Since Eminem released his newest single The Monster in October, it has consistently topped the singles charts in 12 countries, and remains number one on theBillboard Hot 100.
Over the weekend, Eminem and Rihanna released a teaser trailer for their latest song since their collaborations Love the Way You Lie in 2010, and Numb in 2012. The Monster appears on Eminem’s newest album The Marshall Mathers LP 2 that was released on November 5.
The video shows Rihanna and Eminem sitting in a dimly lit room with Eminem watching a video montage of himself and Rihanna taking notes, acting as his therapist. The video highlights the struggles in Eminem’s life as images of bottles of pills and his daughter Hailie as a young child stream across the screen, along with the words violence, family, insanity, fame, death, and addiction. The video then turns slightly darker showing Eminem trapped in a cage, wrapped in a straitjacket, and plunging from a building.
Check out the full video below:
What do you think of the video? Leave your comments below.
Eminem and Rihanna’s hit new song “The Monster” has been dominating the music charts. Soaring now at No. 1 on the Billboard Hot 100, the duo decided to have a little celebration.
Eminem released a brief preview to the highly-anticipated music video yesterday, Dec. 13.
In the preview, Rihanna acts as a counselor of sorts, analyzing Eminem (who is playing the patient.) Eminem sits in a chair as he watches a series of words like “family” and “addiction” pop up on a television set. He slowly goes into some sort of trance as the sounds in the room begin to grow. It’s certainly a pretty sweet preview.
What do you think of the video?
“The Monster” appears on Eminem’s “The Marshall Mathers LP2.” The album hit No. 1 on the Billboard 200 in November.
Lily Allen’s New Music Video has been branded racist by some fans and bloggers. As reported by MTV , the twerking scenes in the video have come under scrutiny for racism. The video features fancy cars, fake liposuction, champagne, and twerking galore and it seems that some people were less than impressed with the explosive video’s portrayal of black women as predominantly ‘sex objects’.
Lily has however hit back at the critics who savaged the promo for the new release and says the video is meant to deliver a feminist messages against misogyny and sexism in pop culture. The video and the song lyrics are taken from her original single in 2009. She pokes fun at Robin Thicke’s controversial Blurred Lines video when she dances in front of inflatables that say, ‘Lily Allen has a baggy pu**y’. Robin Thicke, on the other hand, dances in front of a message that says, “Robin Thicke has a big d**k.”
And in a response to the criticisms directed to her new release, Lily has released a twitter statement called “Privilege, Superiority and Misconceptions” which seeks to clarify, but mostly hit back at the suggestions that her music video is racist. Here are some of her comments:
“If anyone thinks for a second that I requested specific ethnicities for the video, they’re wrong.”
“If anyone thinks that after asking the girls to audition, I was going to send any of them away because of the color of their skin, they’re wrong.”
“The message is clear. Whilst I don’t want to offend anyone. I do strive to provoke thought and conversation.”
“The video is meant to be a lighthearted satirical video that deals with objectification of women within modern pop culture. It has nothing to do with race, at all.”
The lover of “androids,” Janelle Monae, may have finally found her one true love – at lease on camera. While Janelle Monae is widely known as a Grammy award-winning singer and songwriter, it looks like she’s stumbled upon a vibrant, new talent – acting.
With the video release of her new single, “Primetime,” Monae seems to have struck yet another laudable chord with listeners and viewers, alike.
The “Many Moons” singer continues the saga of her “Electric Lady” love stor,y journeying into a pivotal point in the audio narrative. According to Vibe Magazine, Monae’s “Primetime” video is ‘one of the most believable music visuals in a while.’
The single, which features R&B crooner, Miguel, is the third release from her latest album, “The Electric Lady.”
The Alan Ferguson-directed video orbits into a futuristic metropolis where the love affair between two young lovers begins. Monae portrays Cindi Mayweather, who finds her first love, Joey Vice, played by Miguel. The videos starts at the Electric Sheep night-club. The area of the city where the club is located is considered a dangerous side of the tracks known as ‘Slop City.’
Cindi is working at the club when she meets Joey Vice. The attraction between the two is almost instant, and their chemistry evolves as the video goes on. The two end up leaving the club together and spend the duration of the night talking. The video depicts the beautiful start to a love affair of continuity.
