:

    Four years ago, we wrote about YouTube’s early support for the HTML5 <video> tag and how it performed compared to Flash. At the time, there were limitations that held it back from becoming our preferred platform for video delivery. Most critically, HTML5 lacked support for Adaptive Bitrate (ABR) that lets us show you more videos with less buffering.

    Over the last four years, we’ve worked with browser vendors and the broader community to close those gaps, and now, YouTube uses HTML5 <video> by default in Chrome, IE 11, Safari 8 and in beta versions of Firefox.

    The benefits of HTML5 extend beyond web browsers, and it’s now also used in smart TVs and other streaming devices.

    Google credits technologies like MediaSource extensions the VP9 codec, encrypted media extensions and common encryption, WebRTC, and Fullscreen with progressing HTML5 video. As it notes, other companies like Netflix, Vimeo, Microsoft, and Apple have all embraced HTML5.

    Google also credits HTML5 with enabling new classes of devices such as Chromebooks and Chromecast.

    The company tells developers to support HTML5 by using the iframe API everywhere you embed videos on the web.

  • Twitter Video Arrives (Along With Group Messages)

    Back in November, Twitter said it had a bunch of new features on the way, including a new video experience, and some updates to Direct Messages. At the time, they announced the ability to share and discuss tweets natively and privately via Direct Messages, but said that was only the first of several updates.

    Group Messages

    On Tuesday, Twitter announced Group Messages, which enables users to have private conversations among groups of people.

    “Private conversations on Twitter are a great complement to the largely public experience on the platform,” says product director Jinen Kamdar. “You might prefer to read (or watch) Tweets but converse about them privately. You might want to continue a public conversation privately with a smaller group, or start one based on a Tweet you saw. Many of you use Direct Messages to reach the people and brands you’re only connected to on Twitter. Whatever the case may be, the ability to converse privately with groups gives you more options for how and with whom you communicate on Twitter.”

    The feature lets users start conversations with any followers, and you don’t necessarily have to follow each other. You can create groups, and you’ll get notifications when you’re added to other people’s groups.

    Twitter Video

    A native video experience on Twitter has been anticipated for quite some time, but when Twitter teased a couple months ago, it became clear that it would be here soon. It’s here, and it’s a mobile feature, which enables users to capture, edit, and share videos from the Twitter app.

    “We designed our camera to be simple to use so you can capture and share life’s most interesting moments as they happen,” says Kamdar. “In just a few taps you can add a video to unfolding conversations, share your perspective of a live event, and show your everyday moments instantly, without ever having to leave the app. Viewing and playing videos is just as simple: videos are previewed with a thumbnail and you can play them with just one tap.”

    You can capture and share videos up to 30 seconds. iPhone users can upload videos from their camera roll right away. Android users will be able to do so in a future update.

    Twitter’s foray into video couldn’t have come at a better time, except maybe much earlier. Facebook has been touting its enormous growth in video, and is really sticking it to YouTube when it comes to brand videos. According to a recent report from SocialBakers, brands on Facebook posted over 20,000 more Facebook videos than YouTube videos last month.

    We spoke with marketing consultant Brian Honigman about Facebook video vs. YouTube in terms of marketing strategy. The subject of Twitter’s impending video offering came up, and he believes Twitter could “seriously disrupt Facebook’s strategy of edging into the viral niche,” though “Facebook has a serious head start and always will.”

    Twitter does still rule the real time realm, and though Facebook is trying harder than ever to change that, Twitter’s native video offering could be a huge factor in helping Twitter remain relevant in that space.

    Both Group Messaging and the new video experience are rolling out to all Twitter users over the course of the coming days. You won’t have to wait at all to participate in any group conversations that others start with you or to watch videos that users with access to the feature (like Neil Patrick Harris) share.

    Images via Twitter, SocialBakers

  • Report Finds YouTube To Be Biggest Loser Of 2014 For Social Media Traffic Referrals

    Report Finds YouTube To Be Biggest Loser Of 2014 For Social Media Traffic Referrals

    Each quarter, we look at Shareaholic’s reports on social media traffic referrals, which give us an idea of how eight different social media platforms are performing in terms of driving traffic to websites. The latest one came out on Monday morning, and shows that Pinterest has plateaued and that StumbleUpon is the only platform besides Facebook to experience growth in the quarter (again, in terms of share of referral traffic).

    Besides looking at the last quarter, this particular report looks at the whole of 2014 and compares December 2014 to December 2011. YouTube is declared the biggest loser on every count.

    Just looking at last quarter, YouTube traffic referrals fell 65.49% according to the report.

    They fell 93.24% between December 2013 and December 2014 and 94.76% between December 2011 and December 2014.

