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Tag: calvin and hobbes

  • Calvin And Hobbes Dance Over At YouTube

    Calvin And Hobbes Dance Over At YouTube

    There’s little arguing when it comes to the position of Calvin and Hobbes in the annals of entertainment history; that is, right at the top. The revered comic strip is still fawned over by fans, even though there hasn’t been any new content since December, 1995. While search engines aren’t necessarily the go-to metric when it comes to discussing viral popularity anymore, a simple search for “Calvin and Hobbes Tumblr” returns over 1 million results. That, alone, should provide some insight into just how much people love the rascally blonde-headed kid and his brilliant tiger sidekick.

    Naturally, such fanhood has been facilitated by the Internet and all of the fan club-enabling features it contains. The latest involves the animation of the duo’s famous dance moves, which appeared regularly in Bill Watterson’s works. The animated work was done by Adam Brown, he of Comedy Central’s Ugly Americans fame. To create the animated short, Brown actually used Watterson’s drawings as his source. Brown also gives the appropriate credit where it is due.

    While some might yell infringement, Brown makes sure to address this by stating he is not collecting pageview money for his creation, which leads this post. He continues by saying:

    It is my belief that Bill Watterson is open to fan fic and remakes of his works as long as there’s no profit from it. He recently said in an interview, “Every artist learns through imitation, but I rather doubt the aim of these things is artistic development. I assume they’re either homages or satiric riffs, and are not intended to be taken too seriously as works in their own right. Otherwise I should be talking to a copyright lawyer.”

    This is meant as an homage, but it’s also about the artistic development of animation… I don’t think it detracts from the original to see them in motion.

    While the copyright of Calvin and Hobbes belongs to Bill Watterson and Andrews McMeel Universal, I believe this is fair use based on the following:

    -There’s no profit, advertising or otherwise.
    -The use is transformative, not just derivative.
    -The characters from the comic are redrawn, not copied. One of Watterson’s paintings was modified for the background.

    Based on Watterson’s statements referenced by Brown, would you agree with his disposition? Would Watterson? As an aside, if you didn’t see the interview in question, Mental Floss is your starting point. Considering how YouTube is functions on a “quick to pull the offending video” basis, it wouldn’t be the least bit surprising if Brown’s video comes down soon.

    [Lead image via Adam Brown, courtesy of Bill Watterson]

  • The Trailer for Dear Mr. Watterson Released

    It’s hard to deny the impact of Bill Watterson’s incredible Calvin and Hobbes comic strip has had on the new generation of content creators. The references and nods to Watterson’s legendary duo are almost too much to count, but considering the fact the comic strip itself still has over 200,000 subscribers on GoComics.com, even though there hasn’t been a new Calvin and Hobbes comic since New Year’s Eve, 1995, it’s awfully clear the boy with the stuffed tiger remains as popular as ever.

    The love of Watterson’s unforgettable comic strip is the driving force behind Joel Schroeder’s Dear Mr. Watterson documentary, which has just released its first trailer. After receiving additional funding from a successful Kickstarter campaign, which actually reached its goal in March of 2010, the project is just about ready for consumption. Before that, however, it’s important to get the intended audience’s attention, something the following trailer does quite well:


    According to the official site, the movie will be released on November 15. Before that, however, there will be early screenings in Chagrin Falls, Ohio on October 2, and Buffalo, New York on October 3 (all 2013 dates), so if you’re at either the Chagrin Documentary Film Festival or the Buffalo International Film Festival, and you’re a huge Calvin and Hobbes fan, you’ll have a chance to watch it before the rest of us.

    Schroeder has also been clear his movie is not about finding Watterson and capturing him on film like he’s part of History Channel’s MonsterQuest. Instead, Schroeder’s goal is much simpler:

    This film is not a quest to find Bill Watterson, or to invade his privacy. It is an exploration to discover why his ‘simple’ comic strip made such an impact on so many readers in the 80s and 90s, and why it still means so much to us today.

  • ‘Calvin And Hobbes’ Auction: Rare Artwork For Sale

    Bill Watterson created one of the most iconic comic strips of our time, landing himself up there with Charles Schulz in the world of comic art. His beloved characters, Calvin and Hobbes, have become as much a part of our pop culture as they have a fixture in the American landscape of cartoons, and his rare, original pieces are much coveted and sought after by collectors. Earlier this year, a watercolor showing the rambunctious little boy and his tiger friend sleeping beneath a tree fetched over $100,000 at auction; now, an entire original strip is up for grabs, and it is expected to garner quite a bidding war.

    The watercolor (Image: Rick Marschall)

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    The strip (Image: Brian Basset)

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    Watterson has been famously reclusive for most of his career, denying many interviews and retiring in 1995 at what many considered to be the height of his strip’s popularity. He reportedly never licensed his works for reproduction and rarely gave away artwork, which makes the few original pieces that have popped up extremely valuable.

    The latest work to be auctioned comes from Brian Basset, who is also a cartoonist and was given the piece 26 years ago by the artist himself. He says that parting with it will be extremely difficult, but after finding himself in a financial bind, he feels he has no choice.

    “I am so thankful of Bill Watterson’s generosity and the opportunity his talent has given me more than a quarter of a century later,” he said. “It is now time for someone else to enjoy owning this piece of Americana.”

    The strip measures 13×9 and could fetch more than a quarter of a million dollars if the right buyer is interested.