The singer also offered her own psychedelic synopsis of the video, providing an in-depth look into the futuristic world of the “android love affair”:
“PrimeTime is a love story based on the early adventures of Cindi Mayweather (Janelle Monáe) and her first love Joey Vice (Miguel.) The Emotion Picture gives a glimpse at Cindi’s humble beginnings as a “cyber-server” at the Electric Sheep nightclub, a syn bar serving high-class “show droids” to the rich and lonely in a dangerous section of Metropolis known as Slop City. Incidentally, the innovative cybersoul music played at the club directly impacted Cindi, and she began singing and performing her own innovative compositions a short time after quitting this assignment. In addition, Cindi became determined to change the public perception of what an electric lady could be, dream and aspire to after working in the dismal conditions at the club.”
Monae took to Twitter to share the release of the video with her fans.
While rapper J. Cole has a history of garnering the type of love songs you lay awake listening to at night, he also has a passion for delivering records with powerful lyrics that make you think. The latter definitely describes the content of J. Cole’s latest single, “Crooked Smile.” The record, which features TLC, delivers an enlightening message in regards to racial profiling in addition to the government’s approach toward the war on drugs.
However, the innocent victims who are caught in the crossfire of these economic battles really equate to the purpose of the video itself. The Roc Nation rapper took time to pay homage to an innocent victim who personally touched his heart. In 2010, 7-year-old Aiyana Stanley-Jones was shot and killed by police officers in a Detroit house raid. Her death sparked nationally attention, and judging from the video, it definitely reverberated with the North Carolina Rapper.
MTV reports the Crooked Smile video, which was transformed into a short film, tells a prolific story, where J. Cole stars as the older brother of the slain 7-year-old. The video opens to a split scene – one with a DEA agent having breakfast with his daughter, and another with J. Cole cleaning his home. The rapper is notably excited, preparing for his younger sister’s birthday party, decorating her cake for the special occasion. However, later that night, after the party has subsided, the momentous occasion turns into a horrific nightmare. The house is raided, and he is arrested for possession and distribution of marijuana. But, as he’s hand-cuffed against the wall, a door opens down the hallway, and the child steps into view. Without any thought, the officer opens fire accidentally killing the little girl. The video then shifts to a classroom of children where both the slain child and the DEA agent’s daughter are seated. The two children weren’t very different at all; both the same age with bright futures ahead. Unfortunately, only one of them will have a future. The heart-wrenching scene is hard to swallow, but sadly it’s a reality that happens a lot more than it should. The video closes with a statement of address: “For Aiyana Stanley-Jones,” the statement of address reads, “And please reconsider the war on drugs.”
Vibe Magazine met with Sheldon Candis, director of the “Crooked Smile” short film as he weighed in with his take on the visual. “I’m very proud of him. This is his first experience acting. He nailed it,” said Candis. “He gives a very conflicted performance and it’s all a very non-verbal, silent performance. He’s my Ryan Gosling!”
This is a public service announcement warning you about the latest abomination upon the lord, Ylvis’ “The Fox”.
Posted on YouTube on September 3rd, 2013, it’s the latest viral infection music video made and performed by Bård Urheim Ylvisåker and Vegard Urheim Ylvisåker, a Norwegian variety show duowho call themselves “Ylvis”.
Currently, it’s No.29 on the Billboard Hot 100 list, and has over 36 million views and a half a million thumbs up on YouTube, signaling the approval of this latest electronic dance musical masterpiece.
Suppose you don’t want to watch the video, (and that’s understandable, as it can’t be unheard) but you still want to know what it’s about. Well, remember that time when you were a child and you sat peacefully in grandpa’s warm lap while he would mimic the various sounds of animals in a picture book? Perhaps you were taught with one ofMattel’s See n Say. You’ve heard what an elephant said, or what a dog said, but have you ever wondered what the fox said? Well, Ylvis will give you their theory, which sounds like a bunch of noises you’d hear from the combined blood curdled helium screams of Pauly Shore, Satan, and a dying wildebeest:
The video spans a length of 3 minutes and 45 seconds, featuring multiple partygoers dressed as animals (some say furrys), with the two singers of Ylvis dressed in orange fox costumes. They pose the question, “What does the fox say?” and proceed to come up with a variety of possibilities, while they dance in a laser lit forest with back up dancers and an old man reading a book to his presumed grandson. The song appears on the top 100 iTunes charts of 21 countries around the world, reaching #1 in Norway, #6 in Finland, and #9 in Estonia.