    “YouTube was the year’s biggest loser; its share was annihilated, dropping 93.24% (0.18 percentage points). It currently clings onto a 0.01% share of overall traffic,” writes Shareaholic’s Danny Wong.

    “Though YouTube delivers the most engaged social visitors, it drives the fewest,” he says. “Since 2011, YouTube experienced a sharp drop (94.76%, 0.23 percentage points) in share of traffic. Formerly, it maintained a 0.24% share, which is now a paltry 0.01%. For brands and publishers, video is hard (and expensive) to create, but that’s not stopping anyone. Video is a necessary storytelling medium. The fact is: YouTube is no longer the sole gatekeeper of video views. With auto-play videos, Facebook has cannibalized YouTube’s traffic share. Thankfully, this is more a problem for YouTube than it is for you. To maximize the potential reach of your videos, you can (and should) publish them to Facebook and to YouTube.”

    As a matter of fact, we posted an article about that very point last week. We spoke with marketing consultant Brian Honigman, who said, “Right now I don’t think either necessarily should come ‘first’.I would say to either use them in conjunction (like Buzzfeed does) to get as many views as possible, or to use one to compliment the other.”

    “While Facebook can be counted on for viral lift, if your video doesn’t ‘pop’ on Facebook it will vanish pretty quickly, whereas slow and steady evergreen content can pay dividends for a long time on YouTube,” he added.

    Earlier this month, Facebook revealed that the number of video posts per person has increased 75% globally and 94% in the US.

    Shortly thereafter, SocialBakers reported that brands on Facebook posted 20,000 more Facebook videos than YouTube videos last month.

    Globally, 65% of Facebook’s video views happen on mobile. Facebook attributes this to faster connectivity, cheaper access, better phone screens, etc.

    “The most important thing to remember when creating video for Facebook is that it will be a part of News Feed,” the company says. “As a creator, you should be conscious that people will discover your video in News Feed next to a photo from a friend or a status update from a relative. Your video needs to fit in, and it needs to be something that your audience will want to watch and share.”

    “With the launch of auto-play and the surge in mobile use, it’s also important to focus on posting videos that grab people from the first frame of video,” it adds. “Shorter, timely video content tends to do well in News Feed. Keep in mind that auto-play videos play silently in News Feed until someone taps to hear sound, so videos that catch people’s attention even without sound often find success.”

    Facebook sent 24.63% of all visits to websites as measured by Shareaholic in December 2014. Its share grew 277.26% compared to December 2011.

    Images via YouTube, Shareaholic, Facebook, SocialBakers

  • Facebook Video Is Huge. How Should This Affect Your Strategy?

    Facebook Video Is Huge. How Should This Affect Your Strategy?

    Earlier this month, Facebook revealed that the number of video posts per person has increased 75% globally and 94% in the US. Shortly thereafter, SocialBakers reported that brands on Facebook posted 20,000 more Facebook videos than YouTube videos last month.

    These stats have sparked a lot of discussion about video marketing throughout the industry. We caught up with marketing consultant Brian Honigman, who wrote a great piece earlier this week called “Facebook Video vs. YouTube: Maximizing Results in the Evolving Video Landscape.” He shared some additional thoughts on the subject with us.

    How could Facebook continue to lure brands away from a YouTube-first strategy?

    “I think the most aggressive move Facebook could make is to aggregate all of their videos onto a central page and incorporate their Social Graph search and ‘Trending Topic’ algorithms to make all of the videos on the site easy to find either by what’s popular on the whole or what’s popular amongst your friends,” Honigman tells WebProNews. “Search is where YouTube currently has an edge, and Facebook incorporating their own unique approach to search is the final step towards becoming a direct competitor.”

    That would certainly be an interesting move from the social networking giant. The company has already shown that it’s starting to take search more seriously, particularly with the addition of post-based search.

    Facebook-first?

    In Honigman’s article, he talks about Facebook’s algorithm favoring its own videos over YouTube’s, and notes that Facebook videos get further preferential treatment with the autoplay feature. Is it wise for marketers to adopt a Facebook-first strategy with their videos?

    “Right now I don’t think either necessarily should come ‘first,” says Honigman. “I would say to either use them in conjunction (like Buzzfeed does) to get as many views as possible, or to use one to compliment the other.”

    “While Facebook can be counted on for viral lift, if your video doesn’t ‘pop’ on Facebook it will vanish pretty quickly, whereas slow and steady evergreen content can pay dividends for a long time on YouTube,” he adds.

    Honigman’s article makes an interesting point about how social networks like Facebook have historically been half of the equation for what makes YouTube videos go viral With more video originating on Facebook and Facebook controlling its algorithm, one may wonder if Facebook itself in the driver’s seat with what actually becomes viral.