Upon the international success of the song, Ylvis toldMother Jones that they were “quite surprised”, saying that the music video was “supposed to entertain a few Norwegians for three minutes – and that’s all”. Originally, the song was meant to promote the new season of the local Norwegian show, I kveld med Ylvis.
It’s hard to be surprised by anything Miley Cyrus does these days. While she was certainly no stranger to attention-getting stunts prior to the MTV VMAs, Cyrus twerking on Robin Thicke and using a foam finger inappropriately pretty much guaranteed that short of stripping (completely) in public, nothing she does will be too shocking.
That hasn’t stopped her from trying, though. Cyrus released the music video “Wrecking Ball” on Monday, which shows her naked on a–wait for it–wrecking ball. Judging from Twitter, seeing Cyrus shed her clothes was just as shocking as having wheat toast for breakfast, and even Miley’s dad Billy Ray Cyrus didn’t seem to be caught off guard.
“I’m a song man. A musician singer-songwriter who loves all styles of music. It wouldn’t have mattered if Miley wore jeans and a flannel shirt, a tux, or a nun’s habit. [‘Wrecking Ball’ is] a smash and her performance vocally on the tune reflects her roots and sheer God-given talent,” Billy Ray said during an interview.
Hearing a dad mention “God-given talent” in a discussion where he is called to defend his 20-year-old daughter for being naked in a video is a little strange, but not as weird as the Tweet Billy Ray posted on Monday.
Trying to type ,tweet, twerk and ride a wrecking ball naked all at the same time while carrying a sledge hammer is proving difficult ! PEACE
Billy Ray is certainly in a difficult situation; after all, you can’t expect him to renounce his daughter, even if you do expect a stronger reaction. Singer Lionel Richie can relate. Richie’s daughter Nicole had a hard time staying out of the headlines for the wrong reasons when she was younger, and his advice to Billy Ray is to weather the storm.
“Dad to dad, I’ve been Billy Ray,” Richie said in an interview. “When you have a teenage daughter growing up in Hollywood…honestly, there is no control. [Miley] is just going through a period in her life and we’re actually going to grit our teeth and hold our breath…It’s one of those things where you have to say, ‘Please, God, let it be over soon.’”
While some may consider “Wrecking Ball” too provocative, Billy Ray wasn’t wrong when he called it a “smash.” The video broke the VEVO record for “Most Viewed Video” with 19 million hits in 24 hours.
For the first time in music history an artist has used a social media website to exclusively debut a music video. On August 29, 2013 Jay Z released his new music video, Holy Grail, a collaboration with artist Justin Timberlake and director Anthony Mandler, exclusively to Facebook.
The music video is only exclusive for a 24-hour window on Jay Z’s Facebook page until noon EST on Friday, August 30, 2013. After the debut run is over, Holy Grail will stream on music sharing websites and YouTube.
“What we’re doing with Jay-Z today is really exciting and we think emblematic of the evolution of music and how musicians can connect with their fans.” ~ Nick Grudin
This new approach to a music video launch has allowed Jay Z to go directly to his fans as well as Justin Timberlake’s fans. Considering Jay Z has 17 million Facebook fans and Justin Timberlake has about 25 million Twitter followers, that’s nothing to take lightly.
“…this Jay Z video is a nice milestone in showing what’s possible in reaching the Facebook audience and really socially electrifying his fanbase,” said Nick Grudin of Facebook.
Leveraging social media for business is nothing new, but for Jay Z to take advantage of the social value of music and trust his video debut to Facebook is historic.
The Wall Street Journal commented on Jay Z’s use of social media and reported the success of the campaign with 217,000 Facebook “Likes” in less than 24 hours.
An American singer named Robin Thicke has rocketed to the top of the U.K. singles charts. Thicke’s single “Blurred Lines” is now at #1 on the Official Charts Company’s top 10 singles chart.
The company has stated that “Blurred Lines” has also broken this year’s record for fastest-selling single. The song sold 190,000 copies during its first week out, beating Naughty Boy’s “La La La,” which is currently at #2.
“It is an honour and a pleasure to be Number 1 in the UK,” said Robin. “It’s something I’ve always dreamed of, and I am so grateful to all the people who made this dream come true. Thank you!”
Thicke’s music video for “Blurred Lines,” which debuted on March 20, now has over 34 million YouTube views. The video features Thicke, T.I., and Pharrell Williams dancing with scantily-clad women. Williams also appears in the current #3-ranked single, Daft Punk’s “Get Lucky.”
If you’ve attained a notable level of fame in the entertainment industry, and are a known commodity, it is becoming more and more commonplace to try and make an incredible splash when debuting a new product. If done correctly, the buzz can ensure the star remains relevant as the new stuff comes out. One such showman who has no problem getting people’s attention is hip-hop producer/artist mogul Kanye West.
In order to get the interest meters ticking, the artist decided to introduce the new single from his upcoming new album in an unique way: by broadcasting the video on the side of buildings.
Kanye’s newest Twitter account reveals the details:
NEW SONG AND VISUAL FROM MY NEW ALBUM BEING PROJECTED TONIGHT ACROSS THE GLOBE ON 66 BUILDINGS, LOCATIONS @ KANYEWEST.COM
Incidentally, that also serves as the first tweet (again) for that particular account. Apparently those other first ones have already been deleted. Anyway, if you want a reminder of what Kanye’s Twitter experience, you can start here. As indicated, the video was shown on the side of 66 buildings in the following cities: San Francisco, Los Angeles, Miami, New York, Chicago, Toronto, Sydney, Paris, London and Berlin.
The song, and this is coming from someone who isn’t a Kanye fanboy, is better than I expected it to be, that much is certain. The language, if you happen to be working this weekend, is NSFW, but you probably already knew that:
Using religious imagery is nothing new for music artists. Stars as different as Madonna and Kanye West have come under fire from religious Americans for the use of crosses and other religious symbols in music videos.
Now, David Bowie has found a way to thrust his name back into pop music using the tried-and-true tactic of annoying Christians.
The 66-year-old actor and pop star this week released his first album in almost 10 years and debuted a music video for the title track, “The Next Day.” The video stars Gary Oldman as a mobster/priest and Marion Cotillard as a floozy who experiences stigmata.
The big-name actors and their characters aren’t the only thing Christians, and especially Catholics, might take offense to in the video. At points in the video barely-clothed women, self-flagellation, a cardinal who hands out money, and Joan of Arc are all depicted. Bowie himself is, of course, dressed as a depiction of the Christian messiah, Jesus Christ.
The video has received an age filter on YouTube, after being briefly pulled due to violating YouTube’s contend guidelines.
You may know Kim Dotcom for running the now defunct Megaupload and fighting against extradition to the U.S. You may not know that he’s also a rather accomplished musical artist. His new song, Mr. President, is obviously targeted at the U.S. government.
If you have been following the Megaupload situation, Dotcom blames Vice President Biden for the shutdown of Megaupload. He claims to have evidence that Biden and MPAA CEO Chris Dodd collaborated on the attack against Megaupload with top execs from the major movie studios.
Dotcom released a song back in May that targeted New Zealand MP John Banks over a money scandal. For those unfamiliar, Dotcom claims to have gave money to Banks totaling $100,000 in two checks for $50,000 each to keep it anonymous. Banks claims to have never received any money from Dotcom.
While his previous song wasn’t very good, Mr. President is much better. You might not agree with the message in the song, but the production values are good and Dotcom’s voice is much better this time around.
One of the more interesting parts of the music video is the allusions he makes to the Civil Rights movement. He mixes footage of Martin Luther King Jr. with the ACTA protests in Europe earlier this year alongside protest footage from Occupy Wall Street and the London Riots.
Dotcom has also created a new website for his latest campaign that aims to expose the corruption in Washington. On the site, he lists a timer counting the number of days that Megaupload has been down. He also asks users if they would still vote for Obama if Megaupload isn’t brought back up by November 1. So far, 4,625 have said no while 1.674 have said yes.
A new lyric video for Katy Perry’s “Wide Awake”, features lyrics and Katy Perry trivia popping up in Facebook Timeline. The song was debuted this past Sunday at the Billboard Music Awards.
The video cronicles Katy Perry’s own timeline, starting with the release of Teenage Dream on May 10th, 2010. It continues with the milestones in her career interspersed with Wide Awake lyrics that pop up in non-Facebook font.
A representative of Perry’s label, EMI/Capitol Music Group, released a statement to Mashable explaining that they got permission from Facebook to feature the Timeline.