    Honigman says, “I don’t know if either platform has ever decided WHAT became viral. What I can say is that Facebook is certainly in the position to decide WHERE things become viral.”

    Let’s not forget about Twitter, whose video offering is apparently on the way very soon.

    Asked about how he sees this factoring into the landscape, Honigman says, “Twitter’s last experiment with video was Vine. While this has been interesting and constitutes a unique following worth paying attention to, it definitely didn’t make the splash everyone hoped. Twitter is definitely supposed to offer improved video functionality soon, and I’d imagine they could seriously disrupt Facebook’s strategy of edging into the viral niche. That being said, Facebook has a serious head start and always will.”

    Facebook further emphasized video at Adexchanger’s Industry Preview conference as it indicated that it’s moving away from Facebook Exchange (FBX) as mobile continues to become a greater focus. AdExchanger managing editor Zach Rodgers, who interviewed Facebook’s VP of Advertising David Fischer, retweeted some video-related tweets from the session:

    Facebook says 13.5 million people watched White House Facebook videos related to the State of the Union Address.

    YouTube has dominated video for a long time, and will certainly remain a top player for the foreseeable future, but it’s looking like 2015 is set to be a big year for mobile video with that dominance being further challenged.

    Image via SocialBakers

  • Firefox 35 Features Improved Video Chat With Firefox Hello

    Mozilla just launched Firefox 35, which includes improvements to its video chat offering. Firefox Hello was first introduced in testing in October. New functionality has been added to make it available for primetime in Firefox 35.

    Mozila is dubbing it “a simpler way to communicate”. It lets you make video calls to anyone using a WebRTC-enabled browser (like Firefox, Chrome, or Opera). It’s free, and you don’t have to sign up for an account to use it. Plus it’s built directly into the actual browser.

    Firefox Hello

    “Before Firefox Hello, making a video call meant giving up your email address and possibly more personal information as well as downloading software before you could start the conversation,” Mozilla says. “Now we’re making it even easier to say ‘hello’ by eliminating some of the call steps and allowing you to save and name your favorite conversations, so you can drop into them as soon as you click a link.”

    It utilizes a new rooms-based conversations model. To use it, just find the Hello icon in the menu bar or customization panel, and click “Start a conversation”. A window will open showing a self-view until the person you invited clicks on the link and joins the room. You should get an audio notification, and the Hello icon turns blue.

    Conversations have unique URLs. You can create multiple conversations and name them, so you can return to them later without having to start new ones with new links.

    “For those of you who want to contact someone directly, you just need to make sure both parties have Firefox Accounts,” Mozilla says. “If your contacts have a Firefox Account and are online, then you can call these contacts directly from Firefox. You can sign into your Firefox Account on every computer you use, so you can be reached at home or at work. If you have a Google account, you can easily import your contacts to your Hello address book. Simply select ‘Import Contacts’ from the address book and then sign into your Google account to give permission.”

    Firefox Hello was developed in partnership with Telefónica, and uses ToxBox technology. Mozilla says it will be testing features like screen sharing and online collaboration.

    Image via Mozilla

  • Is The End Nigh For Your Facebook Traffic?

    Facebook is quickly becoming a major force in online video. Over the past year or so, brands have posted more and more video content, and it has now become even bigger than YouTube for sharing videos on Facebook, according to SocialBakers.

    There is some concern that as brands embrace Facebook as their main channel for video marketing, however, they’re giving up control of their content, and could actually find themselves left out in the cold. This line of thinking goes even beyond video with some afraid the era of getting web traffic from Facebook is coming to a close.

    Are you concerned that Facebook traffic could dry up? Share your thoughts in the comments.

    Facebook released a post this week talking about its growth as a video provider. Here’s what the company says it means for content creators:

    The most important thing to remember when creating video for Facebook is that it will be a part of News Feed. As a creator, you should be conscious that people will discover your video in News Feed next to a photo from a friend or a status update from a relative. Your video needs to fit in, and it needs to be something that your audience will want to watch and share.

    With the launch of auto-play and the surge in mobile use, it’s also important to focus on posting videos that grab people from the first frame of video. Shorter, timely video content tends to do well in News Feed. Keep in mind that auto-play videos play silently in News Feed until someone taps to hear sound, so videos that catch people’s attention even without sound often find success. Emphasis added.

    An article on the subject from John Herman at The Awl is getting some attention. He discusses how Facebook is more interested in hosting content than sending links to outside pages. He says Facebook views links to these pages as a “problem to be solved”. Publishers who upload videos to Facebook, he says, are no longer publishers, but producers. Producers for Facebook.

    “This is where the theoretical tension between Facebook, which has been lavishing websites with traffic in return for their ability to fill its News Feeds with interesting links, and publishers, which have either accepted or pursued the audience that Facebook occasionally shares with them, becomes material,” he writes. “Embedded videos didn’t used to play on Facebook—you had to leave the page to visit the site that published (or embedded) them in the first place. Next, embedded YouTube videos were allowed entrance, proved popular, and made the old style of video-watching seem strange and inefficient, while still depending on, and benefiting, an outside publisher (Google, with its partners). When Facebook privileged its own videos to auto-play, it made embedded videos feel out-of-place. Facebook-native videos, which display their view counts inside the frame, are often shockingly popular, even by YouTube standards. This is the last stage in a gradual correction.”

    “‘What the Shift to Video Means,’ then, is that one major type of media is being pulled in-house by Facebook; it means that Facebook is not satisfied merely facilitating the spread of other publishers’ products,” he adds. “It’s not that such an arrangement is unprofitable—Facebook has made a great deal of money selling ads against links to media originally published elsewhere—it’s that the new vision, in which Facebook is not just theoretically but practically constitutes the entire internet, is potentially more profitable. Publishers, in Facebook’s view, are middlemen.”

    Herman goes on to speculate that Facebook wishes to become a new YouTube not only for video, but for “text and audio and whatever else. “It already did this with games,” he notes. “All the things we link to on Facebook now, Facebook could conceivably host.”

    And in case you’re not sure how serious Facebook is about video, the company just bought QuickFire Networks to improve its video infrastructure.

    Joshua Benton at Nieman Lab points to Herman’s post, and asks, “Is publishers’ Facebook free ride coming to an end?”

    “Maybe Facebook is the new AOL after all — though AOL was eaten from the outside in, and Facebook is trying to eat the web from the inside out,” he concludes.

    The scariest part about this scenario for publishers is the idea of Facebook hosting links the way it does video. What if to get Facebook visibility, your content has to actually be hosted on Facebook, and Facebook referrals to your website become a thing of the past?

    Right now, Facebook dominates the social media landscape when it comes to referrals. Sure, the “free ride” has already all but ended when it comes to the reach of Facebook Page posts, but when it comes to website traffic, Facebook sends way more than any other social service. In fact, even as Facebook referrals climb, referrals from other sites decline. In Shareaholic’s Q3 Social Media Traffic Report, only Facebook, Pinterest, and Google+ showed any year-over-year growth in referrals at all, but even Pinterest’s and Google+’s growth were far smaller than Facebook’s.

    That picture might start looking a lot different if things unfold in the manner Herman and others are suggesting. If your website traffic relies solely on Facebook traffic, you might want to start putting a back-up plan in place.

    Back in October, The New York Times reported that Facebook was considering a program in which publishers would send pages to Facebook that would “live inside the social network’s mobile app and be hosted by its servers”. These would load quickly with ads sold by Facebook, and the revenue would be shared, the report said.

    “That kind of wholesale transfer of content sends a cold, dark chill down the collective spine of publishers, both traditional and digital insurgents alike,” NYT’s David Carr wrote. “If Facebook’s mobile app hosted publishers’ pages, the relationship with customers, most of the data about what they did and the reading experience would all belong to the platform. Media companies would essentially be serfs in a kingdom that Facebook owns.”

    “For traditional publishers, the home page may soon become akin to the print edition — nice to have, but not the primary attraction,” he wrote.

    I’m not so sure this hasn’t happened for the most part anyway. Social media and search have long provided alternative paths to content. Homepages are nice to have, but is that where the majority of people are entering your site?

    Still, content hosted on the social network is another ballgame altogether.

    Even before the New York Times report last year, Facebook had already begun serving some mobile users links within its own app rather than sending users to the page within their default web browser. You might have clicked a link from the News Feed to a Huffington Post article, for example, and been taken to that article without leaving the app. Granted, Facebook did provide an option to open the content in your device’s default browser if you clicked the right icon.

    There were reports of the feature being offered to some users at least as early August, though more seemed to start noticing in November.

    In case you’re wondering whether these links opening within the Facebook app has any impact on referral counts (remember the DiggBar uproar of 2009?), apparently page views register like they would for any browser.

    Interestingly, while Facebook seems to want users to be able to open links more quickly by doing so within its own app, some have found the feature to have the opposite effect, with pages taking longer to load than if they opened in Chrome, which is bound to be the default browser for many users.

    Is the concern over Facebook overblown, or do you see a legitimate threat to referrals in the not too distant future? Tell us what you think.

    Images: SocialBakers, Shareaholic