Facebook approved us using the timeline layout, and they actually just featured it on a few of their pages, including Celebs on Facebook and Music on Facebook.
We thought Facebook timeline was as an elegant way to celebrate the past couple of years, while displaying the lyrics to the last song in the Teenage Dream chapter. During this time, Katy’s star has grown rapidly, and her Facebook community is a reflection of that, with more than 43 Million likes, making her the seventh-most-popular musician on the social network.
Katy Perry’s career grew at a time that she could have posted all of her accomplishments on Facebook, and fan pages have. The official fan page posted the video, so now you can watch the video timeline on the real timeline.
There is also another Facebook music video out there. A really terrible one thanking Facebook for existing.
At least Katy Perry didn’t actually talk to Facebook in her video.
As an avid ‘The Guild’ fan, it’s been interesting to witness the evolution of the show throughout the years. From watching the first season, when the show was relatively unknown and looked like it was on a shoestring budget to the present. Now, The Guild is watched by millions and Felicia Day, its creator, has her own official YouTube channel called Geek & Sundry (link isn’t to the channel, but the site itself).
While the fifth season of the show hasn’t started yet, a music video was released to coincide with Geek & Sundry’s official start. Along with the music video, three shows on the channel received premieres which you can view below.
The Guild – I’m the One That’s Cool
– I still think ‘Do You Wanna Date My Avatar’ is their best video, but there’s no denying the improved production value.
The Flog: Blacksmithing
– Depending on how much you’re charmed by Felicia Day’s aura will determine your enjoyment of The Flog. It’s basically Felicia Day’s own video blog, but unlike amateurs she goes out and visits places. If you’re curious how blacksmithing works, I can recommend the episode.
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Dark Horse Comics – The Secret: Chapter 1
– Of the shows I watched on Geek & Sundry, this was by far my favorite. Go ahead and sign me up on the prospect of more motion comics. The Secret isn’t the first, but is of high quality.
TableTop Ep. 1: Small World
– The show has a well done intro, and Wil Wheaton brings a much needed flare to a show that’s about people sitting around playing board games. While I can’t recommend this for everyone, if you like board games and want an interesting way to watch your hobby take place, then give it a go.
Overall, I enjoyed the Geek & Sundry premieres. While I won’t be keeping up with all of them, there’s no denying the effort that went into the channel, and in turn the shows. With a high variety of subject matter, there’s bound to be something that will catch your interest and suck away your time.
If you’re a fan of Taylor Swift and are looking forward to the upcoming release of ‘The Hunger Games‘, then you’re going to have a great Valentine’s Day. The theme song for The Hunger Games, ‘Safe & Sound’, was written by Taylor Swift, specifically for the movie. There’s now a music video to go along with the song.
I’ve always been in the camp that doesn’t necessarily like Taylor Swift’s music, but respects her for writing and performing her own music, while making it big. The video is vaguely tied to The Hunger Games, as she finds a mockingjay pin.
The Hunger Games looks to be one of the most highly anticipated movies of the year; based upon the New York Times-best selling series. The book is regarded as one of the most successful e-books, selling over one million copies on the Amazon Kindle. Putting Suzanne Collins, the author of the book, in the rare “Kindle Million Club”. A feat only shared by six other authors.
OK Go, the band responsible for some of the most viral music videos in recent memory, has teamed up with Google and a dance troupe called Pilobolus for an HTML5 Chrome experiment called All Is Not Lost.
From the Google Google+Blog%29&utm_content=Google+Reader”>blog –
The band and Pilobolus dancers are filmed through a clear floor, making increasingly complex shapes and eventually words—and messages you can write yourself.
All is Not Lost is built in HTML5 with the browser Google Chrome in mind. Different shots are rendered in different browser windows that move, re-size and re-align throughout the piece. With HTML5’s canvas technology, these videos are drawn in perfect timing with the music.
And yes, you must use Chrome to view the video.
Once you enter your custom message, the video begins. The video uses multiple browser windows to creates interesting patterns with the dancers, eventually spelling “All Is Not Lost” and finally your personal message.
When the music video is over, users have the option of replaying the entire thing or simply sharing their personal message via custom link.
Of course, OK Go is no stranger to innovative music videos. Two of their previous videos became incredibly popular on the interwebs: first, the video for Here It Goes Again (aka the treadmill video) and then for their Rube Goldberg-themed This Too Shall Pass.
This new interactive experience is nice, but it doesn’t quite live up to the incredible Chrome experiment The Wilderness Downtown in my book. That interactive film featuring the Arcade Fire song “We Used To Wait” was an unreachable kind of awesome.
What do you think? What were some of your messages? Let us know in the comments.
Rebecca Black, for all of her ills, seems to have started a “let’s a make a horrible song for fun” phase. I’m not sure what else explains the “I’m on G+ (gee plus)” video that’s making the rounds on, you guessed it, Google+ (hat-tip to Whitney Pannell for pointing this out).
It’s a silly song done very much in the ARK Music Factory style, and while it has a number of dislikes, considering it’s not a serious approach — that is, it’s trying to have some fun with Google+ — perhaps some are missing the point. The parody was developed by the Hanson Dodge Creative group, and it’s a nice play on the bubble gum music sensation that’s taking over the world. Watch the video and see if you agree:
I can’t lie, it’s catchier to me than anything that’s ever come out of ARK Music — um, is that an appropriate use of the word “music?” Sorry, Rebecca. But then again, it’s doubtful “I’m on G+” will get the same kind of pageviews Miss Black is accustomed to. In fact, it may not even approach Lexi St. George status, either, which is still hovering around the 200,000 mark. Currently, “G+” has a little over 3000 view. Keeping with the ARK Music Factory tradition, somewhat, anyway, is the amount of dislikes relative to the amount of likes.
In the case of “I’m on G+,” it has 121 likes and 42 dislikes.
It’s also worth pondering if the Bieber crowd actually got a hold of this song, would they make it popular, just like they do with Rebecca Black? It’s an avenue worth pursuing, especially when you consider the amount of views a Rebecca Black song gets. Speaking of, her new song has over SIX MILLION views, although, the dislike amount is approaching “Friday” status, earning a hefty 255,062 turned-down thumbs.
Clearly, “I’m on G+” has a lot of work to do. Check out the lyrics and and you’ll see it fits quite well in the “pop music” genre:
Verse 1
Gimme that pl-plus one-one
Gimme that in-invite-vite
I’ve been waitn awhile, tryin’ to get my free trial
Heard it from my homies, The app is still in beta,
I got my invite yesterday, don’t be a google-hata(hater)
Hell Yeaa
Drag & Drop, yeah Drag & Drop
Find a friend to circle, I be droppin’ like it’s hot
drag and droppin’ like it’s hot, drag and droppin like it’s hot
find a friend to circle, I be droppin’ like it’s hot.
Hook
Spinning Circles like their Rims, Customizin’
They be addin’ me so fast, it’s hiptonizin’
Join a hangout, add some Sparks, got a Buzz,
Now I’m feelin so fly I’m on G+
I’m on G+, I’m on G+
Now I’m feelin so fly I’m on G+
Tired of hiding my pics, from my Facebook Cliques,
My mom friended me, so I keep it PG,
Now I can share whatever, straight up from my Droid,
My boss doesn’t even see it, and I ain’t paranoid.
Hell Yeaa
Drag & Drop, yeah Drag & Drop
Find a friend to circle, I be droppin’ like it’s hot
drag and droppin’ like it’s hot, drag and droppin like it’s hot
find a friend to circle, I be droppin’ like it’s hot.
Hook
Spinning Circles like their Rims, Customizin’
They be addin’ me so fast, it’s hiptonizin’
Join a hangout, add some Sparks, got a Buzz,
Now I’m feelin so fly I’m on G+
I’m on G+, I’m on G+
Now I’m feelin so fly I’m on G+
Bridge
Google anthem, make you hit that plus one
make you hit that plus one, make you hit that plus one
Google anthem, make you hit that plus one
make you hit that plus one, make you hit that plus one
Hell yea, make you hit that plus one, make you hit that plus one
Hell yea, make you hit that plus one, make you hit that plus one
Hook
Spinning Circles like their Rims, Customizin’
They be addin’ me so fast, it’s hiptonizin’
Join a hangout, add some Sparks, got a Buzz,
Now I’m feelin so fly I’m on G+
I’m on G+, I’m on G+
Now I’m feelin so fly I’m on G+
Perhaps these guys should start their own hit factory, but only if they focus on e-business-related topics.
